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Kamase-Mase Value In The Pa’bitte Passapu Dance Performance of Kajang Ethnic Group of Bulukumba Regency, South Sulawesi

Catharsis · Vol. 8 No. 2 (2019) · hlm. 135–142

DOI
10.15294/catharsis.v8i2.31391
ISSN
2502-4531, 2252-6900
Terbit
2019-09-15
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

The Pa’bitte Passapu dance is one of the artistic heritages of the Kajangethnic group which is not well known yet by other people. The Kajangethnic group is anethnic group which is obedient to the content of pasang or a message called tallasa kamase-mase or simple life. Based on this background, the researcher focuses the research on the performance process and the kamase-mase value on the Passapu Pa’bitte dance performance. This study aims to analyze and describe the performance process and the kamase-mase value on the Passapu Pa’bitte dance. The method used in this study is qualitative with an interdisciplinary approach. Data collection techniques used are observation, interview, and document study. The validity technique used is triangulation, and the data analysis is done by reducing data, presenting data and drawing conclusions to obtain research data. The results of the study performance that the kamase-mase value in the Pa'bittePassapu dance performance still follows the rules in pasang (message), namely tallasa kamase-mase (simple life) contained in the clothing of dancers and musicians, the property of dancers and musicians, and the performance process the dance itself. The implication of this Pa’bitte Passapu Dance research for the Kajangethnic group is to preserve the Pa’bitte Passapu dance as an entertainment dance that still holds the rules that apply to the Kajang ethnic group.

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  • State University of Semarang
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Triyanto TriyantoAfiliasi tidak diketahui11
Udi UtomoAfiliasi tidak diketahui10
Wahyu LestariAfiliasi tidak diketahui7
Malarsih MalarsihAfiliasi tidak diketahui7
Ani RusilowatiState University of Semarang6
Muhammad JazuliAfiliasi tidak diketahui6
Syakir SyakirAfiliasi tidak diketahui5
Wiyanto WiyantoState University of Semarang4
Wadiyo WadiyoAfiliasi tidak diketahui4
Totok Sumaryanto FlorentinusState University of Semarang3
Restu LanjariAfiliasi tidak diketahui3
Eko SugiartoAfiliasi tidak diketahui3
Sunyoto Eko NugrohoState University of Semarang3
Totok Sumaryanto FlorentinusAfiliasi tidak diketahui2
Ian YuliantiAfiliasi tidak diketahui2
St. Budi WaluyaAfiliasi tidak diketahui2
Langlang HandayaniAfiliasi tidak diketahui2
Masturi MasturiState University of Semarang2
Suharto SuhartoAfiliasi tidak diketahui2
Totok SumaryantoAfiliasi tidak diketahui2
Tjetjep Rohendi RohidiAfiliasi tidak diketahui2
Makkulau MakkulauAfiliasi tidak diketahui1
Hafiludin SamparadjaAfiliasi tidak diketahui1
Heri SetyawanAfiliasi tidak diketahui1
Koko SetiawanAfiliasi tidak diketahui1
Subakho Aryo SalokoAfiliasi tidak diketahui1
Nurdjanah HamidAfiliasi tidak diketahui1
Ria Mardiana YusufAfiliasi tidak diketahui1
Budi UtomoAfiliasi tidak diketahui1
Adi Kurniawan YusimAfiliasi tidak diketahui1
Lusi HariniAfiliasi tidak diketahui1
Thesa Adi Saputra YusriAfiliasi tidak diketahui1
Afifah HayatiAfiliasi tidak diketahui1
Syamsudin Mas'udAfiliasi tidak diketahui1
Darojatun FikriAfiliasi tidak diketahui1
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Novi SusantiAfiliasi tidak diketahui1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 5 Nov 2026.
Metadata asli (oai_dc) 
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	<dc:title xml:lang="en-US">Kamase-Mase  Value In The Pa’bitte Passapu Dance Performance of Kajang Ethnic Group of Bulukumba Regency, South Sulawesi</dc:title>
	<dc:creator>Astuti, Andi Arie</dc:creator>
	<dc:creator>Hartono, Hartono</dc:creator>
	<dc:creator>Cahyono, Agus</dc:creator>
	<dc:description xml:lang="en-US">The Pa’bitte Passapu dance is one of the artistic heritages of the Kajangethnic group which is not well known yet by other people. The Kajangethnic group is anethnic group which is obedient to the content of pasang or a message called tallasa kamase-mase or simple life. Based on this background, the researcher focuses the research on the performance process and the kamase-mase value on the Passapu Pa’bitte dance performance. This study aims to analyze and describe the performance process and the kamase-mase value on the Passapu Pa’bitte dance. The method used in this study is qualitative with an interdisciplinary approach. Data collection techniques used are observation, interview, and document study. The validity technique used is triangulation, and the data analysis is done by reducing data, presenting data and drawing conclusions to obtain research data. The results of the study performance that the kamase-mase value in the Pa'bittePassapu dance performance still follows the rules in pasang (message), namely tallasa kamase-mase (simple life) contained in the clothing&amp;nbsp; of dancers and musicians, the property of dancers and musicians, and the performance process the dance itself. The implication of this Pa’bitte Passapu Dance research for the Kajangethnic group is to preserve the Pa’bitte Passapu dance as an entertainment dance that still holds the rules that apply to the Kajang ethnic group.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2019-09-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/31391</dc:identifier>
	<dc:identifier>10.15294/catharsis.v8i2.31391</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 8 No 2 (2019); 135-142</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v8i2</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/31391/13612</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 Catharsis</dc:rights>
</oai_dc:dc>