Melola Discovery

← Melola Discovery

Jurnal

Keroncong: The Creativity Process of Pesona Gabuse Music Group in Pati Regency

Catharsis · Vol. 8 No. 4 (2020) · hlm. 444–452

DOI
10.15294/catharsis.v8i4.36916
ISSN
2502-4531, 2252-6900
Terbit
2020-01-22
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

The Keroncong Pesona Gabuse Group is one group that uses the Keroncong genre in every performance. To maintain its existence, Pesona Gabuse always presents new and contemporary works in every performance. This research analyzes the process of creativity in realizing new works as an effort to preserve keroncong music in the country. Thus the purpose of this study is to analyze how the processes of artists in creativity, especially the personnel of the Pesona Gabuse group, using qualitative research methods. Data collection techniques using observation techniques, interviews, and document studies. The data validity technique is by using data and source triangulation, while the data analysis procedure is by data reduction, data presentation, and drawing conclusions. The theory used to analyze the data that is the theory of Creativity according to Utami Munandar. It is defined into four types of dimensions as "four points creativity" namely (1) personal dimensions (person), (2) dimensions of the process (process), (3) dimensions of pressure (press), and product dimensions. The general result found is that there is a culture which is the result of a form of community gratitude because of the abundant of natural resources, or art that is only intended as mere entertainment. The art and culture tours in general are the Gong Theater, Widyas Budoyo dance studio, shadow puppet shows, puppet shows, barongsai pagoda, alms earth, and the Gabus market festival. One of them is music tour, there are 2 music tours in the village of Gabus namely Gagego music village and Pesona Gabuse. The Pesona Gabuse Keroncong Group is one of the existing keroncong groups in Pati Regency. Specific research results found relating to the creativity process are the result of the creative process of the Keroncong Pesona Gabuse music group. Keroncong Pesona Gabuse group makes the keroncong music sound different from the original keroncong music that has been legendary since the Indonesian colonial era, such as the original keroncong and extra keroncong which are almost all rhythmic 4/4 music. The new genre created by the Pesona Gabuse group is pop keroncong, congdut (dangdut keroncong), congrock (rock keroncong, congska (ska keroncong), reggae keroncong, and congjazz (jazz keroncong).

Jaringan kolaborasi para penulis

40 penulis · 124 tautan kepenulisan bersama · menampilkan 40 yang paling banyak terhubung

Arahkan kursor atau ketuk sebuah nama untuk menyorot rekan penulisnya. Klik dua kali untuk membuka halaman penulis.

