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Problematika Perempuan dalam Novel Out Karya Natsuo Kirino

NAWA: Journal of Japanese Studies · Vol. 1 No. 1 (2024) · hlm. 10–21

DOI
10.69908/nawa.v1i1.35020
ISSN
3062-6544, 3062-6773
Terbit
2024-07-01
Penerbit
Departemen Sastra Jepang, Fakultas Ilmu Budaya, Universitas Hasanuddin
Bahasa
en
Lisensi
creativecommons.org/licenses/by-sa/4.0

Abstrak

This research discusses various issues experienced by four female characters, Masako, Yayoi, Kuniko, and Yoshie, in the novel Out by the Japanese novelist Natsuo Kirino. Furthermore, the positive and negative impacts on those characters resulting from these issues are also analyzed. The analysis method employed is feminist literary criticism. This research uses the descriptive analytical method, which involves collecting data and utilizing various techniques to achieve the research objectives. The findings indicate that female characters experiencing oppression in the novel Out can attain freedom by understanding the oppression they face, recognizing their abilities, adapting to society, and potentially working in the public sphere. Economic factors dominate the problems they face. Apart from that, there is also domestic violence and betrayal committed by husbands. Ultimately, they worked together to eliminate Kenji, Yayoi's husband. All of these problems have positive and negative impacts. With Kenji's death, Yayoi feels free, while Masako, Kuniko, and Yoshie feel happy with the money they got from Yayoi

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  • Hasanuddin University
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Tiara Rosmika PutriAfiliasi tidak diketahui2
Imelda ImeldaAfiliasi tidak diketahui2
Siti Ismi NursipaAfiliasi tidak diketahui2
Intan Risvy HafizhahAfiliasi tidak diketahui2
Alda Purnama GonyHasanuddin University1
Nurul MasyrifahHasanuddin University1
Yusra AfisahHasanuddin University1
Nursidah NursidahHasanuddin University1
Reanitha ReanithaHasanuddin University1
Nur HalizaHasanuddin University1
Khairil AnwarHasanuddin University1
Mikal Muhammad SaidAfiliasi tidak diketahui1
Mudiah Husnatul AysiAfiliasi tidak diketahui1
Kasmawati KasmawatiHasanuddin University1
Nurfitri NurfitriHasanuddin University1
Aqilah NurilmiAfiliasi tidak diketahui1
Nurfitri NurfitriAfiliasi tidak diketahui1
M. Rafif Ramadhan TaufiqAfiliasi tidak diketahui1
Adinda AnnishaHasanuddin University1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unhas.ac.id/index.php/nawa/oai, pertama di-harvest 2 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en">Problematika Perempuan dalam Novel Out Karya Natsuo Kirino</dc:title>
	<dc:creator xml:lang="en">Ifah, Ifah</dc:creator>
	<dc:creator xml:lang="en">Anwar, Fithyani</dc:creator>
	<dc:creator xml:lang="en">El Risman, Yunita</dc:creator>
	<dc:subject xml:lang="en">feminist</dc:subject>
	<dc:subject xml:lang="en">Japanese novel</dc:subject>
	<dc:subject xml:lang="en">Literature</dc:subject>
	<dc:subject xml:lang="en">women</dc:subject>
	<dc:subject xml:lang="en">Out</dc:subject>
	<dc:description xml:lang="en">This research discusses various issues experienced by four female characters, Masako, Yayoi, Kuniko, and Yoshie, in the novel Out by the Japanese novelist Natsuo Kirino. Furthermore, the positive and negative impacts on those characters resulting from these issues are also analyzed. The analysis method employed is feminist literary criticism. This research uses the descriptive analytical method, which involves collecting data and utilizing various techniques to achieve the research objectives. The findings indicate that female characters experiencing oppression in the novel Out can attain freedom by understanding the oppression they face, recognizing their abilities, adapting to society, and potentially working in the public sphere. Economic factors dominate the problems they face. Apart from that, there is also domestic violence and betrayal committed by husbands. Ultimately, they worked together to eliminate Kenji, Yayoi's husband. All of these problems have positive and negative impacts. With Kenji's death, Yayoi feels free, while Masako, Kuniko, and Yoshie feel happy with the money they got from Yayoi</dc:description>
	<dc:publisher xml:lang="en">Departemen Sastra Jepang, Fakultas Ilmu Budaya, Universitas Hasanuddin</dc:publisher>
	<dc:date>2024-07-01</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unhas.ac.id/index.php/nawa/article/view/35020</dc:identifier>
	<dc:identifier>10.69908/nawa.v1i1.35020</dc:identifier>
	<dc:source xml:lang="en">NAWA: Journal of Japanese Studies; Vol. 1 No. 1 (2024): September 2024; 10-21</dc:source>
	<dc:source>3062-6544</dc:source>
	<dc:source>3062-6773</dc:source>
	<dc:source>10.69908/nawa.v1i1</dc:source>
	<dc:language>en</dc:language>
	<dc:relation>https://journal.unhas.ac.id/index.php/nawa/article/view/35020/11618</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2024 Ifah Ifah, Fithyani Anwar, Yunita El Risman</dc:rights>
	<dc:rights xml:lang="en">https://creativecommons.org/licenses/by-sa/4.0</dc:rights>
</oai_dc:dc>