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Baoguang Music Performance in Art Education at Jaya Village Community, Central Kuantan District, Kuantan Singigi Regency, Riau Province

Catharsis · Vol. 10 No. 1 (2021) · hlm. 85–95

DOI
10.15294/catharsis.v10i1.49781
ISSN
2502-4531, 2252-6900
Terbit
2021-05-31
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

The realization of Riau Province as the center of Malay economy and culture in religious, physically and spiritually prosperous community in Southeast Asia in 2020 is a quotation from the vision and missions of Riau Provincial Government. This vision and missions were sparked by the reasons that there is Malay culture that is growing very rapidly in Riau Province which has become the identity and tradition of the local community. The Malay culture which is still loved, maintained, and continuously developed, is the music of Baoguang which is found at Jaya Village, Central Kuantan District, Kuantan Singingi Regency, Riau Province. This research was conducted with the aim of discussing the Form, Meaning, and Function in the Context of Art Education in Baoguang music performance. The method used was descriptive qualitative research method, it means that to obtain the data, in-depth observation and interviews were done. The results of the study show as follows; 1) The presentation form of Baoguang music is presented with rhythm, harmony, timbre, tempo, dynamics as well as traditional musical instruments such as gong 1 and gong 2 which are harmoniously intertwined each other; 2) The meaning in performance of Baoguang music always involves symbols that are rich in meanings, the existence of symbols attempt to present the part of Malay culture; 3) The function of Baoguang music performance as an accompaniment for the ceremony is to carry out the traditional ceremonies send the “pancar” children (marriage), batobo and circumcision. The realization of Riau Province as the center of Malay economy and culture in religious, physically and spiritually prosperous community in Southeast Asia in 2020 is a quotation from the vision and missions of Riau Provincial Government. This vision and missions were sparked by the reasons that there is Malay culture that is growing very rapidly in Riau Province which has become the identity and tradition of the local community. The Malay culture which is still loved, maintained, and continuously developed, is the music of Baoguang which is found at Jaya Village, Central Kuantan District, Kuantan Singingi Regency, Riau Province. This research was conducted with the aim of discussing the Form, Meaning, and Function in the Context of Art Education in Baoguang music performance. The method used was descriptive qualitative research method, it means that to obtain the data, in-depth observation and interviews were done. The results of the study show as follows; 1) The presentation form of Baoguang music is presented with rhythm, harmony, timbre, tempo, dynamics as well as traditional musical instruments such as gong 1 and gong 2 which are harmoniously intertwined each other; 2) The meaning in performance of Baoguang music always involves symbols that are rich in meanings, the existence of symbols attempt to present the part of Malay culture; 3) The function of Baoguang music performance as an accompaniment for the ceremony is to carry out the traditional ceremonies send the “pancar” children (marriage), batobo and circumcision.

