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ISLAMIC INFLUENCE ON WOODCARVING MOTIFS IN JOHOR TRADITIONAL MALAY HOUSES

Journal of Islamic Architecture · Vol. 6 No. 4 (2021) · hlm. 313–320

DOI
10.18860/jia.v6i4.13028
ISSN
2356-4644, 2086-2636
Terbit
2021-12-26
Penerbit
Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang
Bahasa
eng
Lisensi
creativecommons.org/licenses/by-sa/4.0

Abstrak

Woodcarving motifs can be influenced by various aspects, including religions and beliefs. Malaysia is known for its cultural diversity and is rich with traditional heritage. Malay is one of the major ethnic groups in Malaysia and is considered as the majority of the country's population, contributing to the significant heritage, including art, decoration, and even architecture. Traditional woodcarving is an intricate Malay heritage and is the symbol of Malay art. A study on Malay woodcarvings is critically needed in order to know the influence that occurs on the selection of the motifs. It is such a waste to see our woodcarving heritage destroyed unappreciated and undocumented, especially on Johor woodcarvings, as many studies in other states have done. More and more traditional Johor Malay houses are being demolished day by day before we know the historical influence on the existence. The objective of this paper was to identify the woodcarving motifs found in Johor Malay houses and to identify their influence. Site visits were conducted in which the woodcarvings of 50 houses were examined, photographed, and documented. Interviews were also conducted with the house owners and the woodcarvers. The samples were analyzed, and the results were verified by experts. The results show that floral motifs lead the statistic, and the pumpkin motif, known as 'labu maya', takes the highest percentage of the overall motifs. It is concluded that the Islamic religion is the biggest influence that contributes to the findings. The findings also show that the 'labu maya' motif is the identity of the Johor woodcarving motifs. It is hoped that this study can bring recognition to Johor woodcarvings, and contribute valuable guides for woodcarvers to apply these motif typologies into their future works to sustain and cherish the Johor local identity.

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  • Tun Hussein Onn University of Malaysia
  • Universiti Malaysia Sarawak
  • Universiti Putra Malaysia
  • UCSI University
  • National University of Malaysia
  • International Islamic University Malaysia
  • Telkom University
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Rekan penulisOrganisasiArtikel bersama
Sumarni Binti IsmailUniversiti Putra Malaysia6
Nayeem AsifInternational Islamic University Malaysia6
Khairul Aidil Azlin Abd RahmanUniversiti Putra Malaysia4
Nazlina ShaariUniversiti Putra Malaysia2
Ismar Minang Satotoy UsmanNational University of Malaysia2
Lokman Hakim IsmailTun Hussein Onn University of Malaysia2
Adibah YusufUniversiti Malaysia Sarawak2
Mahsa Dabbagh NiyaUniversiti Putra Malaysia2
Adibah YusofUniversiti Malaysia Sarawak2
Nadzirah YusufUniversiti Malaysia Sarawak2
Ernaning SetiyowatiUniversitas Islam Negeri Maulana Malik Ibrahim2
Mohammad Ikram Mat SobriUniversiti Putra Malaysia2
Hayder Jawwad ShakirAfiliasi tidak diketahui1
Mohammad Arsyad BaharNational University of Malaysia1
Rangga FirmansyahTelkom University1
Fatma AbbasAfiliasi tidak diketahui1
A A ElgadiAzzaytuna University1
Emedya Murniwaty SamsudinTun Hussein Onn University of Malaysia1
Khairul Asyraf Mohd RodziTun Hussein Onn University of Malaysia1
Ayat Ali YassinNational University of Malaysia1
Yang Haziqah MusaUniversiti Malaysia Sarawak1
Mahendra WardhanaInstitut Teknologi Sepuluh Nopember1
Muhammad Ihsan ShaharilInternational Islamic University Malaysia1
Lee Yun ShengUCSI University1
Mohd Tajuddin Mohd RasdiUCSI University1
Teoh Chee KeongUCSI University1
Aisyah Nur HandryantNational University of Malaysia1
Juwita ZaidiUniversiti Malaysia Sarawak1
Faridah Binti SahariUniversiti Malaysia Sarawak1
Shaik Azahar Shaik HussainUniversiti Malaysia Sarawak1
Nor Ziratul Aqma NorzamanSultan Zainal Abidin University1
Wahyuni ZahrahUniversitas Sumatera Utara1
Nor Atiah IsmailUniversiti Putra Malaysia1
Nik Mastura Nik MohammadUniversiti Teknologi MARA1
Haris Maiza PutraSTAI Al-Falah Cicalengka1

