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Culture of Speed on TikTok: Temporal Compression in Information Consumption among Indonesian Youth

TEMALI : Jurnal Pembangunan Sosial · Vol. 9 No. 2 (2026) · hlm. 151–166

DOI
10.15575/jt.v9i2.54724
ISSN
2615-5028
Terbit
2026-08-17
Penerbit
Universitas Islam Negeri Sunan Gunung Djati Bandung
Bahasa
eng
Lisensi
creativecommons.org/licenses/by-sa/4.0

Abstrak

This study examines how temporal compression in short-form TikTok videos shapes a culture of speed in the information consumption practices of Indonesian youth. The study employed an interpretive qualitative approach with a digital ethnographic orientation. This study collected data by analyzing 25 TikTok videos, conducting semi-structured interviews with 25 users aged 18–24, and examining seven-day digital-use diaries. The study analyzed the data through reflexive thematic analysis and qualitative content analysis. The findings show that temporal compression operates through pause removal and subtitle use (96% each), split-screen presentation (84%), rapid visual changes and high information density (68% each), and accelerated audio or video (56%). At the level of user experience, 80% of participants reported at least one form of temporal immersion, while 76% expected information to be delivered quickly and directly. The participants also demonstrated three patterns of information consumption: TikTok-only (36%), TikTok-first (28%), and cross-platform verification (36%). These findings highlight the need for digital literacy that also develops awareness of information rhythm, depth, and verification. The study’s originality lies in the concept of platformized temporal compression, which extends Social Acceleration by explaining the relationship among content compression, platform acceleration, users’ temporal adaptation, and the transformation of information practices.

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  • Sumatera Institute of Technology
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Rekan penulisOrganisasiArtikel bersama
Yeni HurianiAfiliasi tidak diketahui2
R.F. Bhanu ViktorahadiAfiliasi tidak diketahui2
Ignatius Bambang SugihartoAfiliasi tidak diketahui1
Bhanu ViktorahadiAfiliasi tidak diketahui1
Stephanus DjunatanAfiliasi tidak diketahui1
Penti ApriantiAfiliasi tidak diketahui1
Benediktus Hasiholan GultomAfiliasi tidak diketahui1
Andri Moewashi Idharoel HaqAfiliasi tidak diketahui1
Syihabul FurqonAfiliasi tidak diketahui1
Budhy Munawar RachmanAfiliasi tidak diketahui1
Rudi SetiawanSumatera Institute of Technology1
Leonardus SamosirAfiliasi tidak diketahui1
Leo Kristian Eka Putra DiarsaAfiliasi tidak diketahui1
Mohammad Taufiq RahmanAfiliasi tidak diketahui1
Zaid Tsabit Al KalatiniAfiliasi tidak diketahui1
Fauzan Hilmi AzizAfiliasi tidak diketahui1
Iskandar ArnelAfiliasi tidak diketahui1
Muhammad Valiyyul HaqqAfiliasi tidak diketahui1
Erni HaryantiAfiliasi tidak diketahui1
M. Yusuf WibisonoAfiliasi tidak diketahui1
Mochamad Ziaul HaqAfiliasi tidak diketahui1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.uinsgd.ac.id/index.php/temali/oai, pertama di-harvest 7 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en-US">Culture of Speed on TikTok: Temporal Compression in Information Consumption among Indonesian Youth</dc:title>
	<dc:creator>Priambodo, Damien Amalaika</dc:creator>
	<dc:creator>Haq, Mochamad Ziaul</dc:creator>
	<dc:creator>Philips, Gerardette</dc:creator>
	<dc:subject xml:lang="en-US">Culture of Speed</dc:subject>
	<dc:subject xml:lang="en-US">Platformized Temporal Compression</dc:subject>
	<dc:subject xml:lang="en-US">TikTok</dc:subject>
	<dc:subject xml:lang="en-US">Information Consumption</dc:subject>
	<dc:subject xml:lang="en-US">Indonesian Youth</dc:subject>
	<dc:description xml:lang="en-US">This study examines how temporal compression in short-form TikTok videos shapes a culture of speed in the information consumption practices of Indonesian youth. The study employed an interpretive qualitative approach with a digital ethnographic orientation. This study collected data by analyzing 25 TikTok videos, conducting semi-structured interviews with 25 users aged 18–24, and examining seven-day digital-use diaries. The study analyzed the data through reflexive thematic analysis and qualitative content analysis. The findings show that temporal compression operates through pause removal and subtitle use (96% each), split-screen presentation (84%), rapid visual changes and high information density (68% each), and accelerated audio or video (56%). At the level of user experience, 80% of participants reported at least one form of temporal immersion, while 76% expected information to be delivered quickly and directly. The participants also demonstrated three patterns of information consumption: TikTok-only (36%), TikTok-first (28%), and cross-platform verification (36%). These findings highlight the need for digital literacy that also develops awareness of information rhythm, depth, and verification. The study’s originality lies in the concept of platformized temporal compression, which extends Social Acceleration by explaining the relationship among content compression, platform acceleration, users’ temporal adaptation, and the transformation of information practices.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Islam Negeri Sunan Gunung Djati Bandung</dc:publisher>
	<dc:date>2026-08-17</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.uinsgd.ac.id/index.php/temali/article/view/54724</dc:identifier>
	<dc:identifier>10.15575/jt.v9i2.54724</dc:identifier>
	<dc:source xml:lang="en-US">TEMALI : Jurnal Pembangunan Sosial; Vol. 9 No. 2 (2026): TEMALI : Jurnal Pembangunan Sosial ; 151-166</dc:source>
	<dc:source>2615-5028</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.uinsgd.ac.id/index.php/temali/article/view/54724/16995</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2026  Damien Amalaika Priambodo, Mochamad Ziaul Haq, Gerardette Philips</dc:rights>
	<dc:rights xml:lang="en-US">https://creativecommons.org/licenses/by-sa/4.0</dc:rights>
</oai_dc:dc>