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ALUR DALAM DEMAIN KARYA GUILLAUME MUSSO

JURNAL ILMU BUDAYA · Vol. 7 No. 1 (2019) · pp. 114–122

DOI
10.34050/jib.v7i1.32641
ISSN
2621-5101, 2354-7294
Published
2019-06-30
Publisher
Universitas Hasanuddin
Language
en
License
creativecommons.org/licenses/by-nc/4.0

Abstract

This study aims to analyze the flow of story sequences in the Demain novel by Guillaume Musso. The analysis shows that the interplay of the past and the present events is one narrative strategy to incite the the curiosity of the readers on the one hand and to delay the possible logic of the sequential story. The results of this study show that the structure of the text contained in the novel Demain can be divided into two main parts, namely: The first part is the group of pre-marriage events that occurred in the years of respectively 1991,1992,1993,1994,1996,1998,1999. While The second stage is the period of the marriage between Matthew and Kate in the year. 2006, The accidental event of old computer purchase by Matthew, the main character leads to a new dimension that opens the way to retrospect the old events.

Collaboration network of the authors

19 authors · 37 co-authorship links

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  • Universitas Halu Oleo
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Ade Yolanda LatjubaAffiliation unknown3
Muhammad HasyimAffiliation unknown3
Mutmainnah MutmainnahAffiliation unknown2
Yapet DanielAffiliation unknown1
Rika IrsyamAffiliation unknown1
Masdiana MasdianaUniversitas Halu Oleo1
Prasuri KuswariniAffiliation unknown1
Mardi Adi ArminAffiliation unknown1
Sofianti BahanuddinAffiliation unknown1
Isfahar IsfajarAffiliation unknown1
Erwing ErwingUniversitas Halu Oleo1
Mardi Adi ArminAffiliation unknown1
Muhammad Syafaat Wajdiy SyarifuddinAffiliation unknown1
Farah Yodhia KinriabeAffiliation unknown1
Ismail Salsabila FitrianaAffiliation unknown1
Chotimah Irma Nurul HusnalAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unhas.ac.id/index.php/jib/oai, first harvested 5 Nov 2026, last seen 5 Nov 2026.
Original metadata (oai_dc) 
<oai_dc:dc xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/  http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en">ALUR DALAM DEMAIN KARYA GUILLAUME MUSSO</dc:title>
	<dc:creator xml:lang="en">Petrus, Jeni </dc:creator>
	<dc:creator xml:lang="en">Yolanda Latjuba, Ade </dc:creator>
	<dc:creator xml:lang="en">Hasbullah, Hasbullah</dc:creator>
	<dc:description xml:lang="en">This study aims to analyze the flow of story sequences in the Demain novel by Guillaume Musso. The analysis shows that the interplay of the past and the present events is one narrative strategy to incite the the curiosity of the readers on the one hand and to delay the possible logic of the sequential story. The results of this study show that the structure of the text contained in the novel Demain can be divided into two main parts, namely: The first part is the group of pre-marriage events that occurred in the years of respectively 1991,1992,1993,1994,1996,1998,1999. While The second stage is the period of the marriage between Matthew and Kate in the year. 2006, The accidental event of old computer purchase by Matthew, the main character leads to a new dimension that opens the way to retrospect the old events.</dc:description>
	<dc:publisher xml:lang="en">Universitas Hasanuddin</dc:publisher>
	<dc:date>2019-06-30</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unhas.ac.id/index.php/jib/article/view/32641</dc:identifier>
	<dc:identifier>10.34050/jib.v7i1.32641</dc:identifier>
	<dc:source xml:lang="en">JURNAL ILMU BUDAYA; Vol. 7 No. 1 (2019): Jurnal Ilmu Budaya; 114-122</dc:source>
	<dc:source>2621-5101</dc:source>
	<dc:source>2354-7294</dc:source>
	<dc:source>10.34050/jib.v7i1</dc:source>
	<dc:language>en</dc:language>
	<dc:relation>https://journal.unhas.ac.id/index.php/jib/article/view/32641/11105</dc:relation>
	<dc:rights xml:lang="en">http://creativecommons.org/licenses/by-nc/4.0</dc:rights>
</oai_dc:dc>