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SEMIOTIKA KARIKATUR PANDEMI COVID-19 MELALUI MEDIA DARING (ON LINE) DI PERANCIS

JURNAL ILMU BUDAYA · Vol. 8 No. 2 (2020) · hlm. 279–293

DOI
10.34050/jib.v8i2.11106
ISSN
2621-5101, 2354-7294
Terbit
2020-08-20
Penerbit
Universitas Hasanuddin
Bahasa
en
Lisensi
creativecommons.org/licenses/by-nc/4.0

Abstrak

This study investigates the caricature representations contained in online media regarding the French government's response to the Covid-19 Pandemic. Also examined the response of citizens to government policies, including religious and other professional society. This research was conducted to try to examine aspects of Corona pandemic reporting through online media because this issue has become a worldwide concern. Pandemic has caused many victims The response of the community is directly reflected in the caricature. by using the semiotic approach, we will get the meanings of the caricatures under study. The caricature is the data in this study. Caricature as data is divided into four: caricature of the government version, caricature of the community version, caricature of the professional version and caricature which is a critique of the Chinese government scientific method used is semiotics as a theory that can interpret the explicit and implicit meaning of an image. The results of the study found that the French Government remained criticized despite trying to handle the pandemic to the maximum. Also depicted a sense of optimism and pessimism of citizens facing disaster. Also found criticism of the Chinese Government that is not open to investigations of the origin of the virus.

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  • Hasanuddin University
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Tampilkan sebagai tabel
Rekan penulisOrganisasiArtikel bersama
Ade Yolanda LatjubaHasanuddin University3
M. DalyanHasanuddin University1
Asriani AbbasHasanuddin University1
KaharuddinHasanuddin University1
Munira HasjimHasanuddin University1
Restiani Angel ThamrinAfiliasi tidak diketahui1
Prasuri KuswariniHasanuddin University1
Muhammad Qasash HasyimHasanuddin University1
Masdiana MasdianaHasanuddin University1
Hasbullah HasbullahHasanuddin University1
Fierenziana Getruida JunusHasanuddin University1
Kidung Biantong ParuraHasanuddin University1
Muhammad Syafri BadaruddinHasanuddin University1
ilham wasiAfiliasi tidak diketahui1
Muhammad Syafaat Wajdiy SyarifuddinAfiliasi tidak diketahui1
Irianti BanduHasanuddin University1
Muttiara AgustinaAfiliasi tidak diketahui1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unhas.ac.id/index.php/jib/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en">SEMIOTIKA KARIKATUR PANDEMI COVID-19 MELALUI MEDIA DARING (ON LINE) DI PERANCIS</dc:title>
	<dc:creator xml:lang="en">Armin, Mardi Adi</dc:creator>
	<dc:creator xml:lang="en">Amalia, Nafiatul</dc:creator>
	<dc:subject xml:lang="en">Caricature</dc:subject>
	<dc:subject xml:lang="en">Government</dc:subject>
	<dc:subject xml:lang="en">Optimism</dc:subject>
	<dc:subject xml:lang="en">Pessimism</dc:subject>
	<dc:subject xml:lang="en">China</dc:subject>
	<dc:description xml:lang="en">This study investigates the caricature representations contained in online media regarding the French government's response to the Covid-19 Pandemic. Also examined the response of citizens to government policies, including religious and other professional society. This research was conducted to try to examine aspects of Corona pandemic reporting through online media because this issue has become a worldwide concern. Pandemic has caused many victims The response of the community is directly reflected in the caricature. by using the semiotic approach, we will get the meanings of the caricatures under study. The caricature is the data in this study. Caricature as data is divided into four: caricature of the government version, caricature of the community version, caricature of the professional version and caricature which is a critique of the Chinese government scientific method used is semiotics as a theory that can interpret the explicit and implicit meaning of an image. The results of the study found that the French Government remained criticized despite trying to handle the pandemic to the maximum. Also depicted a sense of optimism and pessimism of citizens facing disaster. Also found criticism of the Chinese Government that is not open to investigations of the origin of the virus.</dc:description>
	<dc:publisher xml:lang="en">Universitas Hasanuddin</dc:publisher>
	<dc:date>2020-08-20</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unhas.ac.id/index.php/jib/article/view/11106</dc:identifier>
	<dc:identifier>10.34050/jib.v8i2.11106</dc:identifier>
	<dc:source xml:lang="en">JURNAL ILMU BUDAYA; Vol. 8 No. 2 (2020): Jurnal Ilmu Budaya; 279-293</dc:source>
	<dc:source>2621-5101</dc:source>
	<dc:source>2354-7294</dc:source>
	<dc:language>en</dc:language>
	<dc:relation>https://journal.unhas.ac.id/index.php/jib/article/view/11106/5694</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2020 JURNAL ILMU BUDAYA</dc:rights>
	<dc:rights xml:lang="en">http://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>