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THE IMAGE OF MUSLIM WOMEN IN TV SERIES "WE ARE LADY PARTS" (2021)

Saksama: Jurnal Sastra · Vol. 3 No. 2 (2024) · hlm. 96–108

DOI
10.15575/sksm.v3i2.39849
ISSN
2986-4550
Terbit
2024-12-23
Penerbit
Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung
Bahasa
eng

Abstrak

This research looks at how Muslim women are portrayed in director Nida Manzoor's TV series “We Are Lady Parts” (2021). The research is using the representation theory by Stuart Hall and Islamic feminism by Fatima Mernissi. This research aims to determine two things: first, how Muslim women are portrayed in the TV series “We Are Lady Parts” (2021); and second, how Muslim women are described in the show. The results of this study are classified into two, namely first, the images of Muslim women in the TV series “We Are Lady Parts” (2021) consist of the characterization of women consisting of physical aspects, Muslim women and their interactions, Muslim women in dealing with difficult situations, and Muslim women in their daily activities. Second, the representation of Muslim women depicted in the TV series “We Are Lady Parts” (2021) produces representations of educated Muslim women, Muslim women with a culture of love and marriage, Muslim women who have careers and hobbies, Muslim women and the struggle of misrepresentation.

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  • Sunan Gunung Djati State Islamic University Bandung
  • State University of Semarang
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Rekan penulisOrganisasiArtikel bersama
Siti MunawarohState University of Semarang1
Hasbi AssiddiqiSunan Gunung Djati State Islamic University Bandung1
Ingga RosariniAfiliasi tidak diketahui1
Ujang SuyatmanSunan Gunung Djati State Islamic University Bandung1
Rini RahayuSunan Gunung Djati State Islamic University Bandung1
Fitri HafsyariSunan Gunung Djati State Islamic University Bandung1
Agus Salim MansyurSunan Gunung Djati State Islamic University Bandung1
Pepen PriyawanSunan Gunung Djati State Islamic University Bandung1
Tuki Madani KarimSunan Gunung Djati State Islamic University Bandung1
Yoga SudarismanSunan Gunung Djati State Islamic University Bandung1
Yudha Nur WidianantaSunan Gunung Djati State Islamic University Bandung1
Ruminda RumindaSunan Gunung Djati State Islamic University Bandung1
Muhamad Mauda Putra UtamaSunan Gunung Djati State Islamic University Bandung1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.uinsgd.ac.id/index.php/saksama/oai, pertama di-harvest 7 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en-US">THE IMAGE OF MUSLIM WOMEN IN TV SERIES "WE ARE LADY PARTS" (2021)</dc:title>
	<dc:creator>Anisa, Zahratu Mutiara</dc:creator>
	<dc:creator>Faisal, Bunyamin</dc:creator>
	<dc:creator>Paturohmah, Pepi Siti</dc:creator>
	<dc:description xml:lang="en-US">This research looks at how Muslim women are portrayed in director Nida Manzoor's TV series “We Are Lady Parts” (2021). The research is using the representation theory by Stuart Hall and Islamic feminism by Fatima Mernissi. This research aims to determine two things: first, how Muslim women are portrayed in the TV series “We Are Lady Parts” (2021); and second, how Muslim women are described in the show. The results of this study are classified into two, namely first, the images of Muslim women in the TV series “We Are Lady Parts” (2021) consist of the characterization of women consisting of physical aspects, Muslim women and their interactions, Muslim women in dealing with difficult situations, and Muslim women in their daily activities. Second, the representation of Muslim women depicted in the TV series “We Are Lady Parts” (2021) produces representations of educated Muslim women, Muslim women with a culture of love and marriage, Muslim women who have careers and hobbies, Muslim women and the struggle of misrepresentation.</dc:description>
	<dc:publisher xml:lang="en-US">Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung</dc:publisher>
	<dc:date>2024-12-23</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.uinsgd.ac.id/index.php/saksama/article/view/39849</dc:identifier>
	<dc:identifier>10.15575/sksm.v3i2.39849</dc:identifier>
	<dc:source xml:lang="en-US">Saksama: Jurnal Sastra; Vol. 3 No. 2 (2024): Saksama; 96 - 108</dc:source>
	<dc:source>2986-4550</dc:source>
	<dc:source>10.15575/sksm.v3i2</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.uinsgd.ac.id/index.php/saksama/article/view/39849/12389</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2025 Saksama: Jurnal Sastra</dc:rights>
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