  • State University of Semarang
  • State University of Jakarta
  • Afiliasi tidak diketahui
  • Organisasi berbeda
  • Organisasi sama
  • Afiliasi tidak diketahui
  • Garis lebih tebal = lebih banyak artikel bersama · lingkaran lebih besar = lebih banyak artikel
Tampilkan sebagai tabel
Rekan penulisOrganisasiArtikel bersama
Sunarto SunartoAfiliasi tidak diketahui17
Triyanto TriyantoAfiliasi tidak diketahui10
Totok Sumaryanto FlorentinusState University of Semarang9
Widodo WidodoState University of Jakarta8
Hartono HartonoAfiliasi tidak diketahui7
Agus CahyonoAfiliasi tidak diketahui7
Totok Sumaryanto. FAfiliasi tidak diketahui4
Syahrul Syah SinagaAfiliasi tidak diketahui3
Tjetjep Rohendi RohidiAfiliasi tidak diketahui3
Totok Sumaryanto FlorentinusAfiliasi tidak diketahui3
Syahrul Syah SinagaAfiliasi tidak diketahui3
Muhammad JazuliAfiliasi tidak diketahui2
Malarsih MalarsihAfiliasi tidak diketahui2
Faruq AlfiantoAfiliasi tidak diketahui2
Suharto SuhartoAfiliasi tidak diketahui2
Willy LontohAfiliasi tidak diketahui2
Tri Joko RaharjoAfiliasi tidak diketahui2
Abdul RachmanAfiliasi tidak diketahui2
Slamet HaryonoAfiliasi tidak diketahui1
Tri Danu SatriaAfiliasi tidak diketahui1
Wandah WibawantoAfiliasi tidak diketahui1
Metha BertinaAfiliasi tidak diketahui1
Eko SugiartoAfiliasi tidak diketahui1
Prima Suci LestariAfiliasi tidak diketahui1
Suharto SAfiliasi tidak diketahui1
Tegar AnugrahitaAfiliasi tidak diketahui1
May Sari LubisAfiliasi tidak diketahui1
Meyltsan Herbert MaraganiAfiliasi tidak diketahui1
Dedy FirduansyahAfiliasi tidak diketahui1
Wulan WidiyantiAfiliasi tidak diketahui1
Hanifah Suaidi HanifahAfiliasi tidak diketahui1
Setyati Dyah HandayaniAfiliasi tidak diketahui1
Firdaus PerdanaAfiliasi tidak diketahui1
Masayu Selly SabillahAfiliasi tidak diketahui1
Richard Junior KapoyosAfiliasi tidak diketahui1
Bahtiar ArbiAfiliasi tidak diketahui1
Eryaya NirbayaAfiliasi tidak diketahui1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 5 Nov 2026.
Metadata asli (oai_dc) 
<oai_dc:dc xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/  http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Keroncong : The Creativity Process of Pesona Gabuse Music Group in Pati Regency</dc:title>
	<dc:creator>Wismandanu, Hanur</dc:creator>
	<dc:creator>Wadiyo, Wadiyo</dc:creator>
	<dc:creator>Utomo, Udi</dc:creator>
	<dc:description xml:lang="en-US">The Keroncong Pesona Gabuse Group is one group that uses the Keroncong genre in every performance. To maintain its existence, Pesona Gabuse always presents new and contemporary works in every performance. This research analyzes the process of creativity in realizing new works as an effort to preserve keroncong music in the country. Thus the purpose of this study is to analyze how the processes of artists in creativity, especially the personnel of the Pesona Gabuse group, using qualitative research methods. Data collection techniques using observation techniques, interviews, and document studies. The data validity technique is by using data and source triangulation, while the data analysis procedure is by data reduction, data presentation, and drawing conclusions. The theory used to analyze the data that is the theory of Creativity according to Utami Munandar. It is defined into four types of dimensions as "four points creativity" namely (1) personal dimensions (person), (2) dimensions of the process (process), (3) dimensions of pressure (press), and product dimensions. The general result found is that there is a culture which is the result of a form of community gratitude because of the abundant of natural resources, or art that is only intended as mere entertainment. The art and culture tours in general are the Gong Theater, Widyas Budoyo dance studio, shadow puppet shows, puppet shows, barongsai pagoda, alms earth, and the Gabus market festival. One of them is music tour, there are 2 music tours in the village of Gabus namely Gagego music village and Pesona Gabuse. The Pesona Gabuse Keroncong Group is one of the existing keroncong groups in Pati Regency. Specific research results found relating to the creativity process are the result of the creative process of the Keroncong Pesona Gabuse music group. Keroncong Pesona Gabuse group makes the keroncong music sound different from the original keroncong music that has been legendary since the Indonesian colonial era, such as the original keroncong and extra keroncong which are almost all rhythmic 4/4 music. The new genre created by the Pesona Gabuse group is pop keroncong, congdut (dangdut keroncong), congrock (rock keroncong, congska (ska keroncong), reggae keroncong, and congjazz (jazz keroncong).</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2020-01-22</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/36916</dc:identifier>
	<dc:identifier>10.15294/catharsis.v8i4.36916</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 8 No 4 (2019); 444-452</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v8i4</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/36916/15225</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 Catharsis</dc:rights>
</oai_dc:dc>