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Anana Bicara-Bicara: Selera Musik, Gaya Hidup, dan Strategi Rapper di Kota Jayapura

CENDERAWASIH: Jurnal Antropologi Papua · Vol. 1 No. 1 (2020) · pp. 51–64

DOI
10.31957/jap.v1i1.1381
ISSN
2774-552X, 2774-5538
Published
2020-06-09
Publisher
Universitas Cenderawasih
Language
eng

Abstract

Hip Hop music entered Papua, through digital media platforms from the current process of globalization and modernization. For example, through radio, television and the internet. The emergence of Hip Hop music is very loved by young Papuans, especially in Jayapura. The Rap community who works in the field of Hip Hop music is called Anana Bicara-bicara which is part of the urban community subculture in Jayapura. Therefore, this study aims to describe and analyze musical tastes, lifestyles and the artistic strategies of youth who love Hip Hop music in popularizing their existence, warding off stigma and gaining popularity. This study uses a qualitative descriptive method using an ethnographic approach. The research instruments were in the form of voice and image recording devices and field notes for reflection in the field. The technique of determining informants is carried out proposive by optimizing the friendship network. Data collection techniques include in-depth interviews, observation and documentation. Data analysis techniques through the process of data categorization, data description and data interpretation. The results showed that first, the formation of aesthetic tastes from rap music is based on the emotional experiences of each actor. In addition, the rap music structural factor emphasizes the aspect of story telling freely but in orderly rhymes. Second, the lifestyle of rappers in Jayapura follows the trend of Hip Hop music that is Glamorous, Blink-blink, but there are also some who are poorless to show the passion of the ideas they want to convey. Third, the strategy developed is educational, which is to ward off bad stigma about rappers such as making songs that are better and proud of Papua, and creating events that elevate generations. Then, to popularize Hip Hop music through social media Youtube, Facebook, Instagram and WhatsApp.

Keywords

Collaboration network of the authors

40 authors · 74 co-authorship links · showing the 40 most connected

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  • Universitas Halu Oleo
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Erniwati ErniwatiAffiliation unknown8
La SaharaAffiliation unknown3
Luh SukariasihUniversitas Halu Oleo3
Hunaidah MAffiliation unknown3
Marlina FlassyAffiliation unknown3
Ida UsmanAffiliation unknown2
La TahangAffiliation unknown2
Vivi Hastuti Rufa MongkitoAffiliation unknown2
Alwin AlwinAffiliation unknown1
Putri OktavianAffiliation unknown1
Fitriani FitrianiAffiliation unknown1
Ilfa DiasmaniarAffiliation unknown1
Martiana MartianaAffiliation unknown1
Mayang NormaAffiliation unknown1
I Nyoman SudianaAffiliation unknown1
Made KusumayasaAffiliation unknown1
Hajjah HunaidahAffiliation unknown1
Hamzah HamzahAffiliation unknown1
Jamhir SafaniUniversitas Halu Oleo1
La AbaUniversitas Halu Oleo1
Evy Safitri HarahapAffiliation unknown1
A Naneng SafitriAffiliation unknown1
I Wayan SuamaAffiliation unknown1
Vebryatin SamandyAffiliation unknown1
Muhammad ZamrunAffiliation unknown1
Muhammad Zamrun FirihuAffiliation unknown1
Eris FebrianAffiliation unknown1
Desy SusilowatiAffiliation unknown1
La HamimuUniversitas Halu Oleo1
Emntekiu LatudengAffiliation unknown1
Hadija HadijaAffiliation unknown1
Ferlyasari FerlyasariAffiliation unknown1
Sri Pina AriyantiAffiliation unknown1
Wa Ode HaryatiAffiliation unknown1
Vivi Hastuti RMAffiliation unknown1
Lindawati LindawatiAffiliation unknown1
Sasdayang SasdayangAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://ejournal.uncen.ac.id/index.php/JAP/oai, first harvested 1 Nov 2026, last seen 1 Nov 2026.
Original metadata (oai_dc) 
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	<dc:title xml:lang="en-US">Anana Bicara-Bicara: Selera Musik, Gaya Hidup, dan Strategi Rapper di Kota Jayapura</dc:title>
	<dc:creator>Anas, Muhammad</dc:creator>
	<dc:creator>Frank, Simon Abdi K.</dc:creator>
	<dc:creator>Idris, Usman</dc:creator>
	<dc:subject xml:lang="en-US">Music Distinction</dc:subject>
	<dc:subject xml:lang="en-US">Lifestyle</dc:subject>
	<dc:subject xml:lang="en-US">Strategy</dc:subject>
	<dc:subject xml:lang="en-US">Rapper</dc:subject>
	<dc:subject xml:lang="en-US">Jayapura</dc:subject>
	<dc:subject xml:lang="en-US">Papua.</dc:subject>
	<dc:description xml:lang="en-US">Hip Hop music entered Papua, through digital media platforms from the current process of globalization and modernization. For example, through radio, television and the internet. The emergence of Hip Hop music is very loved by young Papuans, especially in Jayapura. The Rap community who works in the field of Hip Hop music is called Anana Bicara-bicara which is part of the urban community subculture in Jayapura. Therefore, this study aims to describe and analyze musical tastes, lifestyles and the artistic strategies of youth who love Hip Hop music in popularizing their existence, warding off stigma and gaining popularity. This study uses a qualitative descriptive method using an ethnographic approach. The research instruments were in the form of voice and image recording devices and field notes for reflection in the field. The technique of determining informants is carried out proposive by optimizing the friendship network. Data collection techniques include in-depth interviews, observation and documentation. Data analysis techniques through the process of data categorization, data description and data interpretation. The results showed that first, the formation of aesthetic tastes from rap music is based on the emotional experiences of each actor. In addition, the rap music structural factor emphasizes the aspect of story telling freely but in orderly rhymes. Second, the lifestyle of rappers in Jayapura follows the trend of Hip Hop music that is Glamorous, Blink-blink, but there are also some who are poorless to show the passion of the ideas they want to convey. Third, the strategy developed is educational, which is to ward off bad stigma about rappers such as making songs that are better and proud of Papua, and creating events that elevate generations. Then, to popularize Hip Hop music through social media Youtube, Facebook, Instagram and WhatsApp.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Cenderawasih</dc:publisher>
	<dc:date>2020-06-09</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://ejournal.uncen.ac.id/index.php/JAP/article/view/1381</dc:identifier>
	<dc:identifier>10.31957/jap.v1i1.1381</dc:identifier>
	<dc:source xml:lang="en-US">CENDERAWASIH: Jurnal Antropologi Papua; Vol. 1 No. 1 (2020): June 2020; 51-64</dc:source>
	<dc:source xml:lang="id-ID">CENDERAWASIH: Jurnal Antropologi Papua; Vol 1 No 1 (2020): June 2020; 51-64</dc:source>
	<dc:source>2774-552X</dc:source>
	<dc:source>2774-5538</dc:source>
	<dc:source>10.31957/jap.v1i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://ejournal.uncen.ac.id/index.php/JAP/article/view/1381/1094</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 CENDERAWASIH: Jurnal Antropologi Papua</dc:rights>
</oai_dc:dc>