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The Creativity Of Bedhaya Tunggal Jiwa Dance Creation In Grebeg Besar Ceremony In Demak Regency

Catharsis · Vol. 8 No. 1 (2019) · hlm. 31–38

DOI
10.15294/catharsis.v7i2.29294
ISSN
2502-4531, 2252-6900
Terbit
2019-08-12
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Bedhaya Tunggal Jiwa dance presents in the Islamic dimension and gives a new nuance to a ceremony in Demak regency. This dance has different package from Bedaya dance in Kraton because it is adjusted to area and Demak society. The purpose of this research is to analyse how the the creativity of the creation of Bedhaya Tunggal Jiwa dance in Demak Regency. The method used was qualitative with ethnochoreology, Anthropology of Arts, and Sociology of Arts. The research data was collected by the technique of observation, interview, and document study. The technique of data validity used source triangulation. The data analysis technique that was used data reduction, data presentation and conclusion was done by describing the dance, understanding the the performance components, and doing interpretation. The results of the research were that the creator made a work through some steps, they are exploration, improvisation, evaluation, composition, and supported by creative factors, such as environment, facilities, skills, identity, originality, and appreciation.

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  • State University of Semarang
  • Universitas Gajayana Malang
  • Diponegoro University
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Hartono HartonoAfiliasi tidak diketahui17
Udi UtomoAfiliasi tidak diketahui11
Sri IswidayatiAfiliasi tidak diketahui8
Muh. Ibnan SyarifAfiliasi tidak diketahui6
Wadiyo WadiyoAfiliasi tidak diketahui6
Muhammad JazuliAfiliasi tidak diketahui5
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Eko SugiartoAfiliasi tidak diketahui4
Syakir SyakirAfiliasi tidak diketahui4
Ratih Ayu PratiwinindyaAfiliasi tidak diketahui3
Tjetjep Rohendi RohidiAfiliasi tidak diketahui3
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Tjatur RebowoAfiliasi tidak diketahui2
Muh. Ibnan SyarifAfiliasi tidak diketahui2
Gunadi GunadiUniversitas Gajayana Malang2
Onang MurtiyosoAfiliasi tidak diketahui2
Purwanto PurwantoDiponegoro University2
Rahina NugrahaniState University of Semarang2
Totok SumaryantoAfiliasi tidak diketahui2
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Wahyu LestariAfiliasi tidak diketahui2
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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 5 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en-US">The Creativity Of Bedhaya Tunggal Jiwa Dance Creation In Grebeg Besar Ceremony In Demak Regency</dc:title>
	<dc:creator>Setyaningrum, Ikha Sulis</dc:creator>
	<dc:creator>Cahyono, Agus</dc:creator>
	<dc:creator>Triyanto, Triyanto</dc:creator>
	<dc:description xml:lang="en-US">Bedhaya Tunggal Jiwa dance presents in the Islamic dimension and gives a new nuance to a ceremony in Demak regency. This dance has different package from Bedaya dance in Kraton because it is adjusted to area and Demak society. The purpose of this research is to analyse how the the creativity of the creation of Bedhaya Tunggal Jiwa dance in Demak Regency. The method used was qualitative with ethnochoreology, Anthropology of Arts, and Sociology of Arts. The research data was collected by the technique of observation, interview, and document study. The technique of data validity used source triangulation. The data analysis technique that was used data reduction, data presentation and conclusion was done by&amp;nbsp; describing the dance, understanding the the performance components, and doing interpretation. The results of the research were that the creator made a work through some steps, they are exploration, improvisation, evaluation, composition, and supported by creative factors, such as environment, facilities, skills, identity, originality, and appreciation.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2019-08-12</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/29294</dc:identifier>
	<dc:identifier>10.15294/catharsis.v7i2.29294</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 8 No 1 (2019); 31-38</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v8i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/29294/12922</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 Catharsis</dc:rights>
</oai_dc:dc>