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Telaah Pemenuhan Hak Royalti Non-Anggota Lembaga Manajemen Kolektif atas Pencipta Lagu atau Musik

Hasanuddin Civil and Bussiness Law Review · Vol. 1 No. 1 (2024) · pp. 53–63

ISSN
3089-0144
Published
2024-01-20
Publisher
Civil Law Departmen of Faculty of Law, Hasanuddin University
Language
id
License
creativecommons.org/licenses/by/4.0

Abstract

Economic Rights as one of the exclusive rights for creators is a form of intellectual property protection for creators to obtain economic benefits from creations. Song creators are entitled to economic rights over their creations. This is in accordance with the principle of sustainability of a work or the incentive theory which prioritizes the sustainability of a creation. The sustainable principle of a work aims to ensure that the creator can continue to realize his ideas and create new works. A work in the form of a work of song and/or music has economic rights for Commercial Use in the form of Royalties, namely compensation for the use of the economic rights of a Work received by the Creator. The National Collective Management Organisation (LMKN) is an institution authorized by law to collect and collect song royalties for the commercial use of songs and/or music. However, the provisions of Article 87 of Undang-Undang No. 28 of 2024 concerning of Copyright (UUHC) regulates that to obtain economic rights and royalties, the creator must be a member of the Collective Management Institution. Creators who are not members of an LMK do not receive royalties that have been collected by the LMKN. These administrative regulations require the creator of songs or music to be a member of an CMO. In fact, one of the aims of protecting economic rights is to increase income and support the welfare of songwriters. Non-CMO song creators who do not receive royalties, their economic rights to their creations are not fulfilled

Keywords

Collaboration network of the authors

13 authors · 21 co-authorship links

Hover or tap a name to highlight its co-authors. Double-click to open the author's page.

  • Hasanuddin University
  • Universitas Sulawesi Tenggara
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Farida PatittingiHasanuddin University2
MarwahAffiliation unknown2
AmaliyahAffiliation unknown2
Sri WahjuningsihAffiliation unknown1
Mohammad Nur IhsanAffiliation unknown1
Aminuddin IlmarAffiliation unknown1
Nadila SalsabilaAffiliation unknown1
Nur AisyahUniversitas Sulawesi Tenggara1
Dwi SyamsinarAffiliation unknown1
Muh HasrulAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unhas.ac.id/index.php/hcblr/oai, first harvested 2 Nov 2026, last seen 2 Nov 2026.
Original metadata (oai_dc) 
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	<dc:title xml:lang="en">Telaah Pemenuhan Hak Royalti Non-Anggota Lembaga Manajemen Kolektif atas Pencipta Lagu atau Musik</dc:title>
	<dc:creator xml:lang="en">Fahlevi, Reza</dc:creator>
	<dc:creator xml:lang="en">Borahima, Anwar</dc:creator>
	<dc:creator xml:lang="en">Kurniawati, Andi</dc:creator>
	<dc:subject xml:lang="en">Royalty</dc:subject>
	<dc:subject xml:lang="en">Songwriters non member of CMO</dc:subject>
	<dc:subject xml:lang="en">LMKN</dc:subject>
	<dc:description xml:lang="en">Economic Rights as one of the exclusive rights for creators is a form of intellectual property protection for creators to obtain economic benefits from creations. Song creators are entitled to economic rights over their creations. This is in accordance with the principle of sustainability of a work or the incentive theory which prioritizes the sustainability of a creation. The sustainable principle of a work aims to ensure that the creator can continue to realize his ideas and create new works. A work in the form of a work of song and/or music has economic rights for Commercial Use in the form of Royalties, namely compensation for the use of the economic rights of a Work received by the Creator. The National Collective Management Organisation (LMKN) is an institution authorized by law to collect and collect song royalties for the commercial use of songs and/or music. However, the provisions of Article 87 of Undang-Undang No. 28 of 2024 concerning of Copyright (UUHC) regulates that to obtain economic rights and royalties, the creator must be a member of the Collective Management Institution. Creators who are not members of an LMK do not receive royalties that have been collected by the LMKN. These administrative regulations require the creator of songs or music to be a member of an CMO. In fact, one of the aims of protecting economic rights is to increase income and support the welfare of songwriters. Non-CMO song creators who do not receive royalties, their economic rights to their creations are not fulfilled</dc:description>
	<dc:publisher xml:lang="en">Civil Law Departmen of Faculty of Law, Hasanuddin University</dc:publisher>
	<dc:date>2024-01-20</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
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	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unhas.ac.id/index.php/hcblr/article/view/32663</dc:identifier>
	<dc:source xml:lang="en">Hasanuddin Civil and Bussiness Law Review; Vol. 1 No. 1 (2024): VOLUME 1 ISSUE 1 2024; 53-63</dc:source>
	<dc:source xml:lang="id">Hasanuddin Civil &amp; Business Law REview; Vol 1 No 1 (2024): VOLUME 1 ISSUE 1 2024; 53-63</dc:source>
	<dc:source>3089-0144</dc:source>
	<dc:language>id</dc:language>
	<dc:language>en</dc:language>
	<dc:relation>https://journal.unhas.ac.id/index.php/hcblr/article/view/32663/11310</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2024 Hasanuddin Civil and Bussiness Law Review</dc:rights>
	<dc:rights xml:lang="en">https://creativecommons.org/licenses/by/4.0</dc:rights>
</oai_dc:dc>