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Sumber metadata: OAI-PMH (metadata jurnal) http://ejournal.uin-malang.ac.id/index.php/JIA/oai, pertama di-harvest 9 Nov 2026, terakhir terlihat 9 Nov 2026.
Metadata asli (oai_dc) 
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	<dc:title xml:lang="en-US">ISLAMIC INFLUENCE ON WOODCARVING MOTIFS IN JOHOR TRADITIONAL MALAY HOUSES</dc:title>
	<dc:creator>Yusof, Hanita</dc:creator>
	<dc:creator>Wahab, Izudinshah Abd</dc:creator>
	<dc:creator>Utaberta, Nangkula</dc:creator>
	<dc:creator>Sabil, Azmal</dc:creator>
	<dc:creator>Hanapi, Nur Amalina</dc:creator>
	<dc:subject xml:lang="en-US">Wood Carving; Malay Woodcarving; Malay Woodcarving Motif; Islamic Motif; Johor Traditional House.</dc:subject>
	<dc:description xml:lang="en-US">Woodcarving motifs can be influenced by various aspects, including religions and beliefs. Malaysia is known for its cultural diversity and is rich with traditional heritage. Malay is one of the major ethnic groups in Malaysia and is considered as the majority of the country's population, contributing to the significant heritage, including art, decoration, and even architecture. Traditional woodcarving is an intricate Malay heritage and is the symbol of Malay art. A study on Malay woodcarvings is critically needed in order to know the influence that occurs on the selection of the motifs. It is such a waste to see our woodcarving heritage destroyed unappreciated and undocumented, especially on Johor woodcarvings, as many studies in other states have done. More and more traditional Johor Malay houses are being demolished day by day before we know the historical influence on the existence. The objective of this paper was to identify the woodcarving motifs found in Johor Malay houses and to identify their influence. Site visits were conducted in which the woodcarvings of 50 houses were examined, photographed, and documented. Interviews were also conducted with the house owners and the woodcarvers. The samples were analyzed, and the results were verified by experts. The results show that floral motifs lead the statistic, and the pumpkin motif, known as 'labu maya', takes the highest percentage of the overall motifs. It is concluded that the Islamic religion is the biggest influence that contributes to the findings. The findings also show that the 'labu maya' motif is the identity of the Johor woodcarving motifs. It is hoped that this study can bring recognition to Johor woodcarvings, and contribute valuable guides for woodcarvers to apply these motif typologies into their future works to sustain and cherish the Johor local identity.</dc:description>
	<dc:publisher xml:lang="en-US">Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2021-12-26</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>http://ejournal.uin-malang.ac.id/index.php/JIA/article/view/13028</dc:identifier>
	<dc:identifier>10.18860/jia.v6i4.13028</dc:identifier>
	<dc:source xml:lang="en-US">Journal of Islamic Architecture; Vol 6, No 4 (2021): Journal of Islamic Architecture; 313-320</dc:source>
	<dc:source>2356-4644</dc:source>
	<dc:source>2086-2636</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>http://ejournal.uin-malang.ac.id/index.php/JIA/article/view/13028/pdf</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2021 Journal of Islamic Architecture</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-sa/4.0</dc:rights>
</oai_dc:dc>