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Perubahan Fungsi Tarian Tummour Pada Suku Mbaham Matta

CENDERAWASIH: Jurnal Antropologi Papua · Vol. 1 No. 1 (2020) · pp. 34–50

DOI
10.31957/jap.v1i1.1380
ISSN
2774-552X, 2774-5538
Published
2020-06-09
Publisher
Universitas Cenderawasih
Language
eng

Abstract

This article aims to describe and analyze the changes in the function of the Mbaham Matta tribe's ‘tummour’ dance in the past and the present and to find out what efforts were made to be able to maintain the ‘Tummour’ dance of the Mbaham Matta tribe in Fakfak Regency in general. This research is qualitative using data collection techniques through interviews, observation, and documentation. The research results show that the ‘tummour’ dance in the past was used as traditional rituals, traditional parties, to gather the masses, to summon ancestral spirits, to dance the victory of the war and to stem the coming dangers. The change in the function of the ‘tummour’ dance occurred because of the entry of religion and government. Changes that occur are not only in the function of the ‘tummour’ dance, but the attributes used have also changed. Then, the efforts made so that the ‘Tummour’ dance can survive include opening a dance studio and preserving the ‘Tummour’ dance through socialization (transfer of knowledge) or introducing it to the younger generation.

Keywords

Collaboration network of the authors

28 authors · 52 co-authorship links · 7 across different organisations

Hover or tap a name to highlight its co-authors. Double-click to open the author's page.

  • Universitas Islam Negeri Sjech M. Djamil Djambek Bukittinggi
  • Universitas Halu Oleo
  • Cenderawasih University
  • Universitas Islam Negeri Mataram
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Vilkhiyam VilkhiyamUniversitas Islam Negeri Sjech M. Djamil Djambek Bukittinggi1
Ritayani RitayaniUniversitas Islam Negeri Sjech M. Djamil Djambek Bukittinggi1
Zulfani SesmiarniUniversitas Islam Negeri Sjech M. Djamil Djambek Bukittinggi1
Herlina RasyidUniversitas Islam Negeri Sjech M. Djamil Djambek Bukittinggi1
Bahtiar BahtiarUniversitas Islam Negeri Mataram1
Jahidin JahidinAffiliation unknown1
Irawati IrawatiAffiliation unknown1
La AgusuAffiliation unknown1
Yustin BiringgaloAffiliation unknown1
Risal DayAffiliation unknown1
Herdianto HerdiantoAffiliation unknown1
La Ode NggawuUniversitas Halu Oleo1
Firdaus SaleUniversitas Halu Oleo1
Tiku TandiangngaAffiliation unknown1
Rasmy Daud DassiAffiliation unknown1
Puguh SujartaAffiliation unknown1
Vita PurnamasariAffiliation unknown1
Farmawaty FarmawatyAffiliation unknown1
Ignatius Joko SuyonoAffiliation unknown1
Litari KarobaAffiliation unknown1
Lenny M.M. ManalipAffiliation unknown1
Simon Abdi K. FrankAffiliation unknown1
Albertus Oskar MambiewAffiliation unknown1
Andi AgussalimAffiliation unknown1
Zuhriah ZuhriahAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://ejournal.uncen.ac.id/index.php/JAP/oai, first harvested 1 Nov 2026, last seen 1 Nov 2026.
Original metadata (oai_dc) 
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	<dc:title xml:lang="en-US">Perubahan Fungsi Tarian Tummour Pada Suku Mbaham Matta</dc:title>
	<dc:creator>Hindom, Reni F</dc:creator>
	<dc:creator>Yuliana, Yuliana</dc:creator>
	<dc:creator>Wenehen, Agustinus</dc:creator>
	<dc:subject xml:lang="en-US">Change</dc:subject>
	<dc:subject xml:lang="en-US">function</dc:subject>
	<dc:subject xml:lang="en-US">Dance Tummour</dc:subject>
	<dc:subject xml:lang="en-US">Mbaham Matta Ethnic</dc:subject>
	<dc:description xml:lang="en-US">This article aims to describe and analyze the changes in the function of the Mbaham Matta tribe's ‘tummour’ dance in the past and the present and to find out what efforts were made to be able to maintain the ‘Tummour’ dance of the Mbaham Matta tribe in Fakfak Regency in general. This research is qualitative using data collection techniques through interviews, observation, and documentation. The research results show that the ‘tummour’ dance in the past was used as traditional rituals, traditional parties, to gather the masses, to summon ancestral spirits, to dance the victory of the war and to stem the coming dangers. The change in the function of the ‘tummour’ dance occurred because of the entry of religion and government. Changes that occur are not only in the function of the ‘tummour’ dance, but the attributes used have also changed. Then, the efforts made so that the ‘Tummour’ dance can survive include opening a dance studio and preserving the ‘Tummour’ dance through socialization (transfer of knowledge) or introducing it to the younger generation.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Cenderawasih</dc:publisher>
	<dc:date>2020-06-09</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.uncen.ac.id/index.php/JAP/article/view/1380</dc:identifier>
	<dc:identifier>10.31957/jap.v1i1.1380</dc:identifier>
	<dc:source xml:lang="en-US">CENDERAWASIH: Jurnal Antropologi Papua; Vol. 1 No. 1 (2020): June 2020; 34-50</dc:source>
	<dc:source xml:lang="id-ID">CENDERAWASIH: Jurnal Antropologi Papua; Vol 1 No 1 (2020): June 2020; 34-50</dc:source>
	<dc:source>2774-552X</dc:source>
	<dc:source>2774-5538</dc:source>
	<dc:source>10.31957/jap.v1i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.uncen.ac.id/index.php/JAP/article/view/1380/1093</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 CENDERAWASIH: Jurnal Antropologi Papua</dc:rights>
</oai_dc:dc>