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Open access Jurnal

KERAJINAN TENUN DI DESA WUNA

Jurnal Penelitian Pendidikan Sejarah UHO · Vol. 5 No. 2 (2020) · pp. 148–160

DOI
10.36709/jpps.v5i2.15464
ISSN
2502-6674, 2502-6666
Published
2020-12-09
Publisher
Jurusan Pendidikan Sejarah, Universitas Halu Oleo
Language
eng
License
creativecommons.org/licenses/by-nc-nd/4.0

Abstract

ABSTRAK: Adapun tujuan penelitian ini adalah: untuk menjelaskan (1) proses tenun sarung Muna di Desa Wuna Kecamatan Barangka, (2) ragam dan motif dari warna sarung tenun pada masyarakat Muna barat (3) makna simbolik sarung Muna barat di Desa Wuna. Penelitian ini dilaksanakan di Desa Wuna Kecamatan Barangka Kabupaten Muna Barat pada bulan April sampai bulan September 2019. Jenis penelitian ini adalah tipe kualitatif dengan pendekatan etnografi. Penelitian ini difokuskan pada kerajinan tenun di Desa Wuna Kecamatan Barangka Kabupaten Muna Barat. Hasil penelitian ini menjelaskan bahwa: Kerajinan sarung tenun adat Muna barat dalam proses pembuatanya dilakukan dalam dua tahapan dan menggunakan 2 orang tenaga yaitu tahap menghani atau meluruskan (desoro) dan tahap menenun (domooru). Alat-alat yang digunakan dalam menghani dan menenun antara lain yaitu benang, katai (papan untuk menenun), tetera, bhibhita (mata gun), parambhibhita, kangkai, dhangka (sisir kain), kaju, ati, tali kundo (papan penahan punggung), bhalida (pengetek), kusoli, lobu (tempat gulung benang) suambi (tali pembantu), ka’e, kandole, kafetadaha, kabhuntulaha, kaghua. Dan bentuk warna sarung serta makna simbolik sarung adat Muna barat disesuaikan dengan stratifikasinya yaitu golongan kaomu (golongan bangsawan, golongan walaka (golongan sara), golongan fitubhengkauno (golongan terendah). Kata Kunci: Proses, Ragam Motif Dan Makna Sarung ABSTRACT: The objectives of this study are: to explain (1) the weaving process of the Muna sarong in Wuna Village, Barangka District, (2) the variety and motifs of the color of the woven sarong in the West Muna community (3) the symbolic meaning of the Muna barat sarong in Wuna Village. This research was conducted in Wuna Village, Barangka District, West Muna Regency from April to September 2019. This type of research is a qualitative type with an ethnographic approach. This research is focused on weaving crafts in Wuna Village, Barangka District, West Muna Regency. The results of this study explain that: The craft of the traditional Muna barat woven sarong in the manufacturing process is carried out in two stages and uses 2 personnel, namely the fishing or straightening stage (desoro) and the weaving stage (domooru). The tools used in farming and weaving include threads, dwarfs (boards for weaving), tetera, bhibhita (gun eyes), parambhibhita, kangkai, dhangka (cloth combs), kaju, ati, kundo rope (back support boards)., bhalida (pengetek), kusoli, lobu (where the thread rolls) suambi (supporting rope), ka'e, kandole, kafetadaha, kabhuntulaha, kaghua. And the shape of the color of the sarong and the symbolic meaning of the traditional western Muna sarong are adjusted to the stratification, namely the kaomu group (aristocratic class, walaka group (sara group), fitubhengkauno group (lowest class). Keywords: Process, Variety of Motifs and Meanings of the Sarong

Collaboration network of the authors

40 authors · 77 co-authorship links · 1 across different organisations · showing the 40 most connected

Hover or tap a name to highlight its co-authors. Double-click to open the author's page.

