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Hegemony of Power in the Film “Cairo Conspiracy” by Tarik Saleh (Antonio Gramsci’s Theory of Hegemony)

ELS Journal on Interdisciplinary Studies in Humanities · Vol. 8 No. 2 (2025) · hlm. 450–460

DOI
10.34050/els-jish.v8i2.44621
ISSN
2621-0835, 2621-0843
Terbit
2025-06-13
Penerbit
Hasanuddin University
Bahasa
en
Lisensi
creativecommons.org/licenses/by-sa/4.0

Abstrak

This research analyzes the representation of hegemony of power in Tarik Saleh's 2022 film "Cairo Conspiracy". This film offers a complex narrative that highlights the dynamics of power, religion and Egyptian politics. Through qualitative analysis using Antonio Gramsci's theory of hegemony of power, this research aims to reveal how the film depicts an unbalanced power relationship between the state, religious institutions, and individuals. Based on his consent and coercion, the analysis focuses on a young man named Adam, who comes from the village of Manzala, and how the hegemony of state power manipulates religious institutions to maintain its dominance. Using the descriptive analytical method, this research concludes that the film "Cairo Conspiracy" exposes the practice of hegemony of power in Egypt's religious political system. The results of this research will be in the form of several points of consent or coercion, namely agreement on domination or coercion, and in this research, there are 13 data that have been analyzed, one example of which is political hegemony which in this film is coercive or forced.

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  • Sunan Gunung Djati State Islamic University Bandung
  • National Research and Innovation Agency
  • National University of Malaysia
  • Universitas Islam Negeri Sultan Maulana Hasanuddin Banten
  • Indonesia University of Education
  • University of the Holy Qur'an and Islamic Sciences
  • Padjadjaran University
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Rekan penulisOrganisasiArtikel bersama
Ashinida Binti AladdinNational University of Malaysia2
Yayan RahtikawatiSunan Gunung Djati State Islamic University Bandung2
Ice SariyatiSunan Gunung Djati State Islamic University Bandung2
Edi KomarudinSunan Gunung Djati State Islamic University Bandung2
Yulia Zulpathul AizzaUniversitas Islam Negeri Sultan Maulana Hasanuddin Banten2
Noviana YusantiSunan Gunung Djati State Islamic University Bandung1
R. Edi KomarudinSunan Gunung Djati State Islamic University Bandung1
Wulan Suci NoviantiSunan Gunung Djati State Islamic University Bandung1
Isma FauziahSunan Gunung Djati State Islamic University Bandung1
Palendika AlandiraSunan Gunung Djati State Islamic University Bandung1
Wildan TaufiqSunan Gunung Djati State Islamic University Bandung1
Putri Salma FebrianaSunan Gunung Djati State Islamic University Bandung1
Dayudin DayudinSunan Gunung Djati State Islamic University Bandung1
Neng Hilmi NurmaltuffahSunan Gunung Djati State Islamic University Bandung1
Hikmah MaulaniIndonesia University of Education1
Mahmud MahmudSunan Gunung Djati State Islamic University Bandung1
Dede SutisnaSunan Gunung Djati State Islamic University Bandung1
Yusuf Ali Shaleh AthaUniversity of the Holy Qur'an and Islamic Sciences1
Andri NurjamanSunan Gunung Djati State Islamic University Bandung1
Masmedia PinemNational Research and Innovation Agency1
Dede BurhanudinNational Research and Innovation Agency1
Indrawan CahyadiNational Research and Innovation Agency1
Ira Siti Aenatum MardhiyahAfiliasi tidak diketahui1
Karman KarmanSunan Gunung Djati State Islamic University Bandung1
Elih Ratna SuminarSunan Gunung Djati State Islamic University Bandung1
Mawardi MawardiUniversitas Islam Negeri Ar-Raniry1
Zamzam Mugni AlawiPadjadjaran University1
Imas Fatimah SetiawatiSunan Gunung Djati State Islamic University Bandung1
Monika Wulan AriantySunan Gunung Djati State Islamic University Bandung1
Imam Ghozali BudiharjoSunan Gunung Djati State Islamic University Bandung1
Akmaliyah AkmaliyahSunan Gunung Djati State Islamic University Bandung1
Nur Afifah RamadhantyAfiliasi tidak diketahui1
Cucu NurkhotimahSunan Gunung Djati State Islamic University Bandung1
Nadin ArifinSunan Gunung Djati State Islamic University Bandung1
Muhamad NurhasanSunan Gunung Djati State Islamic University Bandung1
Muhamamd NurhasanAfiliasi tidak diketahui1
Muhammad NurhasanSunan Gunung Djati State Islamic University Bandung1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unhas.ac.id/index.php/jish/oai, pertama di-harvest 3 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc) 
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	<dc:title xml:lang="en">Hegemony of Power in the Film “Cairo Conspiracy” by Tarik Saleh (Antonio Gramsci’s Theory of Hegemony)</dc:title>
	<dc:creator xml:lang="en">Adya Wijaya, Naufal</dc:creator>
	<dc:creator xml:lang="en">Rohanda, Rohanda</dc:creator>
	<dc:creator xml:lang="en">Solihin, Ihin</dc:creator>
	<dc:subject xml:lang="en">Power Hegemony</dc:subject>
	<dc:subject xml:lang="en">Consent</dc:subject>
	<dc:subject xml:lang="en">Coercion</dc:subject>
	<dc:subject xml:lang="en">Film</dc:subject>
	<dc:subject xml:lang="en">Literature</dc:subject>
	<dc:description xml:lang="en">This research analyzes the representation of hegemony of power in Tarik Saleh's 2022 film "Cairo Conspiracy". This film offers a complex narrative that highlights the dynamics of power, religion and Egyptian politics. Through qualitative analysis using Antonio Gramsci's theory of hegemony of power, this research aims to reveal how the film depicts an unbalanced power relationship between the state, religious institutions, and individuals. Based on his consent and coercion, the analysis focuses on a young man named Adam, who comes from the village of Manzala, and how the hegemony of state power manipulates religious institutions to maintain its dominance. Using the descriptive analytical method, this research concludes that the film "Cairo Conspiracy" exposes the practice of hegemony of power in Egypt's religious political system. The results of this research will be in the form of several points of consent or coercion, namely agreement on domination or coercion, and in this research, there are 13 data that have been analyzed, one example of which is political hegemony which in this film is coercive or forced.</dc:description>
	<dc:publisher xml:lang="en">Hasanuddin University</dc:publisher>
	<dc:date>2025-06-13</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unhas.ac.id/index.php/jish/article/view/44621</dc:identifier>
	<dc:identifier>10.34050/els-jish.v8i2.44621</dc:identifier>
	<dc:source xml:lang="en">ELS Journal on Interdisciplinary Studies in Humanities; Vol. 8 No. 2 (2025): JUNE; 450-460</dc:source>
	<dc:source>2621-0835</dc:source>
	<dc:source>2621-0843</dc:source>
	<dc:source>10.34050/els-jish.v8i2</dc:source>
	<dc:language>en</dc:language>
	<dc:relation>https://journal.unhas.ac.id/index.php/jish/article/view/44621/12942</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2025 Naufal Adya Wijaya, Rohanda, Ihin Solihin</dc:rights>
	<dc:rights xml:lang="en">https://creativecommons.org/licenses/by-sa/4.0</dc:rights>
</oai_dc:dc>