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The Aesthetic Expression for the Nanyin Music by the Lam Kwan Boen Hian Tong Community

Catharsis · Vol. 8 No. 3 (2019) · hlm. 258–263

DOI
10.15294/catharsis.v8i3.33110
ISSN
2502-4531, 2252-6900
Terbit
2019-08-19
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Nanyin is a piece of Chinese traditional music. The music is preserved as anaesthetics ethnic expression of the Chinese community in Semarang. This research aims to analyze the aesthetic expression of nanyin by the Lam Kwan Boen Hiang Tong in Semarang. The research employs the method of descriptive qualitative with aesthetics approach. The data were collected from observation, interview, and documentation. The research was validated from triangulation. The analysis was through data reduction, presentation, and conclusion. The used theory is the theory of aesthetics. The research founds that (1) nanyin has the unique tone of music in the instrument and vocal tone; (2) the music uses simple melody with pentatonic bar; (3) the pitch is higher in each filler of dizi instrument part; (4) nanyin is performed in a dynamic tone; (5) most instrument plays some lyrical song; and (6) the performer wears cheongsam or dang zhuang during the performance.

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  • State University of Semarang
  • IPB University
  • Universitas Gajayana Malang
  • Diponegoro University
  • Afiliasi tidak diketahui
  • Organisasi berbeda
  • Organisasi sama
  • Afiliasi tidak diketahui
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Rekan penulisOrganisasiArtikel bersama
Sunarto SunartoAfiliasi tidak diketahui14
Wadiyo WadiyoAfiliasi tidak diketahui13
Hartono HartonoAfiliasi tidak diketahui12
Sri IswidayatiAfiliasi tidak diketahui8
Agus CahyonoAfiliasi tidak diketahui7
Muh. Ibnan SyarifAfiliasi tidak diketahui6
Totok Sumaryanto FlorentinusState University of Semarang6
Tjetjep Rohendi RohidiAfiliasi tidak diketahui5
Tjetjep Rohendi RohidiAfiliasi tidak diketahui4
Ratih Ayu PratiwinindyaAfiliasi tidak diketahui3
Widodo WidodoIPB University3
Totok Sumaryanto FlorentinusAfiliasi tidak diketahui3
Malarsih MalarsihAfiliasi tidak diketahui3
Tjatur RebowoAfiliasi tidak diketahui2
Syahrul Syah SinagaAfiliasi tidak diketahui2
Muhammad JazuliAfiliasi tidak diketahui2
Totok Sumaryanto. FAfiliasi tidak diketahui2
Syakir SyakirAfiliasi tidak diketahui2
Muh. Ibnan SyarifAfiliasi tidak diketahui2
Gunadi GunadiUniversitas Gajayana Malang2
Onang MurtiyosoAfiliasi tidak diketahui2
Purwanto PurwantoDiponegoro University2
Eko SugiartoAfiliasi tidak diketahui2
Yudi Ari AdiAfiliasi tidak diketahui1
Ario WirayaAfiliasi tidak diketahui1
Laila FitrianaAfiliasi tidak diketahui1
Amellia PutriAfiliasi tidak diketahui1
Ascariena RafindaAfiliasi tidak diketahui1
Rahina NugrahaniState University of Semarang1
Slamet HaryonoAfiliasi tidak diketahui1
Tri Danu SatriaAfiliasi tidak diketahui1
Suharto SuhartoAfiliasi tidak diketahui1
Wandah WibawantoAfiliasi tidak diketahui1
Metha BertinaAfiliasi tidak diketahui1
Prima Suci LestariAfiliasi tidak diketahui1
Suharto SAfiliasi tidak diketahui1
Tegar AnugrahitaAfiliasi tidak diketahui1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 5 Nov 2026.
Metadata asli (oai_dc) 
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	<dc:title xml:lang="en-US">The Aesthetic Expression for the Nanyin Music by the Lam Kwan Boen Hian Tong Community</dc:title>
	<dc:creator>Ulfah, Zulfia</dc:creator>
	<dc:creator>Utomo, Udi</dc:creator>
	<dc:creator>Triyanto, Triyanto</dc:creator>
	<dc:description xml:lang="en-US">Nanyin is a piece of Chinese traditional music. The music is preserved as anaesthetics ethnic expression of the Chinese community in Semarang. This research aims to analyze the aesthetic expression of nanyin by the Lam Kwan Boen Hiang Tong in Semarang. The research employs the method of descriptive qualitative with aesthetics approach. The data were collected from observation, interview, and documentation. The research was validated from triangulation. The analysis was through data reduction, presentation, and conclusion. The used theory is the theory of aesthetics. The research founds that (1) nanyin has the unique tone of music in the instrument and vocal tone; (2) the music uses simple melody with pentatonic bar; (3) the pitch is higher in each filler of dizi instrument part; (4) nanyin is performed in a dynamic tone; (5) most instrument plays some lyrical song; and (6) the performer wears cheongsam or dang zhuang during the performance.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2019-08-19</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/33110</dc:identifier>
	<dc:identifier>10.15294/catharsis.v8i3.33110</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 8 No 3 (2019); 258-263</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v8i3</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/33110/14001</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2019 Catharsis</dc:rights>
</oai_dc:dc>