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Creative Process in Creating the Creative Content of “Roro Choreographer” Through Social Media Platforms

Catharsis · Vol. 11 No. 1 (2022) · hlm. 1–13

DOI
10.15294/catharsis.v11i1.56551
ISSN
2502-4531, 2252-6900
Terbit
2022-05-31
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

The phenomenon of social media in the era of digital society as a medium of artistic expression has its creative challenges. Digital society undergoes a process of social interaction and social-cultural groups of the digital society where there are also digital-based professions such as Youtube and Selebgram. Social control in digital society starts from the community itself, such as using passwords to secure accounts adapted from real people and stratification in the digital society. They are considered the highest party as they can prepare extensive and qualified information.Social media has created a new culture, namely the culture of sharing content by social media users. It makes content an essential aspect because we can see how culture is developing in social media or cyberspace through existing content. The content that is interesting and in great demand by social media users is the content that is entertaining and has aesthetic value, including dance moves, musical activities, fine arts, and drama. TikTok, Instagram, and Youtube social media users named Roro Choreographer with real name Septi Wahyu Setyaningsih Sugiyo or Septi Kurniawan. In addition to content creators, she is also a teacher at SMP 18 Semarang. Her contents contain dance moves, but they are more inclined to Indian movements. To date, the video has been viewed more than a thousand times. This study aims to discuss or examine the creative process, content, and social media platform she uses to increase artistic creativity in the Digital Age. The method used the descriptive qualitative research method to obtain data from the field by conducting in-depth observations and interviews. The study results show the following points: 1) the creative process is presented with inspiration and critical thinking stages, artistic exploration stage, and fantasy stage. Creativity generates activity, or the existence of activity indicates creativity; 2) creative content contains several functional aspects such as identity, conversation (interaction), sharing, being present (exist), relationship, reputation (status), and group; 3) social media such as TikTok, Youtube, Instagram are platforms that make Roro Choreographer content more viral and creative.

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  • State University of Semarang
  • IPB University
  • Sebelas Maret University
  • Afiliasi tidak diketahui
  • Organisasi berbeda
  • Organisasi sama
  • Afiliasi tidak diketahui
  • Garis lebih tebal = lebih banyak artikel bersama · lingkaran lebih besar = lebih banyak artikel
Tampilkan sebagai tabel
Rekan penulisOrganisasiArtikel bersama
Syakir SyakirAfiliasi tidak diketahui9
Hartono HartonoAfiliasi tidak diketahui8
Udi UtomoAfiliasi tidak diketahui6
Wandah WibawantoAfiliasi tidak diketahui5
Muhammad JazuliAfiliasi tidak diketahui5
Rahina NugrahaniState University of Semarang3
Triyanto TriyantoAfiliasi tidak diketahui3
Malarsih MalarsihAfiliasi tidak diketahui3
Kemal Budi MulyonoAfiliasi tidak diketahui2
Muh Fakhrihun NaamAfiliasi tidak diketahui2
Achmad ZairinAfiliasi tidak diketahui2
Retnoningrum HidayahAfiliasi tidak diketahui2
Arif FiyantoAfiliasi tidak diketahui2
Wadiyo WadiyoAfiliasi tidak diketahui2
Widodo WidodoIPB University2
Slamet HaryonoAfiliasi tidak diketahui2
Dwi Wahyuni KurniawatiAfiliasi tidak diketahui1
Muhammad ZulmiAfiliasi tidak diketahui1
Reza KhatamiAfiliasi tidak diketahui1
Abdul AzizSebelas Maret University1
Adhytia RizkyhimawanAfiliasi tidak diketahui1
Pratama WidagdoAfiliasi tidak diketahui1
Nimas Agustin Purwaningtyas Nimas Agustin PurwaningtyasAfiliasi tidak diketahui1
Vika AfriliyaniAfiliasi tidak diketahui1
Rossalia Reza TrisnawatiAfiliasi tidak diketahui1
Daniar Hafri AhsaniAfiliasi tidak diketahui1
Syahrul Syah SinagaAfiliasi tidak diketahui1
Prima Suci LestariAfiliasi tidak diketahui1
Suharto SAfiliasi tidak diketahui1
Frizia Nuary Novalia Frizia Nuary NovaliaAfiliasi tidak diketahui1
Mardina RahayuAfiliasi tidak diketahui1
Bangkit SanjayaAfiliasi tidak diketahui1
Annisa' Ayu FirmadhaniAfiliasi tidak diketahui1
Anindya Saskia HanifaratriAfiliasi tidak diketahui1
Anung GunartoAfiliasi tidak diketahui1
Muhammad Rijalul Azka ArifinAfiliasi tidak diketahui1
Esti VerulitasariAfiliasi tidak diketahui1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 5 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en-US">Creative Process in Creating the Creative Content of “Roro Choreographer” Through Social Media Platforms</dc:title>
	<dc:creator>Marsiana, Deva</dc:creator>
	<dc:creator>Cahyono, Agus</dc:creator>
	<dc:creator>Sugiarto, Eko</dc:creator>
	<dc:description xml:lang="en-US">The phenomenon of social media in the era of digital society as a medium of artistic expression has its creative challenges. Digital society undergoes a process of social interaction and social-cultural groups of the digital society where there are also digital-based professions such as Youtube and Selebgram. Social control in digital society starts from the community itself, such as using passwords to secure accounts adapted from real people and stratification in the digital society. They are considered the highest party as they can prepare extensive and qualified information.Social media has created a new culture, namely the culture of sharing content by social media users. It makes content an essential aspect because we can see how culture is developing in social media or cyberspace through existing content. The content that is interesting and in great demand by social media users is the content that is entertaining and has aesthetic value, including dance moves, musical activities, fine arts, and drama. TikTok, Instagram, and Youtube social media users named Roro Choreographer with real name Septi Wahyu Setyaningsih Sugiyo or Septi Kurniawan. In addition to content creators, she is also a teacher at SMP 18 Semarang. Her contents contain dance moves, but they are more inclined to Indian movements. To date, the video has been viewed more than a thousand times. This study aims to discuss or examine the creative process, content, and social media platform she uses to increase artistic creativity in the Digital Age. The method used the descriptive qualitative research method to obtain data from the field by conducting in-depth observations and interviews. The study results show the following points: 1) the creative process is presented with inspiration and critical thinking stages, artistic exploration stage, and fantasy stage. Creativity generates activity, or the existence of activity indicates creativity; 2) creative content contains several functional aspects such as identity, conversation (interaction), sharing, being present (exist), relationship, reputation (status), and group; 3) social media such as TikTok, Youtube, Instagram are platforms that make Roro Choreographer content more viral and creative.
&amp;nbsp;
&amp;nbsp;</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2022-05-31</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/56551</dc:identifier>
	<dc:identifier>10.15294/catharsis.v11i1.56551</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 11 No 1 (2022); 1-13</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v11i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/56551/21613</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Catharsis</dc:rights>
</oai_dc:dc>