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Gandalia Art of Banyumas: a Socio-cultural Change

Catharsis · Vol. 7 No. 2 (2018) · hlm. 241–248

DOI
10.15294/catharsis.v7i2.24372
ISSN
2502-4531, 2252-6900
Terbit
2018-07-31
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Gandalia is one example of musical arts which can endure changes and times. It is a typical Banyumas traditional music which was used to play a specific Gandalia song, an agricultural pest repellent song. Its instruments has similar forms to musical instruments called Angklung, which are made from bamboo. The instruments produce a unique rhythm. At first, Gandalia was used as a means to drive agricultural pests away, but in its development, it becomes a musical performance. This change is interesting to be studied from the socio-cultural point of view. The writer, therefore, studied the functional change of Gandalia musical instruments based on the socio-cultural change which occur in the society who supports it. In writing this article, the research method applied is qualitative method, a method of collecting data by applying some techniques such as interview, observation, and documentation, while the validity of the data is checked by using triangulation, member checking, and rich and thick description.Milesr that, the data are analyzed using qualitative analysis of Miles and Huberman that is an interactive model of data analysis including some stages such as the process of data collecting, data reduction, and data presentation and verification. The research result shows that Gandalia music which, at first, was a means of driving pests away, now becomes one of the performance arts. This change is influenced by the socio-culture of the society who supports Gandalia art. They are the people of Tambaknegara, Banyumas Regency. This socio-cultural change has created a more complex form of Gandalia art.

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  • State University of Semarang
  • IPB University
  • Tarumanagara University
  • Sebelas Maret University
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Rekan penulisOrganisasiArtikel bersama
Wadiyo WadiyoAfiliasi tidak diketahui16
Triyanto TriyantoAfiliasi tidak diketahui10
Totok Sumaryanto FlorentinusState University of Semarang9
Hartono HartonoAfiliasi tidak diketahui6
Agus CahyonoAfiliasi tidak diketahui5
Widodo WidodoIPB University5
Syahrul Syah SinagaAfiliasi tidak diketahui5
Malarsih MalarsihAfiliasi tidak diketahui4
Syahrul Syah SinagaAfiliasi tidak diketahui4
Wahyu LestariAfiliasi tidak diketahui3
Totok Sumaryanto. FAfiliasi tidak diketahui3
Martien Herna SusantiAfiliasi tidak diketahui3
Tjetjep Rohendi RohidiAfiliasi tidak diketahui2
Muhammad JazuliAfiliasi tidak diketahui2
Totok Sumaryanto FlorentinusAfiliasi tidak diketahui2
Kidung Sukma AsmaraniAfiliasi tidak diketahui2
Faruq AlfiantoAfiliasi tidak diketahui2
Puji LestariAfiliasi tidak diketahui2
Sumarno SumarnoAfiliasi tidak diketahui2
Satria Dwi AstutiAfiliasi tidak diketahui2
Wasino WasinoTarumanagara University2
Tri Joko RaharjoAfiliasi tidak diketahui2
Kartika AdyaniAfiliasi tidak diketahui1
Friska RealitaAfiliasi tidak diketahui1
Arum MeirannyAfiliasi tidak diketahui1
Siti NafisahAfiliasi tidak diketahui1
Nurul Asma MazlanAfiliasi tidak diketahui1
Abdul AzizSebelas Maret University1
Mantaaba Zukhruf NabilunnuhaAfiliasi tidak diketahui1
Slamet HaryonoAfiliasi tidak diketahui1
Tri Danu SatriaAfiliasi tidak diketahui1
Suharto SuhartoAfiliasi tidak diketahui1
Wandah WibawantoAfiliasi tidak diketahui1
Metha BertinaAfiliasi tidak diketahui1
Eko SugiartoAfiliasi tidak diketahui1
Prima Suci LestariAfiliasi tidak diketahui1
Suharto SAfiliasi tidak diketahui1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 5 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en-US">Gandalia Art of Banyumas : a Socio-cultural Change</dc:title>
	<dc:creator>Febrianto, Aji Sofian</dc:creator>
	<dc:creator>Sunarto, Sunarto</dc:creator>
	<dc:creator>Utomo, Udi</dc:creator>
	<dc:description xml:lang="en-US">Gandalia is one example of musical arts which can endure changes and times. It is a typical Banyumas traditional music which was used to play a specific Gandalia song, an agricultural pest repellent song. Its instruments has similar forms to musical instruments called Angklung, which are made from bamboo. The instruments produce a unique rhythm. At first, Gandalia was used as a means to drive agricultural pests away, but in its development, it becomes a musical performance. This change is interesting to be studied from the socio-cultural point of view. The writer, therefore, studied the functional change of Gandalia musical instruments based on the socio-cultural change which occur in the society who supports it. In writing this article, the research method applied is qualitative method, a method of collecting data by applying some techniques such as interview, observation, and documentation, while the validity of the data is checked by using triangulation, member checking, and rich and thick description.Milesr that, the data are analyzed using qualitative analysis of Miles and Huberman that is an interactive model of data analysis including some stages such as the process of data collecting, data reduction, and data presentation and verification. The research result shows that Gandalia music which, at first, was a means of driving pests away, now becomes one of the performance arts. This change is influenced by the socio-culture of the society who supports Gandalia art. They are the people of Tambaknegara, Banyumas Regency. This socio-cultural change has created a more complex form of Gandalia art.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2018-07-31</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/24372</dc:identifier>
	<dc:identifier>10.15294/catharsis.v7i2.24372</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 7 No 2 (2018); 241-248</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v7i2</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/24372/11175</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2018 Catharsis</dc:rights>
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