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The Kind of Speech Styles in Allan Plenderleith’s “The Bunker (2017)” Movie

ELS Journal on Interdisciplinary Studies in Humanities · Vol. 3 No. 3 (2020) · pp. 376–392

DOI
10.34050/elsjish.v3i3.9858
ISSN
2621-0835, 2621-0843
Published
2020-09-25
Publisher
Hasanuddin University
Language
en
License
creativecommons.org/licenses/by-nc/4.0

Abstract

This research aimed to find out the kind of speech styles in “The Bunker (2017)” directed by Allan Plenderleith. This research used descriptive method according to Martin Joos’ theory. The data were taken from The Bunker (2017) movie. The data were analyzed by watching the movie as much as possible and trying to understand all of the conversations occur in the movie. All the subtitles in the movie will be transcribed, so that they become movie scripts. Then, the writers categorized several dialogues in the movie that showed the kind of speech styles in The Bunker (2017) and the kind of speech styles appears between the two main characters, John and Margaret. The results of the research showed that the kind of speech styles in The Bunker (2017) among others is: an intimate style, a casual or an informal style, a consultative style, and a formal style. An intimate style is the style that always used between the main characters, because they are a mother and her son.

Keywords

Collaboration network of the authors

13 authors · 18 co-authorship links

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  • State University of Makassar
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
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Co-authorOrganisationJoint articles
Geminastiti SakkirAffiliation unknown2
Yandres Answo Djedelbert LaoState University of Makassar1
Muhammad BasriState University of Makassar1
Nurmawti NurmawatiAffiliation unknown1
Haryanto AtmowardoyoAffiliation unknown1
Murni MahmudAffiliation unknown1
Sutyrajmi Sutyrajmi SAffiliation unknown1
Ade Surya AnugrahAffiliation unknown1
Syarifuddin DollahAffiliation unknown1
Fitriyani FitriyaniAffiliation unknown1
Ryan Andisky AsrulAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unhas.ac.id/index.php/jish/oai, first harvested 3 Nov 2026, last seen 3 Nov 2026.
Original metadata (oai_dc) 
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	<dc:title xml:lang="en">The Kind of Speech Styles in Allan Plenderleith’s “The Bunker (2017)” Movie</dc:title>
	<dc:creator xml:lang="en">Weda, Sukardi</dc:creator>
	<dc:creator xml:lang="en">Fadhilah Sakti, Andi Elsa </dc:creator>
	<dc:subject xml:lang="en">Speech styles</dc:subject>
	<dc:subject xml:lang="en">an intimate</dc:subject>
	<dc:subject xml:lang="en">a casual</dc:subject>
	<dc:subject xml:lang="en">a consultative and a formal.</dc:subject>
	<dc:description xml:lang="en">This research aimed to find out the kind of speech styles in “The Bunker (2017)” directed by Allan Plenderleith. This research used descriptive method according to Martin Joos’ theory. The data were taken from The Bunker (2017) movie. The data were analyzed by watching the movie as much as possible and trying to understand all of the conversations occur in the movie. All the subtitles in the movie will be transcribed, so that they become movie scripts. Then, the writers categorized several dialogues in the movie that showed the kind of speech styles in The Bunker (2017) and the kind of speech styles appears between the two main characters, John and Margaret. The results of the research showed that the kind of speech styles in The Bunker (2017) among others is: an intimate style, a casual or an informal style, a consultative style, and a formal style. An intimate style is the style that always used between the main characters, because they are a mother and her son.</dc:description>
	<dc:publisher xml:lang="en">Hasanuddin University</dc:publisher>
	<dc:date>2020-09-25</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unhas.ac.id/index.php/jish/article/view/9858</dc:identifier>
	<dc:identifier>10.34050/elsjish.v3i3.9858</dc:identifier>
	<dc:source xml:lang="en">ELS Journal on Interdisciplinary Studies in Humanities; Vol. 3 No. 3 (2020): SEPTEMBER; 376-392</dc:source>
	<dc:source>2621-0835</dc:source>
	<dc:source>2621-0843</dc:source>
	<dc:source>10.34050/elsjish.v3i3</dc:source>
	<dc:language>en</dc:language>
	<dc:relation>https://journal.unhas.ac.id/index.php/jish/article/view/9858/5852</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2020 ELS Journal on Interdisciplinary Studies in Humanities</dc:rights>
	<dc:rights xml:lang="en">http://creativecommons.org/licenses/by-nc/4.0</dc:rights>
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