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Study of Aesthetic Forms and Symbolic Meaning of Gayor Gong Senen Relief Carving at Rumah Kartini, Jepara

Eduarts: Jurnal Pendidikan Seni · Vol. 14 No. 1 (2025) · hlm. 56–75

DOI
10.15294/eduarts.v14i1.22221
ISSN
2721-785X, 2252-6625
Terbit
2025-01-01
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

In 2014, Rumah Kartini created a replica of a historical heritage artwork from Jepara's carving culture and pioneered the reproduction of the Gayor Gong Senen relief. The research location was at Rumah Kartini, Pengkol, Jepara Regency. Data collection techniques included observation, interviews, and document review. The data were then analyzed through data reduction, data presentation, and verification or conclusion. This research employed a qualitative descriptive method. The study aimed to understand the creation process, aesthetic forms, and symbolic meaning of the Gayor Gong Senen carved relief. The results showed that the creation process consisted of five stages: research, motif sketching, construction, carving, and finishing. The aesthetic form of the Gayor Gong Senen relief lies in the organization of elements such as lines, space, planes, color, texture, and light-dark contrasts, creating an engaging composition. Balance and proportion in the carving, as well as rhythm and dominance in the motif patterns, serve as the main attractions, forming a cohesive artistic piece. The symbolic meaning conveyed through the Gayor Gong Senen relief includes religious values and philosophical messages about human life within society, particularly in Javanese culture.

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26 penulis · 57 tautan kepenulisan bersama · 3 lintas organisasi

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  • Universitas Gajayana Malang
  • State University of Semarang
  • State University of Jakarta
  • Cenderawasih University
  • Afiliasi tidak diketahui
  • Organisasi berbeda
  • Organisasi sama
  • Afiliasi tidak diketahui
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Rekan penulisOrganisasiArtikel bersama
Mujiyono MujiyonoAfiliasi tidak diketahui2
Adi KuntoroAfiliasi tidak diketahui1
Eko NusantoroAfiliasi tidak diketahui1
Riski HerwantoniAfiliasi tidak diketahui1
Syakir MuharrarAfiliasi tidak diketahui1
Supatmo SupatmoAfiliasi tidak diketahui1
Robert Ardy SusetyoAfiliasi tidak diketahui1
Aqil Abdul GaniAfiliasi tidak diketahui1
Gunadi GunadiUniversitas Gajayana Malang1
Arif FiyantoAfiliasi tidak diketahui1
Rahina NugrahaniState University of Semarang1
Slamet HaryonoAfiliasi tidak diketahui1
Johan SutarjoAfiliasi tidak diketahui1
Widodo WidodoState University of Jakarta1
Fadzel Muhamad RifandiAfiliasi tidak diketahui1
Triyanto TriyantoAfiliasi tidak diketahui1
Tomihendra SaputraAfiliasi tidak diketahui1
Shofan AryansyahAfiliasi tidak diketahui1
Firdaus Suci WahyuningsihAfiliasi tidak diketahui1
Purwanto PurwantoCenderawasih University1
Onang MurtiyosoAfiliasi tidak diketahui1
Anung GunartoAfiliasi tidak diketahui1
Nur LelaAfiliasi tidak diketahui1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/journals/eduart/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc) 
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	<dc:title xml:lang="en">Study of Aesthetic Forms and Symbolic Meaning of Gayor Gong Senen Relief Carving at Rumah Kartini, Jepara</dc:title>
	<dc:creator xml:lang="en">Farokhi, Sakhron</dc:creator>
	<dc:creator xml:lang="en">Haryanto, Eko</dc:creator>
	<dc:creator xml:lang="en">Yusof, Nurhikma Bt Mat</dc:creator>
	<dc:subject xml:lang="en">Aesthetic</dc:subject>
	<dc:subject xml:lang="en">Gayor</dc:subject>
	<dc:subject xml:lang="en">Relief</dc:subject>
	<dc:subject xml:lang="en">Symbol</dc:subject>
	<dc:description xml:lang="en">In 2014, Rumah Kartini created a replica of a historical heritage artwork from Jepara's carving culture and pioneered the reproduction of the Gayor Gong Senen relief. The research location was at Rumah Kartini, Pengkol, Jepara Regency. Data collection techniques included observation, interviews, and document review. The data were then analyzed through data reduction, data presentation, and verification or conclusion. This research employed a qualitative descriptive method. The study aimed to understand the creation process, aesthetic forms, and symbolic meaning of the Gayor Gong Senen carved relief. The results showed that the creation process consisted of five stages: research, motif sketching, construction, carving, and finishing. The aesthetic form of the Gayor Gong Senen relief lies in the organization of elements such as lines, space, planes, color, texture, and light-dark contrasts, creating an engaging composition. Balance and proportion in the carving, as well as rhythm and dominance in the motif patterns, serve as the main attractions, forming a cohesive artistic piece. The symbolic meaning conveyed through the Gayor Gong Senen relief includes religious values and philosophical messages about human life within society, particularly in Javanese culture.</dc:description>
	<dc:publisher xml:lang="en">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2025-01-01</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/journals/eduart/article/view/22221</dc:identifier>
	<dc:identifier>10.15294/eduarts.v14i1.22221</dc:identifier>
	<dc:source xml:lang="en">Eduarts: Jurnal Pendidikan Seni; Vol. 14 No. 1 (2025): Eduarts: Jurnal Pendidikan Seni; 56-75</dc:source>
	<dc:source>2721-785X</dc:source>
	<dc:source>2252-6625</dc:source>
	<dc:source>10.15294/eduarts.v14i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/journals/eduart/article/view/22221/3363</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2025 Eduarts: Jurnal Pendidikan Seni</dc:rights>
</oai_dc:dc>