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Postmodernism in The Art Concept of Putu Wijaya

ELS Journal on Interdisciplinary Studies in Humanities · Vol. 4 No. 4 (2021) · pp. 431–436

DOI
10.34050/elsjish.v4i4.18368
ISSN
2621-0835, 2621-0843
Published
2021-12-09
Publisher
Hasanuddin University
Language
en
License
creativecommons.org/licenses/by-nc-sa/4.0

Abstract

This research will explore the life journey of a prominent Indonesian writer, Putu Wijaya. His life history is traced especially his connetion to traditionality and modernity, starting from childhood until graduating from high school in Bali, as a student to his graduation in Yogyakarta, then moving to settle and making art in Jakarta. The three places gave him an intense understanding of the traditionalities of Bali, Java, and the Archipelago. At the same time, the three places also provide him with an understanding of modernity. The various forms of traditionality and modernity mingled in Wijaya’s works, traditionalities such as fairy tales, wayang stories, and even mystical things that do not make sense also influence Wijaya's way of thinking. Meanwhile, one of the important modernities that also influenced him since childhood was Indonesian language. The language was chosen and designed based on the modern thinking of linguists Von de Wall, HC Klinkert, and Van Ophuijsen from the Dutch colonial state. Wijaya's mingling of traditionality and modernity allows him to write fluently various things, including the absurd and the absurd. His understanding of himself and his readers who were victims of feudalism and colonialism, made him write literary works to make his readers think more freely. This makes Wijaya's literary works tend to have a postmodernist style

Keywords

Collaboration network of the authors

18 authors · 36 co-authorship links

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Co-authorOrganisationJoint articles
Fathu RahmanAffiliation unknown1
Fitri ArniatiAffiliation unknown1
Muhammad DarwisAffiliation unknown1
Risa Anjelitha AsharAffiliation unknown1
Syafri BadaruddinAffiliation unknown1
Bulan Rara YangsenAffiliation unknown1
Muhammad Syafri BadaruddinAffiliation unknown1
Jumiati LantaAffiliation unknown1
Andi Muhamamd AkhmarAffiliation unknown1
M. Nurzin R KasauAffiliation unknown1
Ilham Daeng MakkeloAffiliation unknown1
Basiah BasiahAffiliation unknown1
M. Dalyan M. DalyanAffiliation unknown1
Andi Muhammad AkmarAffiliation unknown1
Pammuda PammudaAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unhas.ac.id/index.php/jish/oai, first harvested 3 Nov 2026, last seen 3 Nov 2026.
Original metadata (oai_dc)
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	<dc:title xml:lang="en">Postmodernism in The Art Concept of Putu Wijaya</dc:title>
	<dc:creator xml:lang="en">Abidin, Aslan</dc:creator>
	<dc:creator xml:lang="en">Rahman, Nurhayati </dc:creator>
	<dc:creator xml:lang="en">Lewa, Inriati</dc:creator>
	<dc:subject xml:lang="en">Putu Wijaya</dc:subject>
	<dc:subject xml:lang="en">Literature</dc:subject>
	<dc:subject xml:lang="en">Traditional</dc:subject>
	<dc:subject xml:lang="en">Modern</dc:subject>
	<dc:subject xml:lang="en">Postmodern</dc:subject>
	<dc:description xml:lang="en">This research will explore the life journey of a prominent Indonesian writer, Putu Wijaya. His life history is traced especially his connetion to  traditionality and modernity, starting from childhood until graduating from high school in Bali, as a student to his graduation in Yogyakarta, then moving to settle and making art in Jakarta. The three places gave him an intense understanding of the traditionalities of Bali, Java, and the Archipelago. At the same time, the three places also provide him with an understanding of modernity. The various forms of traditionality and modernity mingled in Wijaya’s works, traditionalities such as fairy tales, wayang stories, and even mystical things that do not make sense also influence Wijaya's way of thinking. Meanwhile, one of the important modernities that also influenced him since childhood was Indonesian language. The language was chosen and designed based on the modern thinking of linguists Von de Wall, HC Klinkert, and Van Ophuijsen from the Dutch colonial state. Wijaya's mingling of traditionality and modernity allows him to write fluently various things, including the absurd and the absurd. His understanding of himself and his readers who were victims of feudalism and colonialism, made him write literary works to make his readers think more freely. This makes Wijaya's literary works tend to have a postmodernist style</dc:description>
	<dc:publisher xml:lang="en">Hasanuddin University</dc:publisher>
	<dc:date>2021-12-09</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unhas.ac.id/index.php/jish/article/view/18368</dc:identifier>
	<dc:identifier>10.34050/elsjish.v4i4.18368</dc:identifier>
	<dc:source xml:lang="en">ELS Journal on Interdisciplinary Studies in Humanities; Vol. 4 No. 4 (2021): DECEMBER; 431-436</dc:source>
	<dc:source>2621-0835</dc:source>
	<dc:source>2621-0843</dc:source>
	<dc:source>10.34050/elsjish.v4i4</dc:source>
	<dc:language>en</dc:language>
	<dc:relation>https://journal.unhas.ac.id/index.php/jish/article/view/18368/7547</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2021 Aslan Abidin, Nurhayati  Rahman, Inriati Lewa</dc:rights>
	<dc:rights xml:lang="en">https://creativecommons.org/licenses/by-nc-sa/4.0</dc:rights>
</oai_dc:dc>