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“Analysis of Penanian Dolo Musical Composition Entitled: Ia Ke Ka’tumo Tu Sunga’ku”

Catharsis · Vol. 11 No. 2 (2022) · hlm. 195–207

DOI
10.15294/catharsis.v11i2.59642
ISSN
2502-4531, 2252-6900
Terbit
2022-09-15
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

This study discusses the art forms in Toraja cultural rituals, which are more precisely held in Lembang Gandangbatu, Gandangbatu Sillanan District. The ritual is called Ma'bulle Tomate. The Ma'bulle Tomate ritual is an activity of carrying the corpse to the burial place. The community performs the Ma'bulle Tomate ritual while singing a spiritual song called Penanian Dolo. This study aims to reveal the structure of the Penanian Dolo musical composition entitled Ia Ke Ka'tumo tu Sunga'ku as one of the songs in the funeral ritual. This research is qualitative research using musicology and sociology approaches. It was conducted in Lembang Gandangbatu, Gandangbatu Sillanan District, Tana Toraja Regency. Data was obtained through observation, interviews, and documentation. The data obtained were then analyzed using qualitative data analysis techniques: data reduction, data presentation, and conclusions. The results of this study explain that the musical composition of Penanian Dolo entitled Ia Ke Ka'tumo tu Sunga'ku belongs to the form of a two-part song with symmetrical sentence pieces (AA'BA'). Like a hymn song that has simple melodic movements and is easy to learn and remember, that is the character of the song Ia Ke Ka'tumo tu Sunga'ku. The community's interpretation of singing the song Ia Ke Ka'tumo Tu Sunga'ku uses a 6/4 time rhythm pattern with an Adagietto tempo which means slow with a speed of 63-69 beats per minute. The heart-rending recitation of the verses and the resulting three-voice harmony can bring a sad and gripping feel, even though the song does not start with a minor chord. This research would be an effort and contribution of thought in the form of written works as a form of preserving Toraja cultural music as well as adding insight into the art of music in Indonesia.

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  • State University of Jakarta
  • IPB University
  • Universitas Halu Oleo
  • Sebelas Maret University
  • Afiliasi tidak diketahui
  • Organisasi berbeda
  • Organisasi sama
  • Afiliasi tidak diketahui
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Tampilkan sebagai tabel
Rekan penulisOrganisasiArtikel bersama
Udi UtomoAfiliasi tidak diketahui14
Wadiyo WadiyoAfiliasi tidak diketahui11
Triyanto TriyantoAfiliasi tidak diketahui4
Malarsih MalarsihAfiliasi tidak diketahui4
Wahyu LestariAfiliasi tidak diketahui3
Slamet HaryonoAfiliasi tidak diketahui3
Martien Herna SusantiAfiliasi tidak diketahui3
Yatim RiyantoAfiliasi tidak diketahui2
Syahrul Syah SinagaAfiliasi tidak diketahui2
Kidung Sukma AsmaraniAfiliasi tidak diketahui2
Syahrul Syah SinagaAfiliasi tidak diketahui2
Mujimin MujiminAfiliasi tidak diketahui2
Puji LestariAfiliasi tidak diketahui2
Sumarno SumarnoAfiliasi tidak diketahui2
Satria Dwi AstutiAfiliasi tidak diketahui2
Asmar HasanUniversitas Halu Oleo1
Kikin Hamzah MutaqinIPB University1
Muhammad TaufikUniversitas Halu Oleo1
Sri Hendrastuti HidayatIPB University1
Jiel Vayyad RamadhanState University of Jakarta1
Muhammad Ficky DuskarnaenAfiliasi tidak diketahui1
Via Tuhamah FauziastutiState University of Jakarta1
Chelsea Zaomi PondayuState University of Jakarta1
Mada Rekadarma SeptiandaState University of Jakarta1
NurfaidaAfiliasi tidak diketahui1
Dino RimanthoAfiliasi tidak diketahui1
Kartika AdyaniAfiliasi tidak diketahui1
Friska RealitaAfiliasi tidak diketahui1
Arum MeirannyAfiliasi tidak diketahui1
Alma Dita Mia NarfaisAfiliasi tidak diketahui1
Gunarti Dwi LestariAfiliasi tidak diketahui1
Wiwin YulianingsihAfiliasi tidak diketahui1
Mega WulandariAfiliasi tidak diketahui1
Siti NafisahAfiliasi tidak diketahui1
Nurul Asma MazlanAfiliasi tidak diketahui1
Abdul AzizSebelas Maret University1
Mantaaba Zukhruf NabilunnuhaAfiliasi tidak diketahui1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 5 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en-US">“Analysis of Penanian Dolo Musical Composition Entitled: Ia Ke Ka’tumo Tu Sunga’ku”</dc:title>
	<dc:creator>Tandililing, Sostenes Mono</dc:creator>
	<dc:creator>Sunarto, Sunarto</dc:creator>
	<dc:creator>Widodo, Widodo</dc:creator>
	<dc:description xml:lang="en-US">This study discusses the art forms in Toraja cultural rituals, which are more precisely held in Lembang Gandangbatu, Gandangbatu Sillanan District. The ritual is called Ma'bulle Tomate. The Ma'bulle Tomate ritual is an activity of carrying the corpse to the burial place. The community performs the Ma'bulle Tomate ritual while singing a spiritual song called Penanian Dolo. This study aims to reveal the structure of the Penanian Dolo musical composition entitled Ia Ke Ka'tumo tu Sunga'ku as one of the songs in the funeral ritual. This research is qualitative research using musicology and sociology approaches. It was conducted in Lembang Gandangbatu, Gandangbatu Sillanan District, Tana Toraja Regency. Data was obtained through observation, interviews, and documentation. The data obtained were then analyzed using qualitative data analysis techniques: data reduction, data presentation, and conclusions. The results of this study explain that the musical composition of Penanian Dolo entitled Ia Ke Ka'tumo tu Sunga'ku belongs to the form of a two-part song with symmetrical sentence pieces (AA'BA'). Like a hymn song that has simple melodic movements and is easy to learn and remember, that is the character of the song Ia Ke Ka'tumo tu Sunga'ku. The community's interpretation of singing the song Ia Ke Ka'tumo Tu Sunga'ku uses a 6/4 time rhythm pattern with an Adagietto tempo which means slow with a speed of 63-69 beats per minute. The heart-rending recitation of the verses and the resulting three-voice harmony can bring a sad and gripping feel, even though the song does not start with a minor chord. This research would be an effort and contribution of thought in the form of written works as a form of preserving Toraja cultural music as well as adding insight into the art of music in Indonesia.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2022-09-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/59642</dc:identifier>
	<dc:identifier>10.15294/catharsis.v11i2.59642</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 11 No 2 (2022); 195-207</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v11i2</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/59642/23281</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Catharsis</dc:rights>
</oai_dc:dc>