  • Universitas Halu Oleo
  • Universitas Muhammadiyah Parepare
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Jafar AhiriUniversitas Halu Oleo3
Abd. Rahman SalehUniversitas Muhammadiyah Parepare2
Syamsuriah SyamsuriahUniversitas Muhammadiyah Parepare2
Suherni SuherniUniversitas Muhammadiyah Parepare2
Ismail MuliasUniversitas Muhammadiyah Parepare2
Abdullah Igo B.DAffiliation unknown2
Muh. IlhamUniversitas Halu Oleo2
RAMLY RAMLYAffiliation unknown2
Anwar AnwarAffiliation unknown2
Rosmiati RamliUniversitas Muhammadiyah Parepare1
Andi Fitriani DjollongUniversitas Muhammadiyah Parepare1
Aslina DamayantiAffiliation unknown1
Leni TrisnawatiAffiliation unknown1
Rizal EkonomiAffiliation unknown1
Nanik HindaryatiningsihUniversitas Halu Oleo1
R JamilaAffiliation unknown1
astin astinAffiliation unknown1
Muhammad IlhamAffiliation unknown1
Nurmina NurminaAffiliation unknown1
Ferni FerniAffiliation unknown1
La TaenaAffiliation unknown1
Andi Nirma SetiadinAffiliation unknown1
Asjun AsjunAffiliation unknown1
La Ode TuriUniversitas Halu Oleo1
Lila AndrianiAffiliation unknown1
L.M. Insanul Kamil U.ZUniversitas Halu Oleo1
Marsiana MarsianaAffiliation unknown1
Hasniah HasniahUniversitas Halu Oleo1
Sri WulanAffiliation unknown1
Jamiludin JamiludinUniversitas Halu Oleo1
Muh. Asrul AsmarAffiliation unknown1
Lusriamil LusriamilAffiliation unknown1
Stin RompasAffiliation unknown1
Sri Nur WahidaAffiliation unknown1
Samlia SamliaAffiliation unknown1
Syamsuri MoitaAffiliation unknown1
Zulaeha IsmailAffiliation unknown1
Hermianti HermiantiAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://ojs.uho.ac.id/index.php/p_sejarah_uho/oai, first harvested 31 Okt 2026, last seen 31 Okt 2026.
Original metadata (oai_dc) 
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	<dc:title xml:lang="en-US">KERAJINAN TENUN DI DESA WUNA</dc:title>
	<dc:creator>Jupri, Jupri</dc:creator>
	<dc:creator>Halim, Muliha</dc:creator>
	<dc:subject xml:lang="en-US"></dc:subject>
	<dc:description xml:lang="en-US">ABSTRAK: Adapun tujuan penelitian ini adalah: untuk menjelaskan (1) proses tenun sarung Muna di Desa Wuna Kecamatan Barangka, (2) ragam dan motif dari warna sarung tenun pada masyarakat Muna barat (3) makna simbolik sarung Muna barat di Desa Wuna. Penelitian ini dilaksanakan di Desa Wuna Kecamatan Barangka Kabupaten Muna Barat pada bulan April sampai bulan September 2019. Jenis penelitian ini adalah tipe kualitatif dengan pendekatan etnografi. Penelitian ini difokuskan pada kerajinan tenun di Desa Wuna Kecamatan Barangka Kabupaten Muna Barat. Hasil penelitian ini menjelaskan bahwa: Kerajinan sarung tenun adat Muna barat dalam proses pembuatanya dilakukan dalam dua tahapan dan menggunakan 2 orang  tenaga yaitu tahap menghani atau meluruskan (desoro) dan tahap menenun (domooru). Alat-alat yang digunakan dalam menghani dan menenun antara lain yaitu benang, katai (papan untuk menenun), tetera, bhibhita (mata gun), parambhibhita, kangkai, dhangka (sisir kain), kaju, ati, tali kundo (papan penahan punggung), bhalida (pengetek), kusoli, lobu (tempat gulung benang) suambi (tali pembantu), ka’e, kandole, kafetadaha, kabhuntulaha, kaghua. Dan bentuk warna sarung serta makna simbolik sarung adat Muna barat disesuaikan dengan stratifikasinya yaitu golongan kaomu (golongan bangsawan, golongan walaka (golongan sara), golongan fitubhengkauno (golongan terendah). Kata Kunci: Proses, Ragam Motif Dan Makna Sarung ABSTRACT: The objectives of this study are: to explain (1) the weaving process of the Muna sarong in Wuna Village, Barangka District, (2) the variety and motifs of the color of the woven sarong in the West Muna community (3) the symbolic meaning of the Muna barat sarong in Wuna Village. This research was conducted in Wuna Village, Barangka District, West Muna Regency from April to September 2019. This type of research is a qualitative type with an ethnographic approach. This research is focused on weaving crafts in Wuna Village, Barangka District, West Muna Regency. The results of this study explain that: The craft of the traditional Muna barat woven sarong in the manufacturing process is carried out in two stages and uses 2 personnel, namely the fishing or straightening stage (desoro) and the weaving stage (domooru). The tools used in farming and weaving include threads, dwarfs (boards for weaving), tetera, bhibhita (gun eyes), parambhibhita, kangkai, dhangka (cloth combs), kaju, ati, kundo rope (back support boards). , bhalida (pengetek), kusoli, lobu (where the thread rolls) suambi (supporting rope), ka'e, kandole, kafetadaha, kabhuntulaha, kaghua. And the shape of the color of the sarong and the symbolic meaning of the traditional western Muna sarong are adjusted to the stratification, namely the kaomu group (aristocratic class, walaka group (sara group), fitubhengkauno group (lowest class).  Keywords: Process, Variety of Motifs and Meanings of the Sarong</dc:description>
	<dc:publisher xml:lang="en-US">Jurusan Pendidikan Sejarah, Universitas Halu Oleo</dc:publisher>
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	<dc:date>2020-12-09</dc:date>
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	<dc:source xml:lang="en-US">Jurnal Penelitian Pendidikan Sejarah UHO; Vol 5, No 2 (2020): Jurnal Penelitian Pendidikan Sejarah UHO; 148-160</dc:source>
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	<dc:language>eng</dc:language>
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	<dc:rights xml:lang="en-US">Copyright (c) 2020 Jurnal Penelitian Pendidikan Sejarah UHO</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by-nc-nd/4.0</dc:rights>
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