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The Effect of Using Sapek Virtual Studio Technology Plugin and It’s Impact on the Existence of Traditional Sapek Activists

Catharsis · Vol. 11 No. 2 (2022) · hlm. 132–140

DOI
10.15294/catharsis.v11i2.60896
ISSN
2502-4531, 2252-6900
Terbit
2022-09-15
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Sapek VSTi is an innovation to develop traditional musical instruments in digital form that can be used to make musical works. There is no need for the original Sapek musical instrument in the creation process. Only controlled with a Digital Audio Workstation (DAW). This is evidence of a concern because Sapek activists are no longer needed in making musical works. This study describes the efficiency and sound quality of the Sapek VSTi and their impact on the Sapek art activists. The type of research used is descriptive analysis and uses an ethnomusicological approach. Data collection techniques with observation, interviews, and documentation. Data analysis through the stages of reduction, presentation, and conclusion. The results of the study found that the Sapek musical instrument in the form of VSTi (Virtual Studio Technology Instrument) could not replace the original musical instrument in performing arts performances, either solo or as a dance accompaniment. This did not significantly impact Sapek art activists but has benefits for Sapek art activists. Sapek VSTi can help make temporary arrangements before recording using original Sapek musical instruments. Sapek VSTi participates in preserving Sapek musical instruments globally, which impacts ordering services for original Sapek musical instruments, making it easier for audio engineers in recorded music if they do not have the original Sapek musical instrument. For the scope of education, Sapek VSTi can be used as a learning medium to introduce sapek musical instruments to students.

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  • Sebelas Maret University
  • State University of Semarang
  • State University of Jakarta
  • Afiliasi tidak diketahui
  • Organisasi berbeda
  • Organisasi sama
  • Afiliasi tidak diketahui
  • Garis lebih tebal = lebih banyak artikel bersama · lingkaran lebih besar = lebih banyak artikel
Tampilkan sebagai tabel
Rekan penulisOrganisasiArtikel bersama
Wadiyo WadiyoAfiliasi tidak diketahui8
Sunarto SunartoSebelas Maret University8
Totok Sumaryanto FlorentinusState University of Semarang6
Agus CahyonoAfiliasi tidak diketahui5
Widodo WidodoState University of Jakarta4
Muhammad JazuliAfiliasi tidak diketahui2
Triyanto TriyantoSebelas Maret University2
Malarsih MalarsihAfiliasi tidak diketahui2
Faruq AlfiantoAfiliasi tidak diketahui2
Slamet HaryonoState University of Semarang1
Tri Danu SatriaAfiliasi tidak diketahui1
Suharto SuhartoAfiliasi tidak diketahui1
Syahrul Syah SinagaAfiliasi tidak diketahui1
Wandah WibawantoAfiliasi tidak diketahui1
Metha BertinaAfiliasi tidak diketahui1
Tjetjep Rohendi RohidiAfiliasi tidak diketahui1
Dedy FirduansyahAfiliasi tidak diketahui1
Willy LontohAfiliasi tidak diketahui1
Setyati Dyah HandayaniAfiliasi tidak diketahui1
Firdaus PerdanaAfiliasi tidak diketahui1
Masayu Selly SabillahAfiliasi tidak diketahui1
Rofiandri SuardiAfiliasi tidak diketahui1
Awang KautzarAfiliasi tidak diketahui1
Reza Nepilia SariAfiliasi tidak diketahui1
Barkah Bangkit WijayaAfiliasi tidak diketahui1
Raditya Wahyu IndariyanaAfiliasi tidak diketahui1
Endik GuntarisAfiliasi tidak diketahui1
Yunia Murdi LestariAfiliasi tidak diketahui1
Dean Arda WinataAfiliasi tidak diketahui1
Totok Sumaryanto FlorentinusAfiliasi tidak diketahui1
Agustinus Renaldus Afoan EluAfiliasi tidak diketahui1
Reneldis Tina MatiAfiliasi tidak diketahui1
Ade Fajrul FalahAfiliasi tidak diketahui1
Giza Abel Annisa FuriAfiliasi tidak diketahui1
Zulfia UlfahAfiliasi tidak diketahui1
Dalori DaloriAfiliasi tidak diketahui1
Toto SumaryantoAfiliasi tidak diketahui1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc) 
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	<dc:title xml:lang="en-US">The Effect of Using Sapek Virtual Studio Technology Plugin and It’s Impact on the Existence of Traditional Sapek Activists</dc:title>
	<dc:creator>Trianggara, Helmi Fajar</dc:creator>
	<dc:creator>Utomo, Udi</dc:creator>
	<dc:creator>Syah Sinaga, Syahrul</dc:creator>
	<dc:description xml:lang="en-US">Sapek VSTi is an innovation to develop traditional musical instruments in digital form that can be used to make musical works. There is no need for the original Sapek musical instrument in the creation process. Only controlled with a Digital Audio Workstation (DAW). This is evidence of a concern because Sapek activists are no longer needed in making musical works. This study describes the efficiency and sound quality of the Sapek VSTi and their impact on the Sapek art activists. The type of research used is descriptive analysis and uses an ethnomusicological approach. Data collection techniques with observation, interviews, and documentation. Data analysis through the stages of reduction, presentation, and conclusion. The results of the study found that the Sapek musical instrument in the form of VSTi (Virtual Studio Technology Instrument) could not replace the original musical instrument in performing arts performances, either solo or as a dance accompaniment. This did not significantly impact Sapek art activists but has benefits for Sapek art activists. Sapek VSTi can help make temporary arrangements before recording using original Sapek musical instruments. Sapek VSTi participates in preserving Sapek musical instruments globally, which impacts ordering services for original Sapek musical instruments, making it easier for audio engineers in recorded music if they do not have the original Sapek musical instrument. For the scope of education, Sapek VSTi can be used as a learning medium to introduce sapek musical instruments to students.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2022-09-15</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/60896</dc:identifier>
	<dc:identifier>10.15294/catharsis.v11i2.60896</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 11 No 2 (2022); 132-140</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v11i2</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/60896/22600</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Catharsis</dc:rights>
</oai_dc:dc>