Melola Discovery

← Melola Discovery

Jurnal

Preman Pensiun dan Kuasa Agama: Semiotika Visual Komunikasi Religius dalam Episode “Kembali Ke Fitri”

Anida (Aktualisasi Nuansa Ilmu Dakwah) · Vol. 22 No. 1 (2022) · hlm. 76–93

DOI
10.15575/anida.v22i1.18695
ISSN
2550-1097
Terbit
2022-06-29
Penerbit
Fakultas Dakwah dan Komunikasi UIN Sunan Gunung Djati Bandung
Bahasa
ind

Abstrak

The Preman Pensiun cinema in the episode Return to Fitri has vital elements of the pull of religion so that humans return to Him. The purpose of this study is to interpret cultural signs visually. Using a critical paradigm with a visual semiotic method that is both structural and poststructural, the researcher uses a post-semiotic approach rooted in postmodernism to interpret the image that the author refers to from the Sinema Preman Pensiun episode of Return to Fitri. The study's results, from the perspective of structural visual semiotics, show that the power of religion is clearly depicted in the scenes played by Muslihat and Ujang figures. However, in the post-semiotic perspective, the pull of religion is a method of capitalism to influence or grip the minds of the audience so that they are interested in being part of the film (the audience). This research is expected to impact researches on communication semiotics that continue to develop and on da'wah communication in general, which the authors define as religious communication in the context of a critical paradigm.

Kata kunci

Jaringan kolaborasi para penulis

10 penulis · 14 tautan kepenulisan bersama · 4 lintas organisasi

Arahkan kursor atau ketuk sebuah nama untuk menyorot rekan penulisnya. Klik dua kali untuk membuka halaman penulis.

  • Telkom University
  • Sunan Gunung Djati State Islamic University Bandung
  • Afiliasi tidak diketahui
  • Organisasi berbeda
  • Organisasi sama
  • Afiliasi tidak diketahui
  • Garis lebih tebal = lebih banyak artikel bersama · lingkaran lebih besar = lebih banyak artikel
Tampilkan sebagai tabel
Rekan penulisOrganisasiArtikel bersama
Ujang SaepullahSunan Gunung Djati State Islamic University Bandung1
Freddy YusantoTelkom University1
Khoiruddin MuchtarSunan Gunung Djati State Islamic University Bandung1
Bahrudin BahrudinSunan Gunung Djati State Islamic University Bandung1
Ridwan MubarokSunan Gunung Djati State Islamic University Bandung1
Dudy Imanuddin EffendyAfiliasi tidak diketahui1
Dindin DimyatiTelkom University1
Roro Retno WulanTelkom University1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.uinsgd.ac.id/index.php/anida/oai, pertama di-harvest 7 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc) 
<oai_dc:dc xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/  http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Preman Pensiun dan Kuasa Agama: Semiotika Visual Komunikasi Religius dalam Episode “Kembali Ke Fitri”</dc:title>
	<dc:creator>Rustandi, Dudi</dc:creator>
	<dc:creator>Noviana, Anna</dc:creator>
	<dc:subject xml:lang="en-US">Komunikasi Religius</dc:subject>
	<dc:subject xml:lang="en-US">Semiotika</dc:subject>
	<dc:subject xml:lang="en-US">Dakwah</dc:subject>
	<dc:subject xml:lang="en-US">Postsemiotika</dc:subject>
	<dc:description xml:lang="en-US">The Preman Pensiun cinema in the episode Return to Fitri has vital elements of the pull of religion so that humans return to Him. The purpose of this study is to interpret cultural signs visually. Using a critical paradigm with a visual semiotic method that is both structural and poststructural, the researcher uses a post-semiotic approach rooted in postmodernism to interpret the image that the author refers to from the Sinema Preman Pensiun episode of Return to Fitri. The study's results, from the perspective of structural visual semiotics, show that the power of religion is clearly depicted in the scenes played by Muslihat and Ujang figures. However, in the post-semiotic perspective, the pull of religion is a method of capitalism to influence or grip the minds of the audience so that they are interested in being part of the film (the audience). This research is expected to impact researches on communication semiotics that continue to develop and on da'wah communication in general, which the authors define as religious communication in the context of a critical paradigm.</dc:description>
	<dc:publisher xml:lang="en-US">Fakultas Dakwah dan Komunikasi UIN Sunan Gunung Djati Bandung</dc:publisher>
	<dc:date>2022-06-29</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.uinsgd.ac.id/index.php/anida/article/view/18695</dc:identifier>
	<dc:identifier>10.15575/anida.v22i1.18695</dc:identifier>
	<dc:source xml:lang="en-US">Anida (Aktualisasi Nuansa Ilmu Dakwah); Vol. 22 No. 1 (2022): Anida (Aktualisasi Nuansa Ilmu Dakwah); 76-93</dc:source>
	<dc:source>2550-1097</dc:source>
	<dc:source>10.15575/anida.v22i1</dc:source>
	<dc:language>ind</dc:language>
	<dc:relation>https://journal.uinsgd.ac.id/index.php/anida/article/view/18695/7499</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Dudi Rustandi</dc:rights>
</oai_dc:dc>