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Transformation And Representation of Dolalak Dance in Purworejo District

Catharsis · Vol. 13 No. 1 (2024) · hlm. 74–91

ISSN
2502-4531, 2252-6900
Terbit
2024-06-30
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Dolalak Dance is a traditional dance originating from Purworejo Regency which was born in 1915 with male dancers. Over time, the Dolalak Dance has transformed in the form of performance and function of the Dolalak Dance performance. This is due to acculturation and cultural assimilation. Researchers are interested in the transformation and representation of Dolalak Dance in Purworejo Regency because it provides benefits including transformation as the identity of the Dolalak Dance group, transformation can increase interest in Dolalak Dance cultural art appreciators. Dolalak dance transformation can meet market demand, Dolalak Dance transformation can maintain the existence of the Dolalak dance itself, Dolalak dance transformation is expected to be able to attract the interest of new dance art appreciators. The formulation of the research problem is: 1. How is the transformation process that occurs in Dolalak Dance in Purworejo Regency 2. How is the representation in the Dolalak Dance performance in Purworejo Regency? The study aims to analyze the transformation of the form of the Dolalak Dance Performance and representation in the Dolalak Dance performance in Purworejo Regency. This study uses a qualitative research method with an interdisciplinary approach, namely sociology of art, ethnochoreology, and art education. Data collection techniques are carried out using observation, interview, and documentation techniques. Data validity techniques use data triangulation.The results of the study revealed that the form of Dolalak Dance in Purworejo Regency experienced 4 stages of transformation. (1) The first stage in 2003 Bedhol Dance (2) The second stage in 2012, Dolalak Lentera Jawa I Dance (3) The third stage in 2014 Dolalak Lentera Jawa II Dance, Dolalak Sri Lestari Dance. Representation in the Dolalak Dance is reflected in the transformation of the Dolalak Dance form, and the meaning contained in the Dolalak Dance. The suggestion in this study is that the Dolalak Sri Lestari Dance Group and the community are expected to continue to preserve the Dolalak Dance with innovations that are still by Javanese cultural traditions without eliminating the essence of the Dolalak Dance.

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  • State University of Semarang
  • Yogyakarta State University
  • Universitas Gadjah Mada
  • Diponegoro University
  • Hasanuddin University
  • National University of Malaysia
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  • Organisasi berbeda
  • Organisasi sama
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Rekan penulisOrganisasiArtikel bersama
Triyanto TriyantoAfiliasi tidak diketahui11
Udi UtomoAfiliasi tidak diketahui10
Wahyu LestariYogyakarta State University7
Malarsih MalarsihAfiliasi tidak diketahui7
Ani RusilowatiState University of Semarang6
Muhammad JazuliAfiliasi tidak diketahui6
Syakir SyakirAfiliasi tidak diketahui5
Wiyanto WiyantoState University of Semarang4
Projo DanoedoroUniversitas Gadjah Mada4
Wadiyo WadiyoAfiliasi tidak diketahui4
Totok Sumaryanto FlorentinusState University of Semarang3
Restu LanjariAfiliasi tidak diketahui3
Eko SugiartoAfiliasi tidak diketahui3
Sunyoto Eko NugrohoState University of Semarang3
Sunarto SunartoAfiliasi tidak diketahui2
Totok Sumaryanto FlorentinusAfiliasi tidak diketahui2
Ian YuliantiAfiliasi tidak diketahui2
Saiful RidloState University of Semarang2
Murbangun NuswowatiState University of Semarang2
Bambang SubaliAfiliasi tidak diketahui2
St. Budi WaluyaAfiliasi tidak diketahui2
Langlang HandayaniAfiliasi tidak diketahui2
Masturi MasturiHasanuddin University2
Muhammad KamalAfiliasi tidak diketahui2
Donal DonalAfiliasi tidak diketahui2
Ova EmiliaAfiliasi tidak diketahui2
Sugito SugitoAfiliasi tidak diketahui2
Supartono SupartonoAfiliasi tidak diketahui2
Sri Mulyani Endang SusilowatiAfiliasi tidak diketahui2
Ahmad FudholiNational University of Malaysia2
Suharto SuhartoAfiliasi tidak diketahui2
Totok SumaryantoAfiliasi tidak diketahui2
Tjetjep Rohendi RohidiAfiliasi tidak diketahui2
Budi UtomoDiponegoro University1
Darojatun FikriAfiliasi tidak diketahui1
Elly ArlianiAfiliasi tidak diketahui1
Novi SusantiAfiliasi tidak diketahui1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/journals/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc) 
<oai_dc:dc xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/  http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en">Transformation And Representation of Dolalak Dance in Purworejo District</dc:title>
	<dc:creator xml:lang="en">Nimas Agustin Purwaningtyas, Nimas Agustin Purwaningtyas</dc:creator>
	<dc:creator xml:lang="en">Agus Cahyono</dc:creator>
	<dc:creator xml:lang="en">Hartono Hartono</dc:creator>
	<dc:subject xml:lang="en">TRANSFORMATION</dc:subject>
	<dc:subject xml:lang="en">REPRESENTATION</dc:subject>
	<dc:subject xml:lang="en">DOLALAK DANCE</dc:subject>
	<dc:description xml:lang="en">Dolalak Dance is a traditional dance originating from Purworejo Regency which was born in 1915 with male dancers. Over time, the Dolalak Dance has transformed in the form of performance and function of the Dolalak Dance performance. This is due to acculturation and cultural assimilation. Researchers are interested in the transformation and representation of Dolalak Dance in Purworejo Regency because it provides benefits including transformation as the identity of the Dolalak Dance group, transformation can increase interest in Dolalak Dance cultural art appreciators. Dolalak dance transformation can meet market demand, Dolalak Dance transformation can maintain the existence of the Dolalak dance itself, Dolalak dance transformation is expected to be able to attract the interest of new dance art appreciators. The formulation of the research problem is: 1. How is the transformation process that occurs in Dolalak Dance in Purworejo Regency 2. How is the representation in the Dolalak Dance performance in Purworejo Regency? The study aims to analyze the transformation of the form of the Dolalak Dance Performance and representation in the Dolalak Dance performance in Purworejo Regency. This study uses a qualitative research method with an interdisciplinary approach, namely sociology of art, ethnochoreology, and art education. Data collection techniques are carried out using observation, interview, and documentation techniques. Data validity techniques use data triangulation.The results of the study revealed that the form of Dolalak Dance in Purworejo Regency experienced 4 stages of transformation. (1) The first stage in 2003 Bedhol Dance (2) The second stage in 2012, Dolalak Lentera Jawa I Dance (3) The third stage in 2014 Dolalak Lentera Jawa II Dance, Dolalak Sri Lestari Dance. Representation in the Dolalak Dance is reflected in the transformation of the Dolalak Dance form, and the meaning contained in the Dolalak Dance. The suggestion in this study is that the Dolalak Sri Lestari Dance Group and the community are expected to continue to preserve the Dolalak Dance with innovations that are still by Javanese cultural traditions without eliminating the essence of the Dolalak Dance.</dc:description>
	<dc:publisher xml:lang="en">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2024-06-30</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/journals/catharsis/article/view/11928</dc:identifier>
	<dc:source xml:lang="en">Catharsis; Vol. 13 No. 1 (2024): June  2024; 74-91</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/journals/catharsis/article/view/11928/1242</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2024 Catharsis</dc:rights>
</oai_dc:dc>