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KOMODIFIKASI DAN MAKNA SIMBOLIK MOTIF TENUN MUNA SEBAGAI BENTUK KEARIFAN LOKAL MASYARAKAT KABUPATEN MUNA

Journal Publicuho · Vol. 2 No. 2 (2019) · pp. 52–64

DOI
10.35817/jpu.v2i2.7227
ISSN
2621-1351, 2685-0729
Published
2019-06-26
Publisher
Universitas Halu Oleo
Language
eng
License
creativecommons.org/licenses/by/4.0

Abstract

Local weaving is the identity and wealth inherent in some area. Muna Regency, Southeast Sulawesi, is known to have regional weaving with diverse and interesting qualities and motifs. There are many previous Muna weaving motifs such as dhalima, samasili, panino toghe, bhotu, bhia-bhia, ledha, finda ngkonini, mango-manggopa, lante-lante, kambheano bhanggai, tibha-tibha, kaholeno ghunteli, kambhampu, bharalu, kasokasopa. To balance the development of the fashion industry, through the creative ideas of weavers, Muna's weaving motifs undergo commodification called a series of motifs. The visual of the first Muna weaving and Muna weaving produced by commodification and also the symbolic meaning of Muna woven motifs as a result of commodification became a problem in this study. Located in Masalili Village, Muna Regency, researchers conducted observations and direct interviews with research informants. By using the qualitative descriptive analysis of Milles and Huberman's interactive model, it was found that from the visuals of Muna's weaving motifs, after experiencing commodification, the latest motifs have been produced. Whether it's a combination of samasili and butterfly motifs, samasili and kites and other types of motifs. The development of the commodification motif has its own symbolic meaning. It describes the regional identity, cultural preservation, openness with progress, diversity, and describes the value of local wisdom in integrating outside cultural elements into the development of the Muna weaving motif. Keywords: commodification; symbolic meaning; local wisdom; Muna weaving.

Keywords

Collaboration network of the authors

40 authors · 152 co-authorship links · showing the 40 most connected

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  • Universitas Halu Oleo
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Amin TundaUniversitas Halu Oleo8
Sulsalman MoitaUniversitas Halu Oleo7
La Ode EfriantoUniversitas Halu Oleo5
Jamaluddin HosUniversitas Halu Oleo4
Megawati Asrul TawuloUniversitas Halu Oleo4
Bakri YusufUniversitas Halu Oleo3
Sarmadan SarmadanAffiliation unknown3
Yoenita JayadisastraUniversitas Halu Oleo3
La Ode Muhammad Golok JayaUniversitas Halu Oleo3
La Ode Muhamad SulihinUniversitas Halu Oleo3
Waode LusianaiAffiliation unknown3
Damsid DamsidAffiliation unknown2
Syaifuddin S. KasimAffiliation unknown2
Suharty RoslanUniversitas Halu Oleo2
Muh. ArsyadUniversitas Halu Oleo2
Ambo UpeUniversitas Halu Oleo2
La Ode Monto BautoUniversitas Halu Oleo2
Yoenita DjayadisastraAffiliation unknown2
Darmin TuwuUniversitas Halu Oleo2
Nurul Rezky FitrianaAffiliation unknown1
Azwar Wijaya SyamAffiliation unknown1
Robin RobinUniversitas Halu Oleo1
Rizky NovriAffiliation unknown1
Muh. Rafli Noviq RayhanAffiliation unknown1
Arifuddin ArifuddinUniversitas Halu Oleo1
Rizky Novri DamayantiUniversitas Halu Oleo1
Ryan Fajar MaulanaAffiliation unknown1
lutfiana Nur AzizahAffiliation unknown1
Ghery Safitra FahrunAffiliation unknown1
Nada KusumaAffiliation unknown1
Musdalifah Dirgantari MustafaAffiliation unknown1
Irda Suci Ramadhani NasirUniversitas Halu Oleo1
M. Adnan ArsyadUniversitas Halu Oleo1
Wa Ode HaspiantiUniversitas Halu Oleo1
Asrianti AsriantiAffiliation unknown1
Nurban NurbanUniversitas Halu Oleo1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://ojs.uho.ac.id/index.php/PUBLICUHO/oai, first harvested 31 Okt 2026, last seen 31 Okt 2026.
Original metadata (oai_dc)
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	<dc:title xml:lang="en-US">KOMODIFIKASI DAN MAKNA SIMBOLIK MOTIF TENUN MUNA SEBAGAI BENTUK KEARIFAN LOKAL MASYARAKAT KABUPATEN MUNA</dc:title>
	<dc:creator>Lusianai, Wa Ode</dc:creator>
	<dc:creator>Jabar, Aryuni Salpiana</dc:creator>
	<dc:creator>Nurfikria, Ikrima</dc:creator>
	<dc:creator>Idrus, Sitti Hairani</dc:creator>
	<dc:subject xml:lang="en-US"></dc:subject>
	<dc:subject xml:lang="en-US">commodification; symbolic meaning; local wisdom; Muna weaving.</dc:subject>
	<dc:description xml:lang="en-US">Local weaving is the identity and wealth inherent in some area. Muna Regency, Southeast Sulawesi, is known to have regional weaving with diverse and interesting qualities and motifs. There are many previous Muna weaving motifs such as dhalima, samasili, panino toghe, bhotu, bhia-bhia, ledha, finda ngkonini, mango-manggopa, lante-lante, kambheano bhanggai, tibha-tibha, kaholeno ghunteli, kambhampu, bharalu, kasokasopa. To balance the development of the fashion industry, through the creative ideas of weavers, Muna's weaving motifs undergo commodification called a series of motifs. The visual of the first Muna weaving and Muna weaving produced by commodification and also the symbolic meaning of Muna woven motifs as a result of commodification became a problem in this study. Located in Masalili Village, Muna Regency, researchers conducted observations and direct interviews with research informants. By using the qualitative descriptive analysis of Milles and Huberman's interactive model, it was found that from the visuals of Muna's weaving motifs, after experiencing commodification, the latest motifs have been produced. Whether it's a combination of samasili and butterfly motifs, samasili and kites and other types of motifs. The development of the commodification motif has its own symbolic meaning. It describes the regional identity, cultural preservation, openness with progress, diversity, and describes the value of local wisdom in integrating outside cultural elements into the development of the Muna weaving motif.     Keywords: commodification; symbolic meaning; local wisdom; Muna weaving.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Halu Oleo</dc:publisher>
	<dc:contributor xml:lang="en-US"></dc:contributor>
	<dc:date>2019-06-26</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:type xml:lang="en-US"></dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ojs.uho.ac.id/index.php/PUBLICUHO/article/view/7227</dc:identifier>
	<dc:identifier>10.35817/jpu.v2i2.7227</dc:identifier>
	<dc:source xml:lang="en-US">Journal Publicuho; Vol 2, No 2 (2019): May - July; 52-64</dc:source>
	<dc:source>2621-1351</dc:source>
	<dc:source>2685-0729</dc:source>
	<dc:source>10.35817/jpu.v2i2</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ojs.uho.ac.id/index.php/PUBLICUHO/article/view/7227/5319</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 Wa Ode Lusianai, Aryuni Salpiana Jabar, Ikrima Nurfikria, Sitti Hairani Idrus</dc:rights>
	<dc:rights xml:lang="en-US">http://creativecommons.org/licenses/by/4.0</dc:rights>
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