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The Musical Creativity of Senggol Tromol Semarang in The Context of Social Change

Catharsis · Vol. 7 No. 1 (2018) · hlm. 62–69

DOI
10.15294/catharsis.v7i1.22997
ISSN
2502-4531, 2252-6900
Terbit
2018-05-11
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Senggol Tromol is a parody music group from Semarang, most of their songs are representation of phenomenon which is trending in society for a certain period of time. The phenomenon would only last for a certain period of time because of social change happens in the society. The purpose of this study is to analyze the creative process and the social change which happen to Senggol Tromol. This study used qualitative method with observation, interview, and documentation as the method of collecting data. The methods of data analysis were data collection, data presentation, data reduction, and data verification. The results of the study show that in the creative process, Senggol Tromol did not always create new works, but they also modified existing ones. The steps were searching for inspiration, gathering ideas, determining the target listener, determining the themes, creating song structure and arrangement. The social change happens in Senggol Tromol went along with the presence of digital music platform which replaced physical release era, used by them as the promotion media to sell their works digitally.

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  • IPB University
  • State University of Semarang
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Rekan penulisOrganisasiArtikel bersama
Udi UtomoAfiliasi tidak diketahui9
Sunarto SunartoAfiliasi tidak diketahui7
Triyanto TriyantoAfiliasi tidak diketahui4
Widodo WidodoIPB University4
Hartono HartonoAfiliasi tidak diketahui2
Agus CahyonoAfiliasi tidak diketahui2
May Sari LubisAfiliasi tidak diketahui1
Meyltsan Herbert MaraganiAfiliasi tidak diketahui1
Willy LontohAfiliasi tidak diketahui1
Wulan WidiyantiAfiliasi tidak diketahui1
Hanifah Suaidi HanifahAfiliasi tidak diketahui1
Totok Sumaryanto. FAfiliasi tidak diketahui1
Setiorini Rahma SafitriAfiliasi tidak diketahui1
Desti Kumala SariAfiliasi tidak diketahui1
Tjetjep Rohendi RohidiAfiliasi tidak diketahui1
Mina AmalianiAfiliasi tidak diketahui1
Totok Sumaryanto FlorentinusState University of Semarang1
Putra AfriadiAfiliasi tidak diketahui1
Tutut PristiatiAfiliasi tidak diketahui1
Raditya Wahyu IndariyanaAfiliasi tidak diketahui1
Vega Ricky SaluAfiliasi tidak diketahui1
Nurratri Widya PangestikaAfiliasi tidak diketahui1
Nur RokhmatAfiliasi tidak diketahui1
Yosefina MetanAfiliasi tidak diketahui1
Ahmad Surya LuziAfiliasi tidak diketahui1
Ade Fajrul FalahAfiliasi tidak diketahui1
Septi Wahyu Setyaningsih SugiyoAfiliasi tidak diketahui1
Jalaluddin RumiAfiliasi tidak diketahui1
Vikran M. MaraunaAfiliasi tidak diketahui1
Hanur WismandanuAfiliasi tidak diketahui1
Totok Sumaryanto FlorentinusAfiliasi tidak diketahui1
Projo SulaksonoAfiliasi tidak diketahui1
I wayan agus suardiana putraAfiliasi tidak diketahui1
Syakir SyakirAfiliasi tidak diketahui1
Zefanya SambiraAfiliasi tidak diketahui1
Reni WulansariAfiliasi tidak diketahui1
Wahyu IskandarAfiliasi tidak diketahui1
Muhammad Ibnan SyarifAfiliasi tidak diketahui1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 5 Nov 2026.
Metadata asli (oai_dc) 
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	<dc:title xml:lang="en-US">The Musical Creativity of Senggol Tromol Semarang in The Context of Social Change</dc:title>
	<dc:creator>Apriadi, Sugeng</dc:creator>
	<dc:creator>Wadiyo, Wadiyo</dc:creator>
	<dc:description xml:lang="en-US">Senggol Tromol is a parody music group from Semarang, most of their songs are representation of phenomenon which is trending in society for a certain period of time. The phenomenon would only last for a certain period of time because of social change happens in the society. The purpose of this study is to analyze the creative process and the social change which happen to Senggol Tromol. This study used qualitative method with observation, interview, and documentation as the method of collecting data. The methods of data analysis were data collection, data presentation, data reduction, and data verification. The results of the study show that in the creative process, Senggol Tromol did not always create new works, but they also modified existing ones. The steps were searching for inspiration, gathering ideas, determining the target listener, determining the themes, creating song structure and arrangement. The social change happens in Senggol Tromol went along with the presence of digital music platform which replaced physical release era, used by them as the promotion media to sell their works digitally.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2018-05-11</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/22997</dc:identifier>
	<dc:identifier>10.15294/catharsis.v7i1.22997</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 7 No 1 (2018); 62-69</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v7i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/22997/10852</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 Catharsis</dc:rights>
</oai_dc:dc>