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Islamic Apologetics and Social Construction: Framing Bang Zuma's YouTube Content via James Thrower

International Journal of Nusantara Islam · Vol. 13 No. 1 (2025) · hlm. 51–64

DOI
10.15575/ijni.v13i1.45593
ISSN
2355-651X, 2252-5904
Terbit
2025-06-04
Penerbit
UIN Sunan Gunung Djati Bandung
Bahasa
eng

Abstrak

Social media has emerged as a critical arena for religious discourse, reshaping the dynamics of Islamic apologetics in contemporary Indonesia. This study aims to analyze the framing strategies employed in the digital content of Bang Zuma, a popular Muslim apologist on YouTube, particularly known for his polemical videos on Islam-Christianity debates. Drawing upon Robert Entman's framing theory and James Thrower's perspective on the social construction of religion, this research investigates how Bang Zuma’s content contributes to the reconstruction of Islamic identity and discourse within digital spaces. Using qualitative content analysis on three viral video transcripts, the study identifies four key framing strategies: (1) constructing a binary between the "authentic Jesus" and the "false Jesus"; (2) selectively appropriating Biblical texts; (3) positioning Islam as the true heir of monotheism; and (4) delegitimizing Christian theological authority. These strategies not only serve apologetic purposes but also enact a performative reconstruction of Islamic identity tailored to the logic of social media platforms. The findings reveal that Bang Zuma’s digital apologetics represent a transformation of traditional munazara practices, illustrating what Thrower describes as the “reconfiguration of religious authority” in the digital age, where legitimacy is increasingly built through visibility, engagement, and performativity rather than institutional credentials. This study contributes to a deeper understanding of how digital religious actors utilize platform-based affordances to shape public perceptions of Islam, negotiate interfaith boundaries, and reconstruct theological narratives in a fragmented, algorithm-driven media ecosystem.

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24 penulis · 47 tautan kepenulisan bersama · 17 lintas organisasi

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  • Sunan Gunung Djati State Islamic University Bandung
  • Sultan Ageng Tirtayasa University
  • Universitas Islam Negeri Jurai Siwo Lampung
  • International Women University
  • Badan Geologi
  • Parahyangan Catholic University
  • Afiliasi tidak diketahui
  • Organisasi berbeda
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Rekan penulisOrganisasiArtikel bersama
Siti NurjanahUniversitas Islam Negeri Jurai Siwo Lampung1
M Taufiq RahmanSunan Gunung Djati State Islamic University Bandung1
Erni HaryantiSunan Gunung Djati State Islamic University Bandung1
Agus Ahmad SafeiSunan Gunung Djati State Islamic University Bandung1
Asep Abdul SahidSunan Gunung Djati State Islamic University Bandung1
Rifki RosyadSunan Gunung Djati State Islamic University Bandung1
Endah WahidahSunan Gunung Djati State Islamic University Bandung1
Yeni HurianiSunan Gunung Djati State Islamic University Bandung1
Lina MustakimahSunan Gunung Djati State Islamic University Bandung1
Paridah NapilahSunan Gunung Djati State Islamic University Bandung1
Zaenal MukaromSunan Gunung Djati State Islamic University Bandung1
Asep Saeful MuhtadiSunan Gunung Djati State Islamic University Bandung1
Hamzah TurmudiSunan Gunung Djati State Islamic University Bandung1
Yusuf Zainal AbidinAfiliasi tidak diketahui1
Rohmanur AzizSunan Gunung Djati State Islamic University Bandung1
Aep KusnawanSunan Gunung Djati State Islamic University Bandung1
Toteng SuharaInternational Women University1
Roberto Arieza Martin PurbaBadan Geologi1
Dian NurrachmanSunan Gunung Djati State Islamic University Bandung1
Dody S. TrunaSunan Gunung Djati State Islamic University Bandung1
Mohammad Ziaul HaqParahyangan Catholic University1
Didin KomaruddinSunan Gunung Djati State Islamic University Bandung1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.uinsgd.ac.id/index.php/ijni/oai, pertama di-harvest 7 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en-US">Islamic Apologetics and Social Construction: Framing Bang Zuma's YouTube Content via James Thrower</dc:title>
	<dc:creator>Mukhroman, Iman</dc:creator>
	<dc:creator>Halim, Ilim Abdul</dc:creator>
	<dc:subject xml:lang="en-US">apologetics</dc:subject>
	<dc:subject xml:lang="en-US">authority</dc:subject>
	<dc:subject xml:lang="en-US">digital media</dc:subject>
	<dc:subject xml:lang="en-US">media framing</dc:subject>
	<dc:subject xml:lang="en-US">social construction</dc:subject>
	<dc:subject xml:lang="en-US">YouTube</dc:subject>
	<dc:description xml:lang="en-US">Social media has emerged as a critical arena for religious discourse, reshaping the dynamics of Islamic apologetics in contemporary Indonesia. This study aims to analyze the framing strategies employed in the digital content of Bang Zuma, a popular Muslim apologist on YouTube, particularly known for his polemical videos on Islam-Christianity debates. Drawing upon Robert Entman's framing theory and James Thrower's perspective on the social construction of religion, this research investigates how Bang Zuma’s content contributes to the reconstruction of Islamic identity and discourse within digital spaces. Using qualitative content analysis on three viral video transcripts, the study identifies four key framing strategies: (1) constructing a binary between the "authentic Jesus" and the "false Jesus"; (2) selectively appropriating Biblical texts; (3) positioning Islam as the true heir of monotheism; and (4) delegitimizing Christian theological authority. These strategies not only serve apologetic purposes but also enact a performative reconstruction of Islamic identity tailored to the logic of social media platforms. The findings reveal that Bang Zuma’s digital apologetics represent a transformation of traditional munazara practices, illustrating what Thrower describes as the “reconfiguration of religious authority” in the digital age, where legitimacy is increasingly built through visibility, engagement, and performativity rather than institutional credentials. This study contributes to a deeper understanding of how digital religious actors utilize platform-based affordances to shape public perceptions of Islam, negotiate interfaith boundaries, and reconstruct theological narratives in a fragmented, algorithm-driven media ecosystem.</dc:description>
	<dc:publisher xml:lang="en-US">UIN Sunan Gunung Djati Bandung</dc:publisher>
	<dc:date>2025-06-04</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.uinsgd.ac.id/index.php/ijni/article/view/45593</dc:identifier>
	<dc:identifier>10.15575/ijni.v13i1.45593</dc:identifier>
	<dc:source xml:lang="en-US">International Journal of Nusantara Islam; Vol. 13 No. 1 (2025):  International Journal of Nusantara Islam; 51-64</dc:source>
	<dc:source xml:lang="id-ID">International Journal of Nusantara Islam; Vol 13 No 1 (2025):  International Journal of Nusantara Islam; 51-64</dc:source>
	<dc:source>2355-651X</dc:source>
	<dc:source>2252-5904</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.uinsgd.ac.id/index.php/ijni/article/view/45593/14286</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 International Journal of Nusantara Islam</dc:rights>
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