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Guritan in Besemah, Pagaralam City: from Sacred to Profane

Catharsis · Vol. 8 No. 2 (2019) · hlm. 162–172

DOI
10.15294/catharsis.v8i2.31566
ISSN
2502-4531, 2252-6900
Terbit
2019-07-16
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Guritan is a traditional art of the Besemah community, Pagaralam City which is inherited from one generation to another. Whereas in the guritan there was a change occur which initially as sacred art turns to profane. This thing was what interests the author to discuss the art of guritan. This study aimed at investigating the form of changes in the art of guritan from sacred to profane. The method in this study uses descriptive qualitative with an interdisciplinary approach, while the data collection techniques used observation, interviews, and document studies. The data validity technique uses source triangulation. The data analysis techniques have used the theory from Schoun (2003) with the elaboration of concepts and other supporting data that fits the problem. The results of this study were to provide knowledge and become reference about the initial forms and changes in the art of guritan in Besemah, Pagaralam city. Hopefully, this research can be useful for the public and readers who want to know about the art of guritan in Besemah, Pagaralam City. Because in the text or poetry that is performed in traditional events the marriages contain values, life guidelines, and philosophy that can be applied in the social life of the community with the aim of doing good among fellow humans.

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Udi UtomoAfiliasi tidak diketahui19
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Widodo WidodoIPB University5
Wahyu LestariAfiliasi tidak diketahui3
Martien Herna SusantiAfiliasi tidak diketahui3
Hartono HartonoAfiliasi tidak diketahui3
Kidung Sukma AsmaraniAfiliasi tidak diketahui3
Syahrul Syah SinagaAfiliasi tidak diketahui3
Syahrul Syah SinagaAfiliasi tidak diketahui2
Malarsih MalarsihAfiliasi tidak diketahui2
Agus CahyonoAfiliasi tidak diketahui2
Puji LestariAfiliasi tidak diketahui2
Sumarno SumarnoAfiliasi tidak diketahui2
Satria Dwi AstutiAfiliasi tidak diketahui2
Wulan WidiyantiAfiliasi tidak diketahui2
Totok Sumaryanto FlorentinusState University of Semarang2
Tri Joko RaharjoAfiliasi tidak diketahui2
Nafik SalafiyahAfiliasi tidak diketahui2
Kartika AdyaniAfiliasi tidak diketahui1
Friska RealitaAfiliasi tidak diketahui1
Arum MeirannyAfiliasi tidak diketahui1
Siti NafisahAfiliasi tidak diketahui1
Nurul Asma MazlanAfiliasi tidak diketahui1
Abdul AzizSebelas Maret University1
Mantaaba Zukhruf NabilunnuhaAfiliasi tidak diketahui1
Tegar AnugrahitaAfiliasi tidak diketahui1
Nimas Hayuning AnggrahitaAfiliasi tidak diketahui1
May Sari LubisAfiliasi tidak diketahui1
Anada Leo VirgantaAfiliasi tidak diketahui1
Meyltsan Herbert MaraganiAfiliasi tidak diketahui1
Willy LontohAfiliasi tidak diketahui1
Sagaf Faozata AdzkiaAfiliasi tidak diketahui1
Bagus IndrawanAfiliasi tidak diketahui1
Totok Sumaryanto F.Afiliasi tidak diketahui1
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Totok Sumaryanto. FAfiliasi tidak diketahui1
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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 5 Nov 2026.
Metadata asli (oai_dc) 
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	<dc:title xml:lang="en-US">Guritan in Besemah, Pagaralam City: from Sacred to Profane</dc:title>
	<dc:creator>Luzi, Ahmad Surya</dc:creator>
	<dc:creator>Sunarto, Sunarto</dc:creator>
	<dc:creator>Wadiyo, Wadiyo</dc:creator>
	<dc:description xml:lang="en-US">Guritan is a traditional art of the Besemah community, Pagaralam City which is inherited from one generation to another. Whereas in the guritan there was a change occur which initially as sacred art turns to profane. This thing was what interests the author to discuss the art of guritan. This study aimed at investigating the form of changes in the art of guritan from sacred to profane. The method in this study uses descriptive qualitative with an interdisciplinary approach, while the data collection techniques used observation, interviews, and document studies. The data validity technique uses source triangulation.&amp;nbsp; The data analysis techniques have used the theory from Schoun (2003) with the elaboration of concepts and other supporting data that fits the problem. The results of this study were to provide knowledge and become reference about the initial forms and changes in the art of guritan in Besemah, Pagaralam city. Hopefully, this research can be useful for the public and readers who want to know about the art of guritan in Besemah, Pagaralam City. Because in the text or poetry that is performed in traditional events the marriages contain values, life guidelines, and philosophy that can be applied in the social life of the community with the aim of doing good among fellow humans.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2019-07-16</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/31566</dc:identifier>
	<dc:identifier>10.15294/catharsis.v8i2.31566</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 8 No 2 (2019); 162-172</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v8i2</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/31566/13669</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 Catharsis</dc:rights>
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