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KEBENCIAN DAN AMARAH TOKOH EKSIL DALAM CERPEN TANAH AIR DAN ASMARA DAN KEMATIAN DI PERBATASAN TIGA NEGARA KARYA MARTIN ALEIDA

JURNAL ILMU BUDAYA · Vol. 8 No. 2 (2020) · hlm. 225–234

DOI
10.34050/jib.v8i2.10987
ISSN
2621-5101, 2354-7294
Terbit
2020-08-06
Penerbit
Universitas Hasanuddin
Bahasa
en
Lisensi
creativecommons.org/licenses/by-nc/4.0

Abstrak

This research aims to elaborate the manifestations of hate and anger of the exile characters in the short stories of Tanah Air and Asmara dan Kematian di Perbatasan Tiga Negara by Martin Aleida. This research used qualitative analysis by using descriptive method. The technique of data collections used library research or content analysis. The result of the study shows that hate and anger of the exile characters in both short stories by Martin Aleida, according to the psychology existential by May divided into two categories. These categories come to animate the story that starring by the characters who deliberately labelled as an exile. There are two types of hate and anger in the exile characters is hate and anger of the regime and hate and anger of their self. In the short story of Tanah Air, the two categories come to affirm the occasion of a phenomenon and in the short story Asmara dan Kematian di Perbatasan Tiga Negara, only one category that begins to build the occasion of the short story. The result that the exile characters reveal their existence by showing hate and anger to the regime.

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  • Hasanuddin University
  • Universitas Muhammadiyah Sidenreng Rappang
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Rekan penulisOrganisasiArtikel bersama
Bulan Rara YangsenHasanuddin University2
Nurhayati RahmanHasanuddin University1
Aslan AbidinHasanuddin University1
Citra AndiniHasanuddin University1
Fakhriawan Fathu RahmanHasanuddin University1
Tuty Wulandari Bin AhmadHasanuddin University1
M. Amir P.Hasanuddin University1
Andi Muhamamd AkhmarAfiliasi tidak diketahui1
Jumiati LantaUniversitas Muhammadiyah Sidenreng Rappang1
M. Nurzin R. KasauUniversitas Muhammadiyah Sidenreng Rappang1
Ikki Pramatasari KadirAfiliasi tidak diketahui1
Indriati LewaAfiliasi tidak diketahui1
Sumarni SumarniHasanuddin University1
Muhammad DarwisHasanuddin University1
Andi Inayah SorayaHasanuddin University1
Mardi Adi ArminHasanuddin University1
ilham wasiAfiliasi tidak diketahui1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unhas.ac.id/index.php/jib/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en">KEBENCIAN DAN AMARAH TOKOH EKSIL DALAM CERPEN TANAH AIR DAN ASMARA DAN KEMATIAN DI PERBATASAN TIGA NEGARA KARYA MARTIN ALEIDA</dc:title>
	<dc:creator xml:lang="en">Amir, Syahwan Alfianto</dc:creator>
	<dc:creator xml:lang="en">Lewa, Inriati</dc:creator>
	<dc:creator xml:lang="en">Badaruddin, M. Syafri</dc:creator>
	<dc:subject xml:lang="en">characters</dc:subject>
	<dc:subject xml:lang="en">exile</dc:subject>
	<dc:subject xml:lang="en">literary psychology</dc:subject>
	<dc:description xml:lang="en">This research aims to elaborate the manifestations of hate and anger of the exile characters in the short stories of Tanah Air and Asmara dan Kematian di Perbatasan Tiga Negara by Martin Aleida. This research used qualitative analysis by using descriptive method. The technique of data collections used library research or content analysis. The result of the study shows that hate and anger of the exile characters in both short stories by Martin Aleida, according to the psychology existential by May divided into two categories. These categories come to animate the story that starring by the characters who deliberately labelled as an exile. There are two types of hate and anger in the exile characters is hate and anger of the regime and hate and anger of their self. In the short story of Tanah Air, the two categories come to affirm the occasion of a phenomenon and in the short story Asmara dan Kematian di Perbatasan Tiga Negara, only one category that begins to build the occasion of the short story. The result that the exile characters reveal their existence by showing hate and anger to the regime.</dc:description>
	<dc:publisher xml:lang="en">Universitas Hasanuddin</dc:publisher>
	<dc:date>2020-08-06</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unhas.ac.id/index.php/jib/article/view/10987</dc:identifier>
	<dc:identifier>10.34050/jib.v8i2.10987</dc:identifier>
	<dc:source xml:lang="en">JURNAL ILMU BUDAYA; Vol. 8 No. 2 (2020): Jurnal Ilmu Budaya; 225-234</dc:source>
	<dc:source>2621-5101</dc:source>
	<dc:source>2354-7294</dc:source>
	<dc:language>en</dc:language>
	<dc:relation>https://journal.unhas.ac.id/index.php/jib/article/view/10987/5679</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2020 JURNAL ILMU BUDAYA</dc:rights>
	<dc:rights xml:lang="en">http://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>