Melola Discovery

← Melola Discovery

Jurnal

Wayang Klitik: Form and Function in the Bersih Sendang Ceremony in Wonosoco Village

Catharsis · Vol. 9 No. 3 (2020) · hlm. 188–199

DOI
10.15294/catharsis.v9i3.45298
ISSN
2502-4531, 2252-6900
Terbit
2020-12-23
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Wayang klitik is one of the traditional performances that are sacred as a means of bersih sendang ceremonial which is still sustainable today in Wonosoco Village, Undaan District, Kudus Regency. The purpose of this research is to examine the form of puppets and their functions in the bersih sendang ceremony. This study uses qualitative methods with interview data collection techniques, observation and document study. The data validity technique is based on credibility criteria, using data triangulation. Analysis of data is done through data collection, data reduction, data presentation, and data verification. The results of the study, regarding the shape of the wayang klitik made of flat wood formed according to the puppet character, carved and colored with simple decorative techniques, the puppet groups can be distinguished from face color, face shape, accessories, and body position. Wayang klitik in the bersih sendang ceremony has three functions, they are a personal function, a social function and a practical physical function. Personal function as a form of expression wayang klitik maker from realize his idea, social function as a means of rituals in the bersih sendang ceremony, entertainment exciting, educational media to the public, means of communication to God and dhanyang village, and physical function wayang klitik as props/puppets that portray the characters in the story that are playing.

Jaringan kolaborasi para penulis

40 penulis · 91 tautan kepenulisan bersama · menampilkan 40 yang paling banyak terhubung

Arahkan kursor atau ketuk sebuah nama untuk menyorot rekan penulisnya. Klik dua kali untuk membuka halaman penulis.

  • IPB University
  • State University of Semarang
  • Afiliasi tidak diketahui
  • Organisasi berbeda
  • Organisasi sama
  • Afiliasi tidak diketahui
  • Garis lebih tebal = lebih banyak artikel bersama · lingkaran lebih besar = lebih banyak artikel
Tampilkan sebagai tabel
Rekan penulisOrganisasiArtikel bersama
Udi UtomoAfiliasi tidak diketahui9
Sunarto SunartoAfiliasi tidak diketahui7
Triyanto TriyantoAfiliasi tidak diketahui5
Widodo WidodoIPB University4
Hartono HartonoAfiliasi tidak diketahui2
Agus CahyonoAfiliasi tidak diketahui2
May Sari LubisAfiliasi tidak diketahui1
Meyltsan Herbert MaraganiAfiliasi tidak diketahui1
Willy LontohAfiliasi tidak diketahui1
Wulan WidiyantiAfiliasi tidak diketahui1
Hanifah Suaidi HanifahAfiliasi tidak diketahui1
Totok Sumaryanto. FAfiliasi tidak diketahui1
Setiorini Rahma SafitriAfiliasi tidak diketahui1
Desti Kumala SariAfiliasi tidak diketahui1
Tjetjep Rohendi RohidiAfiliasi tidak diketahui1
Mina AmalianiAfiliasi tidak diketahui1
Sugeng ApriadiAfiliasi tidak diketahui1
Totok Sumaryanto FlorentinusState University of Semarang1
Putra AfriadiAfiliasi tidak diketahui1
Tutut PristiatiAfiliasi tidak diketahui1
Raditya Wahyu IndariyanaAfiliasi tidak diketahui1
Vega Ricky SaluAfiliasi tidak diketahui1
Nurratri Widya PangestikaAfiliasi tidak diketahui1
Nur RokhmatAfiliasi tidak diketahui1
Yosefina MetanAfiliasi tidak diketahui1
Ahmad Surya LuziAfiliasi tidak diketahui1
Ade Fajrul FalahAfiliasi tidak diketahui1
Septi Wahyu Setyaningsih SugiyoAfiliasi tidak diketahui1
Jalaluddin RumiAfiliasi tidak diketahui1
Vikran M. MaraunaAfiliasi tidak diketahui1
Hanur WismandanuAfiliasi tidak diketahui1
Totok Sumaryanto FlorentinusAfiliasi tidak diketahui1
Projo SulaksonoAfiliasi tidak diketahui1
I wayan agus suardiana putraAfiliasi tidak diketahui1
Syakir SyakirAfiliasi tidak diketahui1
Zefanya SambiraAfiliasi tidak diketahui1
Reni WulansariAfiliasi tidak diketahui1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 5 Nov 2026.
Metadata asli (oai_dc)
<oai_dc:dc xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/  http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">Wayang Klitik: Form and Function in the Bersih Sendang Ceremony in Wonosoco Village</dc:title>
	<dc:creator>Iskandar, Wahyu</dc:creator>
	<dc:creator>Ibnan Syarif, Muhammad</dc:creator>
	<dc:creator>Wadiyo, Wadiyo</dc:creator>
	<dc:description xml:lang="en-US">Wayang klitik is one of the traditional performances that are sacred as a means of bersih sendang ceremonial which is still sustainable today in Wonosoco Village, Undaan District, Kudus Regency. The purpose of this research is to examine the form of puppets and their functions in the bersih sendang ceremony. This study uses qualitative methods with interview data collection techniques, observation and document study. The data validity technique is based on credibility criteria, using data triangulation . Analysis of data is done through data collection, data reduction , data presentation, and data verification. The results of the study, regarding the shape of the wayang klitik made of flat wood formed according to the puppet character, carved and colored with simple decorative techniques, the puppet groups can be distinguished from face color , face shape , accessories, and body position. Wayang klitik in the bersih sendang ceremony has three functions, they are a personal function, a social function and a practical physical function. Personal function as a form of expression wayang klitik maker from realize his idea, social function as a means of rituals in the bersih sendang ceremony, entertainment exciting, educational media to the public, means of communication to God and dhanyang village, and physical function wayang klitik as props/puppets that portray the characters in the story that are playing.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2020-12-23</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/45298</dc:identifier>
	<dc:identifier>10.15294/catharsis.v9i3.45298</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 9 No 3 (2020); 188-199</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v9i3</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/45298/18396</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2020 Catharsis</dc:rights>
</oai_dc:dc>