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Analisis Semiotika Terhadap Tokoh Utama Perempuan dalam Film Perempuan Tanah Jahanam

Az-Zahra: Journal of Gender and Family Studies · Vol. 4 No. 1 (2023) · hlm. 1–11

DOI
10.15575/azzahra.v4i1.25547
ISSN
2746-8593, 2746-8585
Terbit
2023-12-26
Penerbit
UIN Sunan Gunung Dajti Bandung
Bahasa
eng

Abstrak

Horror is still a popular genre in the growth of Indonesian films. Female characters are often featured iconically in the narrative of a horror film. However, there is a negative stigma about the presence of female characters in horror films who appear as antagonistic characters. Female characters often play the role of ghosts, victims of crimes, and other complementary characters. This study uses qualitative research and Roland Barthes semiotics to analyze the representation of female characters in Perempuan Tanah Jahanam. This research focuses on the main female characters in the movie. The results of this study explain the denotation that describes the female characters in Perempuan Tanah Jahanam as women who become the main characters in filling various important roles in horror films, while in the connotation there are various meanings that the main female characters have social strengths such as courage in fighting patriarchal culture, supporting fellow women, working hard and being independent, from the denotation and connotation that the author found formed a myth in the form of elements of feminism that were constructed on the four main characters in the film. Researchers found that the main female character is no longer represented as a victim or a seductive and sexy ghost. Female characters are also not used as a means of supporting the success and interests of commercialism in a horror film.

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13 penulis · 28 tautan kepenulisan bersama · 3 lintas organisasi

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  • University of Pembangunan Nasional Veteran Jawa Timur
  • Waseda University
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Rekan penulisOrganisasiArtikel bersama
Zainal Abidin AchmadUniversity of Pembangunan Nasional Veteran Jawa Timur2
Adiasri Putri PurbantinaWaseda University1
Vina NahdiyahUniversity of Pembangunan Nasional Veteran Jawa Timur1
Ucik Uswatun KhasanahUniversity of Pembangunan Nasional Veteran Jawa Timur1
Dwi WahyuningtyasUniversity of Pembangunan Nasional Veteran Jawa Timur1
Roziana FebrianitaUniversity of Pembangunan Nasional Veteran Jawa Timur1
Valentin Ceretto BergeratAfiliasi tidak diketahui1
Sunnah Dwi RochmanaUniversity of Pembangunan Nasional Veteran Jawa Timur1
Oktifani WinartiUniversity of Pembangunan Nasional Veteran Jawa Timur1
Hanna NurhaqiqiUniversity of Pembangunan Nasional Veteran Jawa Timur1
Debby Vironica Nur JannahUniversity of Pembangunan Nasional Veteran Jawa Timur1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.uinsgd.ac.id/index.php/azzahra/oai, pertama di-harvest 7 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en-US">Analisis Semiotika Terhadap Tokoh Utama Perempuan dalam Film Perempuan Tanah Jahanam</dc:title>
	<dc:creator>Samanda, Glen Aviaro</dc:creator>
	<dc:creator>Kusuma, Ade</dc:creator>
	<dc:subject xml:lang="en-US">Female</dc:subject>
	<dc:subject xml:lang="en-US">Horor Film</dc:subject>
	<dc:subject xml:lang="en-US">Semiotic</dc:subject>
	<dc:description xml:lang="en-US">Horror is still a popular genre in the growth of Indonesian films. Female characters are often featured iconically in the narrative of a horror film. However, there is a negative stigma about the presence of female characters in horror films who appear as antagonistic characters. Female characters often play the role of ghosts, victims of crimes, and other complementary characters. This study uses qualitative research and Roland Barthes semiotics to analyze the representation of female characters in Perempuan Tanah Jahanam. This research focuses on the main female characters in the movie. The results of this study explain the denotation that describes the female characters in Perempuan Tanah Jahanam as women who become the main characters in filling various important roles in horror films, while in the connotation there are various meanings that the main female characters have social strengths such as courage in fighting patriarchal culture, supporting fellow women, working hard and being independent, from the denotation and connotation that the author found formed a myth in the form of elements of feminism that were constructed on the four main characters in the film. Researchers found that the main female character is no longer represented as a victim or a seductive and sexy ghost. Female characters are also not used as a means of supporting the success and interests of commercialism in a horror film.</dc:description>
	<dc:publisher xml:lang="en-US">UIN Sunan Gunung Dajti Bandung</dc:publisher>
	<dc:date>2023-12-26</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.uinsgd.ac.id/index.php/azzahra/article/view/25547</dc:identifier>
	<dc:identifier>10.15575/azzahra.v4i1.25547</dc:identifier>
	<dc:source xml:lang="en-US">Az-Zahra: Journal of Gender and Family Studies; Vol. 4 No. 1 (2023); 1-11</dc:source>
	<dc:source>2746-8593</dc:source>
	<dc:source>2746-8585</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.uinsgd.ac.id/index.php/azzahra/article/view/25547/10325</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Glen Aviaro Samanda, Ade Kusuma</dc:rights>
</oai_dc:dc>