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Embracing Modernity: The Evolution of Contemporary Islamic Calligraphy in Indonesia (1979-2014)

Definisi: Jurnal Agama dan Sosial Humaniora · Vol. 2 No. 3 (2023) · hlm. 196–206

DOI
10.1557/djash.v2i3.38626
ISSN
2828-7878
Terbit
2023-08-28
Penerbit
Pascasarjana UIN Sunan Gunung Djati Bandung
Bahasa
eng

Abstrak

This study aims to analyze the journey of the acceptance of contemporary Islamic calligraphy in Indonesia from 1979 to 2014. Initially, contemporary calligraphy faced opposition from calligraphers who considered it a violation of Arabic script grammar and often linked it to issues of Islamic jurisprudence concerning halal and haram. The research employs a narrative-analytical historical approach, using data collection techniques such as interviews and exploration of print media. The findings reveal that the acceptance of contemporary Islamic calligraphy in Indonesia involved a lengthy process, beginning with its controversial emergence, conflicts between painters and calligraphers, a phase of revival, and ultimately its acceptance as one of the competition categories in the Mushabaqah Tilawatil Quran (MTQ). This study contributes to a deeper understanding of the dynamics of cultural change and acceptance in the context of Islamic art in Indonesia.

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39 penulis · 89 tautan kepenulisan bersama · 4 lintas organisasi

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  • Sunan Gunung Djati State Islamic University Bandung
  • State University of Malang
  • Bandung Institute of Technology
  • Hasanuddin University
  • Afiliasi tidak diketahui
  • Organisasi berbeda
  • Organisasi sama
  • Afiliasi tidak diketahui
  • Garis lebih tebal = lebih banyak artikel bersama · lingkaran lebih besar = lebih banyak artikel
Tampilkan sebagai tabel
Rekan penulisOrganisasiArtikel bersama
Sumarmi SumarmiState University of Malang2
Syofiah PribadiAfiliasi tidak diketahui2
Ida SamidahAfiliasi tidak diketahui2
Vu Thi NgocAfiliasi tidak diketahui2
Ilham MaulanaAfiliasi tidak diketahui1
Asep Ahmad HidayatAfiliasi tidak diketahui1
Ajid ThohirAfiliasi tidak diketahui1
Alfa Dini SavitriAfiliasi tidak diketahui1
Dedi SupriadiAfiliasi tidak diketahui1
Sopaat SopaatAfiliasi tidak diketahui1
Asep SupianudinSunan Gunung Djati State Islamic University Bandung1
Tarpin TarpinAfiliasi tidak diketahui1
Maman Abdul DjalilAfiliasi tidak diketahui1
Fadjriudin FadjriudinAfiliasi tidak diketahui1
Asep Achmad HidayatAfiliasi tidak diketahui1
Eva SopiahAfiliasi tidak diketahui1
SulasmanAfiliasi tidak diketahui1
Cecep Wahyu HoerudinAfiliasi tidak diketahui1
Salman NajmudiAfiliasi tidak diketahui1
Agus Mahfudin SetiawanAfiliasi tidak diketahui1
Dian NurrachmanSunan Gunung Djati State Islamic University Bandung1
Dedi SupriadiSunan Gunung Djati State Islamic University Bandung1
Yan NurcahyaBandung Institute of Technology1
Muhammad Al HafidzSunan Gunung Djati State Islamic University Bandung1
Rian Ananda PutraSunan Gunung Djati State Islamic University Bandung1
Abdul AzizSunan Gunung Djati State Islamic University Bandung1
Nelova NidaunnisaSunan Gunung Djati State Islamic University Bandung1
Nazmul MuttaqinAfiliasi tidak diketahui1
Vikron VikronAfiliasi tidak diketahui1
Ridwan RidwanHasanuddin University1
Nadiatul UlumAfiliasi tidak diketahui1
Lida HidaAfiliasi tidak diketahui1
Nerla Misriani SalehAfiliasi tidak diketahui1
Zahra Nur AzizahAfiliasi tidak diketahui1
Shaleh Afif JanuriAfiliasi tidak diketahui1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.uinsgd.ac.id/index.php/definisi/oai, pertama di-harvest 7 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc) 
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	<dc:title xml:lang="en-US">Embracing Modernity: The Evolution of Contemporary Islamic Calligraphy in Indonesia (1979-2014)</dc:title>
	<dc:creator>Maksugi, Muhamad</dc:creator>
	<dc:creator>Hidayat, Asep Achmad</dc:creator>
	<dc:creator>Supendi, Usman</dc:creator>
	<dc:creator>Hakim, Ajid</dc:creator>
	<dc:description xml:lang="en-US">This study aims to analyze the journey of the acceptance of contemporary Islamic calligraphy in Indonesia from 1979 to 2014. Initially, contemporary calligraphy faced opposition from calligraphers who considered it a violation of Arabic script grammar and often linked it to issues of Islamic jurisprudence concerning halal and haram. The research employs a narrative-analytical historical approach, using data collection techniques such as interviews and exploration of print media. The findings reveal that the acceptance of contemporary Islamic calligraphy in Indonesia involved a lengthy process, beginning with its controversial emergence, conflicts between painters and calligraphers, a phase of revival, and ultimately its acceptance as one of the competition categories in the Mushabaqah Tilawatil Quran (MTQ). This study contributes to a deeper understanding of the dynamics of cultural change and acceptance in the context of Islamic art in Indonesia.</dc:description>
	<dc:publisher xml:lang="en-US">Pascasarjana UIN Sunan Gunung Djati Bandung</dc:publisher>
	<dc:date>2023-08-28</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.uinsgd.ac.id/index.php/definisi/article/view/38626</dc:identifier>
	<dc:identifier>10.1557/djash.v2i3.38626</dc:identifier>
	<dc:source xml:lang="en-US">Definisi: Jurnal Agama dan Sosial Humaniora; Vol. 2 No. 3 (2023): Definisi: Jurnal Agama dan Sosial Humaniora; 196-206</dc:source>
	<dc:source>2828-7878</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.uinsgd.ac.id/index.php/definisi/article/view/38626/11420</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2024 Muhamad Maksugi, Asep Achmad Hidayat, Usman Supendi, Ajid Hakim</dc:rights>
</oai_dc:dc>