Jurnal
The Representation of Arab immigrants’ identity as portrayed in Diana Abu-Jaber’s novel Arabian Jazz: Postcolonial migrant Theory.
Language Circle: Journal of Language and Literature · Vol. 20 No. 2 (2025) · hlm. 110–120
ISSN 2460-853X, 1858-0157
Terbit 2025-10-31
Penerbit Universitas Negeri Semarang
Bahasa eng
Abstrak
The United States has been a successful land of immigration since the late 1800s. The Arab immigration is a part of that fortunate history. This paper aims to represent Arab immigrants' identity through Diana Abu-Jaber’s Arabian Jazz (1993) by using the Postcolonial migrant. The story is about the Ramoud family, who have migrated from Jordan to the United States, and one of them confused identity. Jemorah, Matussem Ramoud's daughter, has “a double-consciousness” where physically she is like an Arab but not her cultural and attitude. She struggled with her identity because she was born in Jordan and grew up as a teenager in Euclid, the United States. Her aunties also insist that Jemorah get married to an Arabian because they want to preserve the heritage, Arab culture, and the family’s honor. Her condition is quite different from Melvina, Jemorah’s younger sister, in that she can adapt well to American culture. This novel also examines identity as a component of hybridity, especially in Jemorah and Melvina, as the main characters. This paper concludes that the second generation of Arab-Americans lost their identity, and it is quite different from the first generation, who preserve their Arab heritage, norms, tradition, values, and identity.
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State University of Semarang Sebelas Maret University Universitas Gadjah Mada Syarif Hidayatullah State Islamic University Jakarta National Research and Innovation Agency Afiliasi tidak diketahui
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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/journals/LC/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc)
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<dc:title xml:lang="en">The Representation of Arab immigrants’ identity as portrayed in Diana Abu-Jaber’s novel Arabian Jazz: Postcolonial migrant Theory.</dc:title>
<dc:creator xml:lang="en">Purwanto, Bambang</dc:creator>
<dc:creator xml:lang="en">Faruk</dc:creator>
<dc:creator xml:lang="en">Munjid, Achmad </dc:creator>
<dc:subject xml:lang="en">Arab-American</dc:subject>
<dc:subject xml:lang="en">Arab Imigrants</dc:subject>
<dc:subject xml:lang="en">Double consciousness</dc:subject>
<dc:subject xml:lang="en">Hybridity</dc:subject>
<dc:subject xml:lang="en">Identity</dc:subject>
<dc:description xml:lang="en">The United States has been a successful land of immigration since the late 1800s. The Arab immigration is a part of that fortunate history. This paper aims to represent Arab immigrants' identity through Diana Abu-Jaber’s Arabian Jazz (1993) by using the Postcolonial migrant. The story is about the Ramoud family, who have migrated from Jordan to the United States, and one of them confused identity. Jemorah, Matussem Ramoud's daughter, has “a double-consciousness” where physically she is like an Arab but not her cultural and attitude. She struggled with her identity because she was born in Jordan and grew up as a teenager in Euclid, the United States. Her aunties also insist that Jemorah get married to an Arabian because they want to preserve the heritage, Arab culture, and the family’s honor. Her condition is quite different from Melvina, Jemorah’s younger sister, in that she can adapt well to American culture. This novel also examines identity as a component of hybridity, especially in Jemorah and Melvina, as the main characters. This paper concludes that the second generation of Arab-Americans lost their identity, and it is quite different from the first generation, who preserve their Arab heritage, norms, tradition, values, and identity.</dc:description>
<dc:publisher xml:lang="en">Universitas Negeri Semarang</dc:publisher>
<dc:date>2025-10-31</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
<dc:format>application/pdf</dc:format>
<dc:identifier>https://journal.unnes.ac.id/journals/LC/article/view/34478</dc:identifier>
<dc:identifier>10.15294/lc.v20i1.34478</dc:identifier>
<dc:source xml:lang="en">Language Circle: Journal of Language and Literature; Vol. 20 No. 2 (2025): October 2025 Reguler Issue; 110 - 120</dc:source>
<dc:source>2460-853X</dc:source>
<dc:source>1858-0157</dc:source>
<dc:source>10.15294/lc.v20i1</dc:source>
<dc:language>eng</dc:language>
<dc:relation>https://journal.unnes.ac.id/journals/LC/article/view/34478/6700</dc:relation>
<dc:rights xml:lang="en">Copyright (c) 2025 Language Circle: Journal of Language and Literature</dc:rights>
</oai_dc:dc>
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APA 7
Purwanto, B., Faruk, & Munjid, A. (2025). The Representation of Arab immigrants’ identity as portrayed in Diana Abu-Jaber’s novel Arabian Jazz: Postcolonial migrant Theory. Language Circle: Journal of Language and Literature, 20(2), 110–120. https://doi.org/10.15294/lc.v20i1.34478
Salin
IEEE
B. Purwanto, Faruk, and A. Munjid, “The Representation of Arab immigrants’ identity as portrayed in Diana Abu-Jaber’s novel Arabian Jazz: Postcolonial migrant Theory,” Language Circle: Journal of Language and Literature, vol. 20, no. 2, pp. 110–120, 2025, doi: 10.15294/lc.v20i1.34478.
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