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The Revitalization of Garapan of Jemblung A Traditional Art Preserved in Blakasuta Studio in Banyumas Regency

Catharsis · Vol. 8 No. 1 (2019) · hlm. 21–30

DOI
10.15294/catharsis.v7i2.28833
ISSN
2502-4531, 2252-6900
Terbit
2019-08-22
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Jemblung is a traditional arts developed in Banyumas regency. Modernization has made the society have less interest in preserving the tradition. Hence, this research aims to analyze the revitalization of Jemblung by Blakasuta studio in Banyumas regency. The researcher employed qualitative interpretative method along with interdisciplinary approach for this research. The discipline of this research mainly concerns on ethnomusicology. The collection for the research data consist of observation, interview, and documentation. The validation of the data was through source triangulation. The analysis for the finding started from data collection, reduction, clarification, conclusion, and selective interpretation. The findings showed that the revitalization of Jemblung covers the ideas, materials, creators, facilities, consideration, reconstruction, refunctionalization, reformation, representation, reinterpretation, and reorientation. This research implies that the revitalization of Jemblung is a form of appreciation of traditional arts by Blakasuta studio. The studio continuously holds traditional arts preservation to minimize the effect of modernization. It is a challenge for the studio and the appreciators to consistently promote and perform traditional arts in a more creative way amongst Banyumas community.

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  • IPB University
  • State University of Semarang
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Rekan penulisOrganisasiArtikel bersama
Udi UtomoAfiliasi tidak diketahui9
Sunarto SunartoAfiliasi tidak diketahui7
Triyanto TriyantoAfiliasi tidak diketahui5
Widodo WidodoIPB University4
Hartono HartonoAfiliasi tidak diketahui2
Agus CahyonoAfiliasi tidak diketahui2
May Sari LubisAfiliasi tidak diketahui1
Meyltsan Herbert MaraganiAfiliasi tidak diketahui1
Willy LontohAfiliasi tidak diketahui1
Wulan WidiyantiAfiliasi tidak diketahui1
Hanifah Suaidi HanifahAfiliasi tidak diketahui1
Totok Sumaryanto. FAfiliasi tidak diketahui1
Setiorini Rahma SafitriAfiliasi tidak diketahui1
Desti Kumala SariAfiliasi tidak diketahui1
Tjetjep Rohendi RohidiAfiliasi tidak diketahui1
Mina AmalianiAfiliasi tidak diketahui1
Sugeng ApriadiAfiliasi tidak diketahui1
Totok Sumaryanto FlorentinusState University of Semarang1
Putra AfriadiAfiliasi tidak diketahui1
Tutut PristiatiAfiliasi tidak diketahui1
Raditya Wahyu IndariyanaAfiliasi tidak diketahui1
Vega Ricky SaluAfiliasi tidak diketahui1
Yosefina MetanAfiliasi tidak diketahui1
Ahmad Surya LuziAfiliasi tidak diketahui1
Ade Fajrul FalahAfiliasi tidak diketahui1
Septi Wahyu Setyaningsih SugiyoAfiliasi tidak diketahui1
Jalaluddin RumiAfiliasi tidak diketahui1
Vikran M. MaraunaAfiliasi tidak diketahui1
Hanur WismandanuAfiliasi tidak diketahui1
Totok Sumaryanto FlorentinusAfiliasi tidak diketahui1
Projo SulaksonoAfiliasi tidak diketahui1
I wayan agus suardiana putraAfiliasi tidak diketahui1
Robin Esa YuliantoAfiliasi tidak diketahui1
Syakir SyakirAfiliasi tidak diketahui1
Zefanya SambiraAfiliasi tidak diketahui1
Reni WulansariAfiliasi tidak diketahui1
Wahyu IskandarAfiliasi tidak diketahui1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 5 Nov 2026.
Metadata asli (oai_dc) 
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	<dc:title xml:lang="en-US">The Revitalization of Garapan of Jemblung A Traditional Art Preserved in Blakasuta Studio in Banyumas Regency</dc:title>
	<dc:creator>Pangestika, Nurratri Widya</dc:creator>
	<dc:creator>Wadiyo, Wadiyo</dc:creator>
	<dc:creator>Rokhmat, Nur</dc:creator>
	<dc:description xml:lang="en-US">Jemblung is a traditional arts developed in Banyumas regency. Modernization has made the society have less interest in preserving the tradition. Hence, this research aims to analyze the revitalization of Jemblung by Blakasuta studio in Banyumas regency. The researcher employed qualitative interpretative method along with interdisciplinary approach for this research. The discipline of this research mainly concerns on ethnomusicology. The collection for the research data consist of observation, interview, and documentation. The validation of the data was through source triangulation. The analysis for the finding started from data collection, reduction, clarification, conclusion, and selective interpretation. The findings showed that the revitalization of Jemblung covers the ideas, materials, creators, facilities, consideration, reconstruction, refunctionalization, reformation, representation, reinterpretation, and reorientation. This research implies that the revitalization of Jemblung is a form of appreciation of traditional arts by Blakasuta studio. The studio continuously holds traditional arts preservation to minimize the effect of modernization. It is a challenge for the studio and the appreciators to consistently promote and perform traditional arts in a more creative way amongst Banyumas community.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2019-08-22</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/28833</dc:identifier>
	<dc:identifier>10.15294/catharsis.v7i2.28833</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 8 No 1 (2019); 21-30</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v8i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/28833/12888</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 Catharsis</dc:rights>
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