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Struktur Cerita Detektif Novel Manatsu no Houteishiki

NAWA: Journal of Japanese Studies · Vol. 3 No. 1 (2026) · hlm. 50–62

DOI
10.69908/nawa.v3i1.49471
ISSN
3062-6544, 3062-6773
Terbit
2026-03-15
Penerbit
Departemen Sastra Jepang, Fakultas Ilmu Budaya, Universitas Hasanuddin
Bahasa
en
Lisensi
creativecommons.org/licenses/by-nc/4.0

Abstrak

This study examines the application of the classical detective formula in Keigo Higashino’s Manatsu no Hōteishiki through John G. Cawelti’s theoretical framework. The research aims to analyze how the five structural elements of detective fiction—introduction of the detective, crime and clues, investigation, the announcement and explanation of the solution, and ending are organized and modified in the novel. A descriptive qualitative method is employed through close reading and note-taking, with data sourced from narrative passages and dialogues in both the Japanese text and its Indonesian translation. The findings show that while the novel follows the classical detective formula, it introduces significant variations. The detective figure appears indirectly through Yukawa Manabu’s scientific reasoning. The central crime is initially disguised as an accident, supported by ambiguous clues that both guide and mislead characters and readers. The investigation progresses through unofficial channels, emphasizing scientific observation and interpersonal subtlety. The stages of announcing and explaining the solution unfold gradually and carry emotional weight, leading to an ending that highlights reconciliation rather than legal resolution. Overall, the novel reflects Higashino’s innovative adaptation of the detective formula and contributes to the development of modern Japanese detective fiction.

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  • Hasanuddin University
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Rekan penulisOrganisasiArtikel bersama
Yunita El RismanHasanuddin University3
Imelda ImeldaAfiliasi tidak diketahui3
Ifah IfahHasanuddin University1
Alda Purnama GonyHasanuddin University1
Nurul MasyrifahHasanuddin University1
Siti Ismi NursipaAfiliasi tidak diketahui1
Intan Risvy HafizhahAfiliasi tidak diketahui1
Mikal Muhammad SaidAfiliasi tidak diketahui1
Mudiah Husnatul AysiAfiliasi tidak diketahui1
Kasmawati KasmawatiHasanuddin University1
Nurfitri NurfitriHasanuddin University1
Aqilah NurilmiAfiliasi tidak diketahui1
Adinda AnnishaHasanuddin University1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unhas.ac.id/index.php/nawa/oai, pertama di-harvest 2 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en">Struktur Cerita Detektif Novel Manatsu no Houteishiki</dc:title>
	<dc:creator xml:lang="en">Putri, Tiara Rosmika</dc:creator>
	<dc:creator xml:lang="en">Anwar, Fithyani</dc:creator>
	<dc:subject xml:lang="en">Structure</dc:subject>
	<dc:subject xml:lang="en">John G. Cawelti</dc:subject>
	<dc:subject xml:lang="en">Detective Story</dc:subject>
	<dc:subject xml:lang="en">Manatsu no Houteishiki</dc:subject>
	<dc:subject xml:lang="en">Keigo Higashino</dc:subject>
	<dc:description xml:lang="en">This study examines the application of the classical detective formula in Keigo Higashino’s Manatsu no Hōteishiki through John G. Cawelti’s theoretical framework. The research aims to analyze how the five structural elements of detective fiction—introduction of the detective, crime and clues, investigation, the announcement and explanation of the solution, and ending are organized and modified in the novel. A descriptive qualitative method is employed through close reading and note-taking, with data sourced from narrative passages and dialogues in both the Japanese text and its Indonesian translation. The findings show that while the novel follows the classical detective formula, it introduces significant variations. The detective figure appears indirectly through Yukawa Manabu’s scientific reasoning. The central crime is initially disguised as an accident, supported by ambiguous clues that both guide and mislead characters and readers. The investigation progresses through unofficial channels, emphasizing scientific observation and interpersonal subtlety. The stages of announcing and explaining the solution unfold gradually and carry emotional weight, leading to an ending that highlights reconciliation rather than legal resolution. Overall, the novel reflects Higashino’s innovative adaptation of the detective formula and contributes to the development of modern Japanese detective fiction.</dc:description>
	<dc:publisher xml:lang="en">Departemen Sastra Jepang, Fakultas Ilmu Budaya, Universitas Hasanuddin</dc:publisher>
	<dc:date>2026-03-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unhas.ac.id/index.php/nawa/article/view/49471</dc:identifier>
	<dc:identifier>10.69908/nawa.v3i1.49471</dc:identifier>
	<dc:source xml:lang="en">NAWA: Journal of Japanese Studies; Vol. 3 No. 1 (2026): March 2026; 50 - 62</dc:source>
	<dc:source>3062-6544</dc:source>
	<dc:source>3062-6773</dc:source>
	<dc:source>10.69908/nawa.v3i1</dc:source>
	<dc:language>en</dc:language>
	<dc:relation>https://journal.unhas.ac.id/index.php/nawa/article/view/49471/14235</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2026 Tiara Rosmika Putri, Fithyani Anwar</dc:rights>
	<dc:rights xml:lang="en">https://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>