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The Function of Timorese Gong Music in The Tfua Ton Ritual Ceremony in Napan Kefamenanu Village

Catharsis · Vol. 8 No. 2 (2019) · hlm. 158–164

DOI
10.15294/catharsis.v8i2.31426
ISSN
2502-4531, 2252-6900
Terbit
2019-09-15
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Tfua Ton is a ritual ceremony carried out by the community in Napan Village to ask for rain and soil fertility to Uis Neno (God) and Uis Pah (deceased ancestors). In the ritual there is a Timorese Gong instrument that has an important role in it. The gong consists of Tonu mese, Ote and Kbola and one drum (Ke'e). The purpose of this study is to analyze the function of the Timorese Gong Music in the Tfua Ton Ritual Ceremony. The method used in this study is qualitative interpretive with phenomenological approach. Data collection techniques with observation, interview and document study techniques. Check the validity of the data by using data triangulation, researcher’s triangulation, triangulation of theories, methods and techniques. For data analysis, the researchers used the theory of music function from Allan P. Merriam with stages of data reduction, data presentation, and conclusion (verification). The results of the study are Timorese Gong in the Tfua Ton ritual have an important role in it and have become a part of traditional rituals. Timorese Gong In the Tfua Ton ritual has several functions, including functioning as aesthetic appreciation, as entertainment, as an emotional expression, as communication and education, integrating society, as an endorsement of social institutions and religious rituals. Timorese Gong can function to show the existence, character and identity of the Dawan people in Napan Village. The results of this study can provide understanding and increase knowledge to the people of Napan Village and the younger generation to better understand Timorese Gong music in the Tfua Ton ritual, besides it is expected that the Napan Village community will continue to preserve and maintain Timorese Gong music as one of the traditional music of the society.

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  • State University of Semarang
  • State University of Jakarta
  • Yogyakarta State University
  • Tarumanagara University
  • Jenderal Soedirman University
  • Universitas Gadjah Mada
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Wadiyo WadiyoAfiliasi tidak diketahui16
Triyanto TriyantoAfiliasi tidak diketahui10
Totok Sumaryanto FlorentinusState University of Semarang9
Hartono HartonoAfiliasi tidak diketahui7
Agus CahyonoAfiliasi tidak diketahui5
Widodo WidodoState University of Jakarta5
Syahrul Syah SinagaAfiliasi tidak diketahui5
Malarsih MalarsihAfiliasi tidak diketahui4
Syahrul Syah SinagaAfiliasi tidak diketahui4
Wahyu LestariYogyakarta State University3
Totok Sumaryanto. FAfiliasi tidak diketahui3
Martien Herna SusantiAfiliasi tidak diketahui3
Tjetjep Rohendi RohidiAfiliasi tidak diketahui2
Muhammad JazuliAfiliasi tidak diketahui2
Totok Sumaryanto FlorentinusAfiliasi tidak diketahui2
Kidung Sukma AsmaraniAfiliasi tidak diketahui2
Faruq AlfiantoAfiliasi tidak diketahui2
Puji LestariJenderal Soedirman University2
Sumarno SumarnoAfiliasi tidak diketahui2
Satria Dwi AstutiAfiliasi tidak diketahui2
Junun SartohadiUniversitas Gadjah Mada2
Mochamad Rudyansyah IsmailAfiliasi tidak diketahui2
Wasino WasinoTarumanagara University2
Haryadi HaryadiAfiliasi tidak diketahui2
Tri Joko RaharjoAfiliasi tidak diketahui2
Siti NafisahAfiliasi tidak diketahui1
Nurul Asma MazlanAfiliasi tidak diketahui1
Abdul AzizSebelas Maret University1
Mantaaba Zukhruf NabilunnuhaAfiliasi tidak diketahui1
Slamet HaryonoAfiliasi tidak diketahui1
Tri Danu SatriaAfiliasi tidak diketahui1
Suharto SuhartoAfiliasi tidak diketahui1
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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en-US">The Function of Timorese Gong Music in The Tfua Ton Ritual Ceremony in Napan Kefamenanu Village</dc:title>
	<dc:creator>Renaldus Afoan Elu, Agustinus</dc:creator>
	<dc:creator>Utomo, Udi</dc:creator>
	<dc:creator>Sunarto, Sunarto</dc:creator>
	<dc:description xml:lang="en-US">Tfua Ton is a ritual ceremony carried out by the community in Napan Village to ask for rain and soil fertility to Uis Neno (God) and Uis Pah (deceased ancestors). In the ritual there is a Timorese Gong instrument that has an important role in it. The gong consists of Tonu mese, Ote and Kbola and one drum (Ke'e). The purpose of this study is to analyze the function of the Timorese Gong Music in the Tfua Ton Ritual Ceremony. The method used in this study is qualitative interpretive with phenomenological approach. Data collection techniques with observation, interview and document study techniques. Check the validity of the data by using data triangulation, researcher’s triangulation, triangulation of theories, methods and techniques. For data analysis, the researchers used the theory of music function from Allan P. Merriam with stages of data reduction, data presentation, and conclusion (verification). The results of the study are Timorese Gong in the Tfua Ton ritual have an important role in it and have become a part of traditional rituals. Timorese Gong In the Tfua Ton ritual has several functions, including functioning as aesthetic appreciation, as entertainment, as an emotional expression, as communication and education, integrating society, as an endorsement of social institutions and religious rituals. Timorese Gong can function to show the existence, character and identity of the Dawan people in Napan Village. The results of this study can provide understanding and increase knowledge to the people of Napan Village and the younger generation to better understand Timorese Gong music in the Tfua Ton ritual, besides it is expected that the Napan Village community will continue to preserve and maintain Timorese Gong music as one of the traditional music of the society.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2019-09-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/31426</dc:identifier>
	<dc:identifier>10.15294/catharsis.v8i2.31426</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 8 No 2 (2019); 158-164</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v8i2</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/31426/13661</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 Catharsis</dc:rights>
</oai_dc:dc>