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Open access Jurnal SINTA 2

Audience Reception Analysis of Hasto Kristiyanto News Coverage in Online Media

Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia (JKISKI) · Vol. 11 No. 1 (2026) · pp. 116–128

DOI
10.25008/cw2ex057
ISSN
2503-0795, 2548-8740
Published
2026-06-04
Publisher
Jurnal Komuniksi ISKI
License
creativecommons.org/licenses/by-sa/4.0

Abstract

The designation of Hasto Kristiyanto as a suspect by the KPK triggered political communication dynamics in the digital space that demonstrated how audiences interpret media coverage diversely based on their ideological positions. This research aims to identify media message construction through Pan and Kosicki's framing analysis, analyze factors influencing audience decoding processes, and identify dominant, negotiated, and oppositional patterns in audience reception of Hasto Kristiyanto news coverage in Tempo.co and Kompas.com distributed through X and Instagram platforms from February 1 to June 30, 2025. The study employs a qualitative approach using netnographic methods and content analysis based on Stuart Hall's (1980) encoding/decoding theory and Pan and Kosicki's framing analysis, with data collected through digital observation of 2,139 comments, content documentation, and in-depth interviews with 7 key informants. Research findings reveal that Kompas.com employs procedural-neutral framing focusing on legal aspects while Tempo.co applies critical framing emphasizing power conflicts, audience reception is divided into three decoding positions namely dominant (597), negotiated (579), and oppositional (566), with platform X encouraging negotiated decoding through debate culture while Instagram reinforces oppositional decoding through emotional visual content, influenced by factors of political affiliation, media literacy, collective experiences regarding corruption issues, and digital platform characteristics within the context of power relations and society's ideological structures.

Collaboration network of the authors

4 authors · 6 co-authorship links

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  • Universitas Muhammadiyah Jakarta
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  • Same organisation
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Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

This record comes from Crossref (what the publisher deposited), because the journal's own OAI-PMH endpoint could not be harvested.

Metadata source: Crossref API (cadangan, berdasarkan ISSN) https://api.crossref.org/journals/2503-0795/works, first harvested 29 Okt 2026, last seen 29 Okt 2026.
Metadata as oai_dc, converted from Crossref
<oai_dc:dc xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/"><dc:title>Audience Reception Analysis of Hasto Kristiyanto News Coverage in Online Media</dc:title><dc:creator>Haidar Abdurrohman</dc:creator><dc:creator>Aminah Swarnawati</dc:creator><dc:creator>Harmonis</dc:creator><dc:creator>Tria Patrianti</dc:creator><dc:description>&lt;jats:p&gt;The designation of Hasto Kristiyanto as a suspect by the KPK triggered political communication dynamics in the digital space that demonstrated how audiences interpret media coverage diversely based on their ideological positions. This research aims to identify media message construction through Pan and Kosicki's framing analysis, analyze factors influencing audience decoding processes, and identify dominant, negotiated, and oppositional patterns in audience reception of Hasto Kristiyanto news coverage in Tempo.co and Kompas.com distributed through X and Instagram platforms from February 1 to June 30, 2025. The study employs a qualitative approach using netnographic methods and content analysis based on Stuart Hall's (1980) encoding/decoding theory and Pan and Kosicki's framing analysis, with data collected through digital observation of 2,139 comments, content documentation, and in-depth interviews with 7 key informants. Research findings reveal that Kompas.com employs procedural-neutral framing focusing on legal aspects while Tempo.co applies critical framing emphasizing power conflicts, audience reception is divided into three decoding positions namely dominant (597), negotiated (579), and oppositional (566), with platform X encouraging negotiated decoding through debate culture while Instagram reinforces oppositional decoding through emotional visual content, influenced by factors of political affiliation, media literacy, collective experiences regarding corruption issues, and digital platform characteristics within the context of power relations and society's ideological structures.&lt;/jats:p&gt;</dc:description><dc:publisher>Jurnal Komuniksi ISKI</dc:publisher><dc:date>2026-06-04</dc:date><dc:type>info:eu-repo/semantics/article</dc:type><dc:format>application/pdf</dc:format><dc:identifier>https://doi.org/10.25008/cw2ex057</dc:identifier><dc:identifier>10.25008/cw2ex057</dc:identifier><dc:source>Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia; Vol 11 No 1 (2026); 116-128</dc:source><dc:source>2503-0795</dc:source><dc:source>2548-8740</dc:source><dc:relation>http://jurnal-iski.or.id/index.php/jkiski/article/download/1473/421</dc:relation><dc:rights>https://creativecommons.org/licenses/by-sa/4.0</dc:rights></oai_dc:dc>