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The Study of Presentational and Discursive Symbol of Gawi Dance in Tenda Village, Ende Regency

Catharsis · Vol. 8 No. 2 (2019) · hlm. 143–150

DOI
10.15294/catharsis.v8i2.31427
ISSN
2502-4531, 2252-6900
Terbit
2019-09-15
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Gawi dance is a popular traditional dance in Ende Regency that has existed since the days of the Melehur and was inherited from generation to generation. Gawi dance is used in every traditional ceremony as an expression of gratitude and others as entertainment. The uniqueness of this dance lies in its shape resembling a snake circle (spiral), the rhythmic sound of the dancer's feet, and supported by musical accompaniment in the form of poetry from a solis without using text, properties such as machetes, tufted sticks tied to a horse's tail. The purpose of this study was to analyze the presentational and discursive symbols of the Gawi dance in the village of Tenda Regency in Ende. Qualitative research methods Interpretive with an interdisciplinary approach. Data collection techniques were observation, interview and document study. The data validity technique used source triangulation techniques. The data analysis technique used the theory of Susan K.Langer symbols with the stages of interactive model analysis. The results of the study suggested that Gawi dance has dance elements, namely motion, space and time, and supporting elements, namely accompaniment, clothing, makeup and property. The presentational symbol of Gawi dance could be seen in motion, space, accompaniment, clothing, makeup and property. The discursive symbol of Gawi dance was in the form of meanings such as religious meaning, unity, gender equality. The make-up of the Gawi dance means: valor and courage, beauty and neatness. The fashion of the Gawi dance has meaning: one's position, authority and pride. The implication of this research is that people can find out about the arts in the local area and increase the art treasury in Ende Regency.

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  • State University of Semarang
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Rekan penulisOrganisasiArtikel bersama
Agus CahyonoAfiliasi tidak diketahui8
Wadiyo WadiyoAfiliasi tidak diketahui7
Totok Sumaryanto FlorentinusState University of Semarang7
Sunarto SunartoSebelas Maret University6
Widodo WidodoState University of Jakarta4
Malarsih MalarsihAfiliasi tidak diketahui4
Triyanto TriyantoSebelas Maret University2
Faruq AlfiantoAfiliasi tidak diketahui2
Lesa ParantiAfiliasi tidak diketahui2
Setyati Dyah HandayaniAfiliasi tidak diketahui2
Slamet HaryonoState University of Semarang1
Tri Danu SatriaAfiliasi tidak diketahui1
Suharto SuhartoAfiliasi tidak diketahui1
Syahrul Syah SinagaAfiliasi tidak diketahui1
Wandah WibawantoAfiliasi tidak diketahui1
Metha BertinaAfiliasi tidak diketahui1
Nur Lintang Dhien HayatiAfiliasi tidak diketahui1
Stefanny Mersiany PandalekeAfiliasi tidak diketahui1
Tjetjep Rohendi RohidiAfiliasi tidak diketahui1
Dedy FirduansyahAfiliasi tidak diketahui1
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Dwi Tiya JuwitaAfiliasi tidak diketahui1
Masayu Selly SabillahAfiliasi tidak diketahui1
Rofiandri SuardiAfiliasi tidak diketahui1
Awang KautzarAfiliasi tidak diketahui1
Reza Nepilia SariAfiliasi tidak diketahui1
Barkah Bangkit WijayaAfiliasi tidak diketahui1
Raditya Wahyu IndariyanaAfiliasi tidak diketahui1
Endik GuntarisAfiliasi tidak diketahui1
Yunia Murdi LestariAfiliasi tidak diketahui1
Dean Arda WinataAfiliasi tidak diketahui1
Totok Sumaryanto FlorentinusAfiliasi tidak diketahui1
Syakir SyakirState University of Semarang1
Yofita sariAfiliasi tidak diketahui1
Aisyatur RadhiahAfiliasi tidak diketahui1
Wadyio WadyioAfiliasi tidak diketahui1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en-US">The Study of Presentational and Discursive Symbol of Gawi Dance in Tenda Village, Ende Regency</dc:title>
	<dc:creator>Tina Mati, Reneldis</dc:creator>
	<dc:creator>Jazuli, Muhammad</dc:creator>
	<dc:creator>Utomo, Udi</dc:creator>
	<dc:description xml:lang="en-US">Gawi dance is a popular traditional dance in Ende Regency that has existed since the days of the Melehur and was inherited from generation to generation. Gawi dance is used in every traditional ceremony as an expression of gratitude and others as entertainment. The uniqueness of this dance lies in its shape resembling a snake circle (spiral), the rhythmic sound of the dancer's feet, and supported by musical accompaniment in the form of poetry from a solis without using text, properties such as machetes, tufted sticks tied to a horse's tail. The purpose of this study was to analyze the presentational and discursive symbols of the Gawi dance in the village of Tenda Regency in Ende. Qualitative research methods Interpretive with an interdisciplinary approach. Data collection techniques were observation, interview and document study. The data validity technique used source triangulation techniques. The data analysis technique used the theory of Susan K.Langer symbols with the stages of interactive model analysis. The results of the study suggested that Gawi dance has dance elements, namely motion, space and time, and supporting elements, namely accompaniment, clothing, makeup and property. The presentational symbol of Gawi dance could be seen in motion, space, accompaniment, clothing, makeup and property. The discursive symbol of Gawi dance was in the form of meanings such as religious meaning, unity, gender equality. The make-up of the Gawi dance means: valor and courage, beauty and neatness. The fashion of the Gawi dance has meaning: one's position, authority and pride. The implication of this research is that people can find out about the arts in the local area and increase the art treasury in Ende Regency.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2019-09-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
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	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/31427</dc:identifier>
	<dc:identifier>10.15294/catharsis.v8i2.31427</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 8 No 2 (2019); 143-150</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v8i2</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/31427/13659</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 Catharsis</dc:rights>
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