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IMAGINATIVE ANIMALS AS INSPIRATION IN THE CREATION OF DARK ART STYLE DIGITAL DRAWINGS

Eduarts: Jurnal Pendidikan Seni · Vol. 14 No. 4 (2025) · hlm. 56–63

DOI
10.15294/eduarts.v14i4.32003
ISSN
2721-785X, 2252-6625
Terbit
2025-12-01
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Traumatic experiences often leave a profound psychological impact due to shocking, frightening, or dangerous events that cause emotional distress in individuals. This work is a visual exploration in the form of dark art-style digital images, inspired by the personal experience of losing a father and the stories of others who have experienced similar mental suffering. The dark art style was chosen because it can emotionally represent trauma and raise awareness of mental health issues in the context of contemporary art. The resulting work is a 60 × 60 cm digital image printed on luster paper, featuring an imaginative animal in a gloomy landscape as the main subject. The visuals are developed symbolically and surrealistically through grotesque forms, anatomical deformations, and a dark, emotional atmosphere. Elements such as glowing red eyes, skulls, ruins, and spider webs were processed using an iPad, Apple Pencil, and the Procreate application. The creative process includes pre-production (research and sketching), production (digital drawing), and post-production (refining and printing). The imaginative animal in this work represents the deepest fears, lasting memories, and unseen forces in the human psyche, while the damaged setting serves as a metaphor for the abandoned psychological space. This work serves as an emotional expression and cultural reflection on trauma, as well as a critique of the lack of social empathy for psychological suffering.

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Raden Yusuf Rahadi KristiantoAfiliasi tidak diketahui1
Ba’im FahrizaAfiliasi tidak diketahui1
FakhrudinAfiliasi tidak diketahui1
Muhammad RizqionoAfiliasi tidak diketahui1
Muhamad Fathurahman Alamsyah AlamsyahAfiliasi tidak diketahui1
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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/journals/eduart/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc)
<oai_dc:dc xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/  http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en">IMAGINATIVE ANIMALS AS INSPIRATION IN THE CREATION OF DARK ART STYLE DIGITAL DRAWINGS</dc:title>
	<dc:creator xml:lang="en">Fahmi, Hafiz Nur</dc:creator>
	<dc:creator xml:lang="en">Mujiyono</dc:creator>
	<dc:subject xml:lang="en">trauma</dc:subject>
	<dc:subject xml:lang="en"> imaginative animals</dc:subject>
	<dc:subject xml:lang="en">digital images</dc:subject>
	<dc:subject xml:lang="en">dark art</dc:subject>
	<dc:subject xml:lang="en">visual expression</dc:subject>
	<dc:description xml:lang="en">Traumatic experiences often leave a profound psychological impact due to shocking, frightening, or dangerous events that cause emotional distress in individuals. This work is a visual exploration in the form of dark art-style digital images, inspired by the personal experience of losing a father and the stories of others who have experienced similar mental suffering. The dark art style was chosen because it can emotionally represent trauma and raise awareness of mental health issues in the context of contemporary art. The resulting work is a 60 × 60 cm digital image printed on luster paper, featuring an imaginative animal in a gloomy landscape as the main subject. The visuals are developed symbolically and surrealistically through grotesque forms, anatomical deformations, and a dark, emotional atmosphere. Elements such as glowing red eyes, skulls, ruins, and spider webs were processed using an iPad, Apple Pencil, and the Procreate application. The creative process includes pre-production (research and sketching), production (digital drawing), and post-production (refining and printing). The imaginative animal in this work represents the deepest fears, lasting memories, and unseen forces in the human psyche, while the damaged setting serves as a metaphor for the abandoned psychological space. This work serves as an emotional expression and cultural reflection on trauma, as well as a critique of the lack of social empathy for psychological suffering.</dc:description>
	<dc:publisher xml:lang="en">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2025-12-01</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/journals/eduart/article/view/32003</dc:identifier>
	<dc:identifier>10.15294/eduarts.v14i4.32003</dc:identifier>
	<dc:source xml:lang="en">Eduarts: Jurnal Pendidikan Seni; Vol. 14 No. 4 (2025): Eduarts: Jurnal Pendidikan Seni (Special Issue); 56-63</dc:source>
	<dc:source>2721-785X</dc:source>
	<dc:source>2252-6625</dc:source>
	<dc:source>10.15294/eduarts.v14i4</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/journals/eduart/article/view/32003/7664</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2025 Eduarts: Jurnal Pendidikan Seni</dc:rights>
</oai_dc:dc>