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Analisis Bentuk Estetik pada Properti Visual Ritual Obong Masyarakat Kalang Kabupaten Kendal

Catharsis · Vol. 12 No. 2 (2023) · hlm. 165–175

ISSN
2502-4531, 2252-6900
Terbit
2023-09-15
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

The obong ritual is a death ritual carried out by the kalang community as a means of respecting the spirits of deceased ancestors. This ritual is a local wisdom in Kendal Regency. However, many people of kalang descent have abandoned obong rituals, so there is a need for cultural socialization media so that these rituals are not eroded by the times. This research aims to analyze the aesthetic form, symbolic meaning, and role of the obong ritual as a medium for cultural socialization. The research method used is a qualitative approach. Data was taken using in-depth interviews, documentation and observation. The research was conducted in Tratemulyo Village, Weleri District, Kendal Regency. The uniqueness of this research location is that the majority of the kalang people in Tratemulyo Village are actually Muslim, but still practice and carry out ceremonies of respect for ancestral spirits in the form of obong rituals. The research results show that the aesthetic form of the visual properties used in the obong ritual contains deep symbolism. It is not just decoration, but also summarizes the values and traditions that have been passed down from generation to generation. The symbolic meaning of offerings in the obong ritual never experiences a shift in meaning, because the meaning is passed down from generation to generation by the kalang shaman.

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  • Sebelas Maret University
  • State University of Semarang
  • Yogyakarta State University
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Rekan penulisOrganisasiArtikel bersama
Syakir SyakirAfiliasi tidak diketahui8
Kususanto Ditto PrihadiAfiliasi tidak diketahui6
Wandah WibawantoAfiliasi tidak diketahui5
Agus CahyonoAfiliasi tidak diketahui3
Lenny MarlindaAfiliasi tidak diketahui3
Muhammad Al MuttaqiiAfiliasi tidak diketahui3
Kemal Budi MulyonoAfiliasi tidak diketahui3
Retnoningrum HidayahAfiliasi tidak diketahui3
Arif FiyantoAfiliasi tidak diketahui3
Achmad ZairinAfiliasi tidak diketahui2
Rahina NugrahaniState University of Semarang2
Yan NurcahyaAfiliasi tidak diketahui2
Sudibyo SudibyoAfiliasi tidak diketahui2
Peri OktiarmiAfiliasi tidak diketahui2
Sugeng PriyantoAfiliasi tidak diketahui2
Indri YatiAfiliasi tidak diketahui2
Zahari IshakAfiliasi tidak diketahui2
Mujtahid MujtahidAfiliasi tidak diketahui2
Mohammad PadilAfiliasi tidak diketahui2
Astrid Noviana ParadhitaSebelas Maret University1
Mutiara Auliya KhadijaSebelas Maret University1
Agus PurbayuSebelas Maret University1
Sahirul Alim Tri BawonoSebelas Maret University1
Sri HaryatiSebelas Maret University1
Daaniis Raditya Pramoda WardaniSebelas Maret University1
Rafael Kurniawan Albyseptra PratamaSebelas Maret University1
Dwi Wahyuni KurniawatiAfiliasi tidak diketahui1
Fatimah AzzahraAfiliasi tidak diketahui1
Dewi MustikaningtyasAfiliasi tidak diketahui1
Taofan Ali AchmadiAfiliasi tidak diketahui1
Wulansari PrasetyaningtyasAfiliasi tidak diketahui1
Nanda Delva FitriyahAfiliasi tidak diketahui1
Diana ZuhrohAfiliasi tidak diketahui1
Wahyu LestariYogyakarta State University1
Sunarto SunartoAfiliasi tidak diketahui1
Muhammad ZulmiAfiliasi tidak diketahui1
Reza KhatamiAfiliasi tidak diketahui1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/journals/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en">Analisis Bentuk Estetik pada Properti Visual Ritual Obong Masyarakat Kalang Kabupaten Kendal</dc:title>
	<dc:creator xml:lang="en">Abdul Aziz</dc:creator>
	<dc:creator xml:lang="en">Eko Sugiarto</dc:creator>
	<dc:creator xml:lang="en">Muh Fakhrihun Naam</dc:creator>
	<dc:description xml:lang="en">The obong ritual is a death ritual carried out by the kalang community as a means of respecting the spirits of deceased ancestors. This ritual is a local wisdom in Kendal Regency. However, many people of kalang descent have abandoned obong rituals, so there is a need for cultural socialization media so that these rituals are not eroded by the times. This research aims to analyze the aesthetic form, symbolic meaning, and role of the obong ritual as a medium for cultural socialization. The research method used is a qualitative approach. Data was taken using in-depth interviews, documentation and observation. The research was conducted in Tratemulyo Village, Weleri District, Kendal Regency. The uniqueness of this research location is that the majority of the kalang people in Tratemulyo Village are actually Muslim, but still practice and carry out ceremonies of respect for ancestral spirits in the form of obong rituals. The research results show that the aesthetic form of the visual properties used in the obong ritual contains deep symbolism. It is not just decoration, but also summarizes the values and traditions that have been passed down from generation to generation. The symbolic meaning of offerings in the obong ritual never experiences a shift in meaning, because the meaning is passed down from generation to generation by the kalang shaman.</dc:description>
	<dc:publisher xml:lang="en">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2023-09-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/journals/catharsis/article/view/3256</dc:identifier>
	<dc:source xml:lang="en">Catharsis; Vol. 12 No. 2 (2023): September 2023; 165-175</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/journals/catharsis/article/view/3256/380</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2023 Catharsis</dc:rights>
</oai_dc:dc>