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Actor and Power Dimensions in Collaboration Management of the "Tour of Lake Toba" Musical Performance

Catharsis · Vol. 12 No. 2 (2023) · hlm. 138–149

ISSN
2502-4531, 2252-6900
Terbit
2023-09-15
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Tour of Lake Toba is a musical performance initiated by Rumah Karya Indonesia as the organizational institution responsible for this performance which is based on the idiom of traditional musical culture in the Lake Toba area. The Tour of Lake Toba musical performance has the theme Sira, which is an acronym for Sinergi Rasa. Sira in the lexicon of the North Sumatra Cultural region means salt brought by sira travelers or salt bearers from coastal areas to the highlands as an artifact of the exchange of objects and knowledge that occurred in the past. The aim of this research is to discuss the actor and power dimensions in the Tour of Lake Toba musical performance. The method used in this research is qualitative using a naturalistic approach. The research is discussed using Jo Hatch's rational organization theory approach. The research results show that the tour of Lake Toba musical performance involves various actors, both main actors and supporting actors. These actors create cooperation that produces a performance output that is bound by a cooperation agreement. From this agreement, a process emerged consisting of planning, organizing, mobilizing and supervising the musical performance tour of Lake Toba in the cities of Bandung, Jakarta, Yogyakarta and Solo. Rumah Karya Indonesia Institution builds a strong social network. These connections and relationships are used to obtain support, resources, and information. So this becomes a network that provides specific power in carrying out North Sumatran traditional performances on the island of Java.

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  • State University of Semarang
  • State University of Jakarta
  • Afiliasi tidak diketahui
  • Organisasi berbeda
  • Organisasi sama
  • Afiliasi tidak diketahui
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Tampilkan sebagai tabel
Rekan penulisOrganisasiArtikel bersama
Sunarto SunartoAfiliasi tidak diketahui10
Wadiyo WadiyoAfiliasi tidak diketahui9
Totok Sumaryanto FlorentinusState University of Semarang8
Widodo WidodoState University of Jakarta7
Triyanto TriyantoAfiliasi tidak diketahui6
Agus CahyonoAfiliasi tidak diketahui6
Hartono HartonoAfiliasi tidak diketahui5
Syahrul Syah SinagaAfiliasi tidak diketahui5
Totok Sumaryanto. FAfiliasi tidak diketahui3
Nafik SalafiyahAfiliasi tidak diketahui3
Malarsih MalarsihAfiliasi tidak diketahui3
Tjetjep Rohendi RohidiAfiliasi tidak diketahui2
Muhammad JazuliAfiliasi tidak diketahui2
Totok Sumaryanto FlorentinusAfiliasi tidak diketahui2
Syahrul Syah SinagaAfiliasi tidak diketahui2
Faruq AlfiantoAfiliasi tidak diketahui2
Siti AesijahAfiliasi tidak diketahui2
Eko SugiartoAfiliasi tidak diketahui2
Nugroho KwiduraAfiliasi tidak diketahui2
Indrawan Nur CahyonoAfiliasi tidak diketahui2
Indrianna Dyah Pamarti NingrumAfiliasi tidak diketahui1
Rahina NugrahaniState University of Semarang1
Eko HaryantoAfiliasi tidak diketahui1
Johan SutarjoAfiliasi tidak diketahui1
Suharto SuhartoAfiliasi tidak diketahui1
Wandah WibawantoAfiliasi tidak diketahui1
Metha BertinaAfiliasi tidak diketahui1
Prima Suci LestariAfiliasi tidak diketahui1
Suharto SAfiliasi tidak diketahui1
Fitri aji Nury astutiAfiliasi tidak diketahui1
Achmad ZairinAfiliasi tidak diketahui1
Pinta Resty AyundaAfiliasi tidak diketahui1
Tegar AnugrahitaAfiliasi tidak diketahui1
Dedy FirduansyahAfiliasi tidak diketahui1
Willy LontohAfiliasi tidak diketahui1
Setyati Dyah HandayaniAfiliasi tidak diketahui1
Firdaus PerdanaAfiliasi tidak diketahui1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/journals/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc) 
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	<dc:title xml:lang="en">Actor and Power Dimensions in Collaboration Management of the "Tour of Lake Toba" Musical Performance</dc:title>
	<dc:creator xml:lang="en">Satria, Tri Danu</dc:creator>
	<dc:creator xml:lang="en">Haryono, Slamet</dc:creator>
	<dc:creator xml:lang="en">Utomo, Udi</dc:creator>
	<dc:subject xml:lang="en">Collaboration</dc:subject>
	<dc:subject xml:lang="en">Management</dc:subject>
	<dc:subject xml:lang="en">Music Performance</dc:subject>
	<dc:subject xml:lang="en">Tour of Lake Toba</dc:subject>
	<dc:description xml:lang="en">Tour of Lake Toba is a musical performance initiated by Rumah Karya Indonesia as the organizational institution responsible for this performance which is based on the idiom of traditional musical culture in the Lake Toba area. The Tour of Lake Toba musical performance has the theme Sira, which is an acronym for Sinergi Rasa. Sira in the lexicon of the North Sumatra Cultural region means salt brought by sira travelers or salt bearers from coastal areas to the highlands as an artifact of the exchange of objects and knowledge that occurred in the past. The aim of this research is to discuss the actor and power dimensions in the Tour of Lake Toba musical performance. The method used in this research is qualitative using a naturalistic approach. The research is discussed using Jo Hatch's rational organization theory approach. The research results show that the tour of Lake Toba musical performance involves various actors, both main actors and supporting actors. These actors create cooperation that produces a performance output that is bound by a cooperation agreement. From this agreement, a process emerged consisting of planning, organizing, mobilizing and supervising the musical performance tour of Lake Toba in the cities of Bandung, Jakarta, Yogyakarta and Solo. Rumah Karya Indonesia Institution builds a strong social network. These connections and relationships are used to obtain support, resources, and information. So this becomes a network that provides specific power in carrying out North Sumatran traditional performances on the island of Java.</dc:description>
	<dc:publisher xml:lang="en">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2023-09-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/journals/catharsis/article/view/1378</dc:identifier>
	<dc:source xml:lang="en">Catharsis; Vol. 12 No. 2 (2023): September 2023; 138-149</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/journals/catharsis/article/view/1378/17</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2024 Catharsis</dc:rights>
</oai_dc:dc>