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  • State University of Semarang
  • IPB University
  • Tarumanagara University
  • Sebelas Maret University
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Rekan penulisOrganisasiArtikel bersama
Wadiyo WadiyoAfiliasi tidak diketahui16
Triyanto TriyantoAfiliasi tidak diketahui10
Totok Sumaryanto FlorentinusState University of Semarang9
Hartono HartonoAfiliasi tidak diketahui6
Agus CahyonoAfiliasi tidak diketahui5
Widodo WidodoIPB University5
Syahrul Syah SinagaAfiliasi tidak diketahui5
Malarsih MalarsihAfiliasi tidak diketahui4
Syahrul Syah SinagaAfiliasi tidak diketahui4
Wahyu LestariAfiliasi tidak diketahui3
Totok Sumaryanto. FAfiliasi tidak diketahui3
Martien Herna SusantiAfiliasi tidak diketahui3
Tjetjep Rohendi RohidiAfiliasi tidak diketahui2
Muhammad JazuliAfiliasi tidak diketahui2
Totok Sumaryanto FlorentinusAfiliasi tidak diketahui2
Kidung Sukma AsmaraniAfiliasi tidak diketahui2
Faruq AlfiantoAfiliasi tidak diketahui2
Puji LestariAfiliasi tidak diketahui2
Sumarno SumarnoAfiliasi tidak diketahui2
Satria Dwi AstutiAfiliasi tidak diketahui2
Wasino WasinoTarumanagara University2
Haryadi HaryadiAfiliasi tidak diketahui2
Tri Joko RaharjoAfiliasi tidak diketahui2
Kartika AdyaniAfiliasi tidak diketahui1
Friska RealitaAfiliasi tidak diketahui1
Arum MeirannyAfiliasi tidak diketahui1
Siti NafisahAfiliasi tidak diketahui1
Nurul Asma MazlanAfiliasi tidak diketahui1
Abdul AzizSebelas Maret University1
Mantaaba Zukhruf NabilunnuhaAfiliasi tidak diketahui1
Slamet HaryonoAfiliasi tidak diketahui1
Tri Danu SatriaAfiliasi tidak diketahui1
Suharto SuhartoAfiliasi tidak diketahui1
Wandah WibawantoAfiliasi tidak diketahui1
Metha BertinaAfiliasi tidak diketahui1
Prima Suci LestariAfiliasi tidak diketahui1
Suharto SAfiliasi tidak diketahui1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 5 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en-US">Baoguang Music Performance in Art Education at Jaya Village Community, Central Kuantan District, Kuantan Singigi Regency, Riau Province</dc:title>
	<dc:creator>Julta, Arbi</dc:creator>
	<dc:creator>Sunarto, Sunarto</dc:creator>
	<dc:creator>Utomo, Udi</dc:creator>
	<dc:description xml:lang="en-US">The realization of Riau Province as the center of Malay economy and culture in religious, physically and spiritually prosperous community in Southeast Asia in 2020 is a quotation from the vision and missions of Riau Provincial Government. This vision and missions were sparked by the reasons that there is Malay culture that is growing very rapidly in Riau Province which has become the identity and tradition of the local community. The Malay culture which is still loved, maintained, and continuously developed, is the music of Baoguang which is found at Jaya Village, Central Kuantan District, Kuantan Singingi Regency, Riau Province. This research was conducted with the aim of discussing the Form, Meaning, and Function in the Context of Art Education in Baoguang music performance. The method used was descriptive qualitative research method, it means that to obtain the data, in-depth observation and interviews were done. The results of the study show as follows; 1) The presentation form of Baoguang music is presented with rhythm, harmony, timbre, tempo, dynamics as well as traditional musical instruments such as gong 1 and gong 2 which are harmoniously intertwined each other; 2) The meaning in performance of Baoguang music always involves symbols that are rich in meanings, the existence of symbols attempt to present the part of Malay culture; 3) The function of Baoguang music performance as an accompaniment for the ceremony is to carry out the traditional ceremonies send the “pancar” children (marriage), batobo and circumcision.
The realization of Riau Province as the center of Malay economy and culture in religious, physically and spiritually prosperous community in Southeast Asia in 2020 is a quotation from the vision and missions of Riau Provincial Government. This vision and missions were sparked by the reasons that there is Malay culture that is growing very rapidly in Riau Province which has become the identity and tradition of the local community. The Malay culture which is still loved, maintained, and continuously developed, is the music of Baoguang which is found at Jaya Village, Central Kuantan District, Kuantan Singingi Regency, Riau Province. This research was conducted with the aim of discussing the Form, Meaning, and Function in the Context of Art Education in Baoguang music performance. The method used was descriptive qualitative research method, it means that to obtain the data, in-depth observation and interviews were done. The results of the study show as follows; 1) The presentation form of Baoguang music is presented with rhythm, harmony, timbre, tempo, dynamics as well as traditional musical instruments such as gong 1 and gong 2 which are harmoniously intertwined each other; 2) The meaning in performance of Baoguang music always involves symbols that are rich in meanings, the existence of symbols attempt to present the part of Malay culture; 3) The function of Baoguang music performance as an accompaniment for the ceremony is to carry out the traditional ceremonies send the “pancar” children (marriage), batobo and circumcision.
&amp;nbsp;</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2021-05-31</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
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	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/49781</dc:identifier>
	<dc:identifier>10.15294/catharsis.v10i1.49781</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 10 No 1 (2021); 85-95</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v10i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/49781/19918</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2021 Catharsis</dc:rights>
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