Melola Discovery

← Melola Discovery

Jurnal

The Existence of Wayang Orang Art Studio in Tembbelang Gunung Village, Lebakbarang District, Pekalongan Regency in Facing the Development of the Age

Catharsis · Vol. 12 No. 1 (2023) · hlm. 83–91

DOI
10.15294/catharsis.v12i1.70899
ISSN
2502-4531, 2252-6900
Terbit
2023-05-31
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

The existence of the WAYANG Orang Art Studio is infuenced by people who tend to like things that are done continuously and for generations, so that eventually it becomes a habit that is still often carried out by the people of Tembbelang Village, Pekalongan Regency namely that the traditions or habits that are held in the village are still strong. Tembbelang in this modern era is to maintain the existence of the Wayang Orang art studio. The purpose of this study is to reveal the reasons for the Wayang Orang Art Studio to exist. This study uses a qualitative method that is a description of the object of research directly. Data collection techniques namely, observation, interviews, literature study, and documentation. The results of this study are to reveal the reasons for the continued existence of the Wayang Orang Art Studio today. The reasons in question are first, because of the holding of Wayang Orang art training amidst the influence of globalization. The training is believed to be a cornerstone for the continued existence of the studio, an awareness that the impact of existence is as a means of expression and channeling the hobbies of the supporterners of the arts themselves. Second, the have one common goals, which is to preserve the art of Wayang Orang in Tembbelang. Not only to preserve but to become a vessel for the survival of the Wayang Orang art. Nevertheless, this is a strong reason behind the existence of Wayang Orang art.

Jaringan kolaborasi para penulis

40 penulis · 113 tautan kepenulisan bersama · menampilkan 40 yang paling banyak terhubung

Arahkan kursor atau ketuk sebuah nama untuk menyorot rekan penulisnya. Klik dua kali untuk membuka halaman penulis.

  • State University of Semarang
  • IPB University
  • Afiliasi tidak diketahui
  • Organisasi berbeda
  • Organisasi sama
  • Afiliasi tidak diketahui
  • Garis lebih tebal = lebih banyak artikel bersama · lingkaran lebih besar = lebih banyak artikel
Tampilkan sebagai tabel
Rekan penulisOrganisasiArtikel bersama
Triyanto TriyantoAfiliasi tidak diketahui10
Agus CahyonoAfiliasi tidak diketahui10
Udi UtomoAfiliasi tidak diketahui7
Wahyu LestariAfiliasi tidak diketahui6
Ani RusilowatiState University of Semarang6
Wiyanto WiyantoState University of Semarang4
Totok Sumaryanto FlorentinusState University of Semarang3
Syakir SyakirAfiliasi tidak diketahui3
Restu LanjariAfiliasi tidak diketahui3
Sunyoto Eko NugrohoState University of Semarang3
Sunarto SunartoAfiliasi tidak diketahui3
Muhammad JazuliAfiliasi tidak diketahui3
Widodo WidodoIPB University2
Wadiyo WadiyoAfiliasi tidak diketahui2
Totok Sumaryanto FlorentinusAfiliasi tidak diketahui2
Ian YuliantiAfiliasi tidak diketahui2
St. Budi WaluyaAfiliasi tidak diketahui2
Langlang HandayaniAfiliasi tidak diketahui2
Masturi MasturiState University of Semarang2
Halimah AgustinaAfiliasi tidak diketahui2
Makkulau MakkulauAfiliasi tidak diketahui1
Hafiludin SamparadjaAfiliasi tidak diketahui1
Heri SetyawanAfiliasi tidak diketahui1
Koko SetiawanAfiliasi tidak diketahui1
Subakho Aryo SalokoAfiliasi tidak diketahui1
Nurdjanah HamidAfiliasi tidak diketahui1
Ria Mardiana YusufAfiliasi tidak diketahui1
Suharto SuhartoAfiliasi tidak diketahui1
Budi UtomoAfiliasi tidak diketahui1
Adi Kurniawan YusimAfiliasi tidak diketahui1
Lusi HariniAfiliasi tidak diketahui1
Thesa Adi Saputra YusriAfiliasi tidak diketahui1
Afifah HayatiAfiliasi tidak diketahui1
Syamsudin Mas'udAfiliasi tidak diketahui1
Darojatun FikriAfiliasi tidak diketahui1
Elly ArlianiAfiliasi tidak diketahui1
Novi SusantiAfiliasi tidak diketahui1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/catharsis/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 5 Nov 2026.
Metadata asli (oai_dc)
<oai_dc:dc xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/  http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">The Existence of Wayang Orang Art Studio in Tembbelang Gunung Village, Lebakbarang District, Pekalongan Regency in Facing the Development of the Age</dc:title>
	<dc:creator>Aryani, Lelyana Lely</dc:creator>
	<dc:creator>Hartono, Hartono</dc:creator>
	<dc:creator>Malarsih, Malarsih</dc:creator>
	<dc:description xml:lang="en-US">The existence of the WAYANG Orang Art Studio is infuenced by people who tend to like things that are done continuously and for generations, so that eventually it becomes a habit that is still often carried out by the people of Tembbelang Village, Pekalongan Regency namely that the traditions or habits that are held in the village are still strong. Tembbelang in this modern era is to maintain the existence of the Wayang Orang art studio. The purpose of this study is to reveal the reasons for the Wayang Orang Art Studio to exist. This study uses a qualitative method that is a description of the object of research directly. Data collection techniques namely, observation, interviews, literature study, and documentation. The results of this study are to reveal the reasons for the continued existence of the Wayang Orang Art Studio today. The reasons in question are first, because of the holding of Wayang Orang art training amidst the influence of globalization. The training is believed to be a cornerstone for the continued existence of the studio, an awareness that the impact of existence is as a means of expression and channeling the hobbies of the supporterners of the arts themselves. Second, the have one common goals, which is to preserve the art of Wayang Orang in Tembbelang. Not only to preserve but to become a vessel for the survival of the Wayang Orang art. Nevertheless, this is a strong reason behind the existence of Wayang Orang art.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2023-05-31</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/catharsis/article/view/70899</dc:identifier>
	<dc:identifier>10.15294/catharsis.v12i1.70899</dc:identifier>
	<dc:source xml:lang="en-US">Catharsis; Vol 12 No 1 (2023); 83-91</dc:source>
	<dc:source>2502-4531</dc:source>
	<dc:source>2252-6900</dc:source>
	<dc:source>10.15294/catharsis.v12i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/catharsis/article/view/70899/25645</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Catharsis</dc:rights>
</oai_dc:dc>