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METAFORA DALAM LIRIK LAGU ANGGUN C SASMI

JURNAL ILMU BUDAYA · Vol. 5 No. 2 (2017) · hlm. 21–32

DOI
10.34050/jib.v5i2.2591
ISSN
2621-5101, 2354-7294
Terbit
2017-10-06
Penerbit
Universitas Hasanuddin
Bahasa
en
Lisensi
creativecommons.org/licenses/by-nc/4.0

Abstrak

This research aims to analyze the use of metaphorical language styles in songs. Because like poetry, the language used in the song is not the same as the language used when someone is conversing, often the language used in song lyrics is ambiguous and uses the style of the language. Based on this, the researchers are interested to discuss the use of language styles in song lyrics, but in this research, researchers focused on researching only on the style of metaphorical language with the title "Metaphors in the Lyrics of the song Anggun C Sasmi (Semantic Analysis)". Data retrieval is done by using technique refer and note. The data have been collected and then analyzed using the supporting theories in this research. The theory used in this research is metaphorical and semantic style of language. Metaphor is a comparative language style that is divided into 4 types. While semantic theory is needed to analyze every metaphoric meaning contained in the lyrics of the song Anggun C Sasmi. From the analysis, the researchers collected 20 metaphorical data consisting of: (1) 8 forms of anthropomorphic metaphor, (2) 2 forms of animal metaphor, (3) 9 concrete-abstract metaphor form, and (4) 1 sinaesthetic metaphor form. The use of metaphorical language style in the songs Anggun C Sasmi aims to give the aesthetic effect also reinforces the message conveyed the songwriter.Key words: metaphor, semantic, song, aesthetic, meaning.

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Ade Yolanda LatjubaAfiliasi tidak diketahui3
Muhammad HasyimAfiliasi tidak diketahui2
Ade Yolanda LatjubaAfiliasi tidak diketahui2
Yapet DanielAfiliasi tidak diketahui1
Rika IrsyamAfiliasi tidak diketahui1
Masdiana MasdianaUniversitas Halu Oleo1
Prasuri KuswariniAfiliasi tidak diketahui1
Mardi Adi ArminAfiliasi tidak diketahui1
Isfahar IsfajarAfiliasi tidak diketahui1
Erwing ErwingUniversitas Halu Oleo1
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Jeni PetrusAfiliasi tidak diketahui1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unhas.ac.id/index.php/jib/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 5 Nov 2026.
Metadata asli (oai_dc) 
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	<dc:title xml:lang="en">METAFORA DALAM LIRIK LAGU ANGGUN C SASMI</dc:title>
	<dc:creator xml:lang="en">Bahanuddin, Sofianti</dc:creator>
	<dc:creator xml:lang="en">Hasbullah, Hasbullah</dc:creator>
	<dc:description xml:lang="en">This research aims to analyze the use of metaphorical language styles in songs. Because like poetry, the language used in the song is not the same as the language used when someone is conversing, often the language used in song lyrics is ambiguous and uses the style of the language. Based on this, the researchers are interested to discuss the use of language styles in song lyrics, but in this research, researchers focused on researching only on the style of metaphorical language with the title "Metaphors in the Lyrics of  the song Anggun C Sasmi (Semantic Analysis)". Data retrieval is done by using technique refer and note. The data have been collected and then analyzed using the supporting theories in this research. The theory used in this research is metaphorical and semantic style of language. Metaphor is a comparative language style that is divided into 4 types. While semantic theory is needed to analyze every metaphoric meaning contained in the lyrics of the song Anggun C Sasmi. From the analysis, the researchers collected 20 metaphorical data consisting of: (1) 8 forms of anthropomorphic metaphor, (2) 2 forms of animal metaphor, (3) 9 concrete-abstract metaphor form, and (4) 1 sinaesthetic metaphor form. The use of metaphorical language style in the songs Anggun C Sasmi aims to give the aesthetic effect also reinforces the message conveyed the songwriter.Key words: metaphor, semantic, song, aesthetic, meaning.</dc:description>
	<dc:publisher xml:lang="en">Universitas Hasanuddin</dc:publisher>
	<dc:date>2017-10-06</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unhas.ac.id/index.php/jib/article/view/2591</dc:identifier>
	<dc:identifier>10.34050/jib.v5i2.2591</dc:identifier>
	<dc:source xml:lang="en">JURNAL ILMU BUDAYA; Vol. 5 No. 2 (2017): Jurnal Ilmu Budaya; 21-32</dc:source>
	<dc:source>2621-5101</dc:source>
	<dc:source>2354-7294</dc:source>
	<dc:language>en</dc:language>
	<dc:relation>https://journal.unhas.ac.id/index.php/jib/article/view/2591/10917</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2017 JURNAL ILMU BUDAYA</dc:rights>
	<dc:rights xml:lang="en">http://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>