Melola Discovery

← Melola Discovery

Jurnal

The Aesthetic Usage Response of Baju Kurung in Palembang City Government Tourism Office in Emphasizing Regional Identity

Catharsis · Vol. 9 No. 1 (2020) · pp. 38–49

DOI
10.15294/catharsis.v9i1.39732
ISSN
2502-4531, 2252-6900
Published
2020-05-31
Publisher
Universitas Negeri Semarang
Language
eng

Abstract

BajuKurung is a traditional dress of the Malay community in several countries namely Malaysia, Indonesia, Brunei Darussalam, and southern Thailand. The traditional clothes worn by Palembang women including in the form of bajukurung. In the development era of bajukurung replaced by modern clothes. The modification of bajukurung is now made according to the tastes of customers with a variety of shapes and accessories. This study aims to analyze the aesthetic response to the rules of wearing Palembang's traditional clothing in service in the form of patterns, motifs, textures, and colors of clothes worn by employees. Through this interdisciplinary approach by using qualitative method. The data is presented in the descriptive form. The object of study was the employee's bajukurung in Palembang Government Tourism office. The research data sources are primary and secondary data. The data collection techniques are conducted by observation, interview, and document study. The analysis procedure is conducted by data reduction, data presentation, and data verification. The analysis was conducted with the aesthetic formalism theory, the validity of the data by triangulation of data sources. The results showed that the aesthetic response of the employees was expressed through patterns, motifs, colors, and textures of the bajukurung material that were modified with the addition of beads, sequins, and ribbons. The aesthetic response of the user to the style modification of the kurung displays the beauty of clothes but does not eliminate the original form. Modifications to the clothes do not interferethe activities of the employees while working.

Collaboration network of the authors

40 authors · 100 co-authorship links · 2 across different organisations · showing the 40 most connected

Hover or tap a name to highlight its co-authors. Double-click to open the author's page.

  • Universitas Gajayana Malang
  • Diponegoro University
  • State University of Semarang
  • Affiliation unknown
  • Different organisations
  • Same organisation
  • Affiliation unknown
  • Thicker line = more joint articles · bigger circle = more articles
Show as table
Co-authorOrganisationJoint articles
Hartono HartonoAffiliation unknown9
Sri IswidayatiAffiliation unknown8
Muh. Ibnan SyarifAffiliation unknown6
Udi UtomoAffiliation unknown6
Sunarto SunartoAffiliation unknown4
Wadiyo WadiyoAffiliation unknown4
Ratih Ayu PratiwinindyaAffiliation unknown3
Tjatur RebowoAffiliation unknown2
Agus CahyonoAffiliation unknown2
Tjetjep Rohendi RohidiAffiliation unknown2
Syakir SyakirAffiliation unknown2
Muh. Ibnan SyarifAffiliation unknown2
Gunadi GunadiUniversitas Gajayana Malang2
Onang MurtiyosoAffiliation unknown2
Purwanto PurwantoDiponegoro University2
Yudi Ari AdiAffiliation unknown1
Ario WirayaAffiliation unknown1
Laila FitrianaAffiliation unknown1
Amellia PutriAffiliation unknown1
Ascariena RafindaAffiliation unknown1
Rahina NugrahaniState University of Semarang1
Risca DamayantiAffiliation unknown1
Andrianus AndrianusAffiliation unknown1
Anik RahmawatiAffiliation unknown1
Fatimah AzzahrahAffiliation unknown1
Totok SumaryantoAffiliation unknown1
Arsan ShanieAffiliation unknown1
Masayu Selly SabillahAffiliation unknown1
Ahmad Fikri AriefAffiliation unknown1
Suparti SupartiAffiliation unknown1
Novysa BasriAffiliation unknown1
Suherman SuhermanAffiliation unknown1
Dhimayu Ichtiara WijayaAffiliation unknown1
Rico AndriansyahAffiliation unknown1
Ulya Zakaria AzmiAffiliation unknown1
Fitriani FitrianiAffiliation unknown1
Tria Ayu DiniAffiliation unknown1

Affiliations come from OpenAlex; journal OAI-PMH metadata carries none. Authors without an OpenAlex ID are matched by name, which can merge or split people.

Metadata source: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, first harvested 5 Nov 2026, last seen 5 Nov 2026.
Original metadata (oai_dc)
<oai_dc:dc xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/  http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Aesthetic Usage Response of Baju Kurung in Palembang City Government Tourism Office in Emphasizing Regional Identity</dc:title>
	<dc:creator>Chaniago, Efriyeni</dc:creator>
	<dc:creator>Rohendi Rohidi, Tjetjep</dc:creator>
	<dc:creator>Triyanto, Triyanto</dc:creator>
	<dc:description xml:lang="en-US">BajuKurung is a traditional dress of the Malay community in several countries namely Malaysia, Indonesia, Brunei Darussalam, and southern Thailand. The traditional clothes worn by Palembang women including in the form of bajukurung. In the development era of bajukurung replaced by modern clothes. The modification of bajukurung is now made according to the tastes of customers with a variety of shapes and accessories. This study aims to analyze the aesthetic response to the rules of wearing Palembang's traditional clothing in service in the form of patterns, motifs, textures, and colors of clothes worn by employees. Through this interdisciplinary approach by using qualitative method. The data is presented in the descriptive form. The object of study was the employee's bajukurung in Palembang Government Tourism office. The research data sources are primary and secondary data. The data collection techniques are conducted by observation, interview, and document study. The analysis procedure is conducted by data reduction, data presentation, and data verification. The analysis was conducted with the aesthetic formalism theory, the validity of the data by triangulation of data sources. The results showed that the aesthetic response of the employees was expressed through patterns, motifs, colors, and textures of the bajukurung material that were modified with the addition of beads, sequins, and ribbons. The aesthetic response of the user to the style modification of the kurung displays the beauty of clothes but does not eliminate the original form. Modifications to the clothes do not interferethe activities of the employees while working.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2020-05-31</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/39732</dc:identifier>
	<dc:identifier>10.15294/catharsis.v9i1.39732</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 9 No 1 (2020); 38-49</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v9i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/39732/16475</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 Catharsis</dc:rights>
</oai_dc:dc>