Melola Discovery

← Melola Discovery

Jurnal

The Impact of Digital Technology on Various Traditional Theaters: An Examination of the Sociology of Arts

Harmonia: Journal of Arts Research and Education · Vol. 25 No. 2 (2025) · hlm. 448–463

DOI
10.15294/harmonia.v25i2.24730
ISSN
2541-2426, 2541-1683
Terbit
2025-12-31
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

The advancement of digital technology has engendered substantial transformations across various dimensions of life, particularly within the realm of traditional performing arts. In Indonesia, traditional art forms such as ketoprak, drama gong, and wayang purwa are currently undergoing significant changes in terms of production, presentation, and consumption in the digital age. This article explores the effects of digitization on these three art forms through the lens of Janet Wolff’s sociology of art framework. According to Wolff’s perspective, artworks are perceived as the outcome of the interplay among diverse social, economic, and cultural factors, with digital technology playing a crucial role in redefining the modern landscape of performing arts. The research findings indicate that digitalization facilitates the expansion of engagement with global audiences while simultaneously preserving local cultural values. Nevertheless, challenges manifest in the form of cultural gentrification, which threatens the erosion of indigenous aspects of tradition. Furthermore, this article offers recommendations for artists to harness technology in order to produce relevant artworks in the context of globalization, without compromising their cultural identity.

Kata kunci

Jaringan kolaborasi para penulis

40 penulis · 87 tautan kepenulisan bersama · 12 lintas organisasi · menampilkan 40 yang paling banyak terhubung

Arahkan kursor atau ketuk sebuah nama untuk menyorot rekan penulisnya. Klik dua kali untuk membuka halaman penulis.

  • Cenderawasih University
  • Hasanuddin University
  • State University of Malang
  • Universitas Gajayana Malang
  • Universitas Muhammadiyah Metro
  • Universiti Utara Malaysia
  • Afiliasi tidak diketahui
  • Organisasi berbeda
  • Organisasi sama
  • Afiliasi tidak diketahui
  • Garis lebih tebal = lebih banyak artikel bersama · lingkaran lebih besar = lebih banyak artikel
Tampilkan sebagai tabel
Rekan penulisOrganisasiArtikel bersama
Gunadi GunadiUniversitas Gajayana Malang4
Widyatmani Sih DewiAfiliasi tidak diketahui4
Supriyadi SupriyadiAfiliasi tidak diketahui4
Sri HartatiAfiliasi tidak diketahui4
Sudadi SudadiAfiliasi tidak diketahui3
Istadi IstadiAfiliasi tidak diketahui3
Luqman BuchoriAfiliasi tidak diketahui3
Retno RosariastutiAfiliasi tidak diketahui3
Muhammad Isran RamliHasanuddin University2
Ibnu SiswantoAfiliasi tidak diketahui2
Ni Wayan Anik LeanaAfiliasi tidak diketahui2
Eka OktavianiAfiliasi tidak diketahui2
Triyanto TriyantoAfiliasi tidak diketahui2
Yenny Aman SerahAfiliasi tidak diketahui2
Resmaya Agnesia Mutiara SiraitAfiliasi tidak diketahui2
Agustinus AstonoAfiliasi tidak diketahui2
Ongko CahyonoAfiliasi tidak diketahui2
Budiyono BudiyonoAfiliasi tidak diketahui2
Sumani SumaniAfiliasi tidak diketahui2
Denny Nugroho SugiantoAfiliasi tidak diketahui2
Muliyadi MuliyadiAfiliasi tidak diketahui2
Sri SumiyatiAfiliasi tidak diketahui2
Rosye H.R. TanjungCenderawasih University1
Suriani Br. SurbaktiCenderawasih University1
Dian Dwi Apriliyani ArsdinHasanuddin University1
Nuzul HidayatAfiliasi tidak diketahui1
SUDIRMAN SUDIRMANState University of Malang1
Nego LinuhungUniversitas Muhammadiyah Metro1
Sukoriyanto SukoriyantoState University of Malang1
Mohd Isha AwangUniversiti Utara Malaysia1
Agus Puji PrasetyonoAfiliasi tidak diketahui1
Sudarwanto SudarwantoAfiliasi tidak diketahui1
Atha Fawwaz RudiyantoAfiliasi tidak diketahui1
Nuroktav AdeAfiliasi tidak diketahui1
Retna SusantiAfiliasi tidak diketahui1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/journals/harmonia/oai, pertama di-harvest 5 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc) 
<oai_dc:dc xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/  http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en">The Impact of Digital Technology on Various Traditional Theaters: An Examination of the Sociology of Arts</dc:title>
	<dc:creator xml:lang="en">Sahid, Nur</dc:creator>
	<dc:creator xml:lang="en">Syafii, A.S. Hardy</dc:creator>
	<dc:creator xml:lang="en">Sathotho, Surya Farid</dc:creator>
	<dc:creator xml:lang="en">Yuliadi, Koes</dc:creator>
	<dc:creator xml:lang="en">Purwanto, Purwanto</dc:creator>
	<dc:subject xml:lang="en">traditional theater; digital technology; sociology of art; Janet Wolff; cultural transformation</dc:subject>
	<dc:description xml:lang="en">The advancement of digital technology has engendered substantial transformations across various dimensions of life, particularly within the realm of traditional performing arts. In Indonesia, traditional art forms such as ketoprak, drama gong, and wayang purwa are currently undergoing significant changes in terms of production, presentation, and consumption in the digital age. This article explores the effects of digitization on these three art forms through the lens of Janet Wolff’s sociology of art framework. According to Wolff’s perspective, artworks are perceived as the outcome of the interplay among diverse social, economic, and cultural factors, with digital technology playing a crucial role in redefining the modern landscape of performing arts. The research findings indicate that digitalization facilitates the expansion of engagement with global audiences while simultaneously preserving local cultural values. Nevertheless, challenges manifest in the form of cultural gentrification, which threatens the erosion of indigenous aspects of tradition. Furthermore, this article offers recommendations for artists to harness technology in order to produce relevant artworks in the context of globalization, without compromising their cultural identity. </dc:description>
	<dc:publisher xml:lang="en">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2025-12-31</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/journals/harmonia/article/view/24730</dc:identifier>
	<dc:identifier>10.15294/harmonia.v25i2.24730</dc:identifier>
	<dc:source xml:lang="en">Harmonia: Journal of Arts Research and Education; Vol. 25 No. 2 (2025): December 2025; 448-463</dc:source>
	<dc:source>2541-2426</dc:source>
	<dc:source>2541-1683</dc:source>
	<dc:source>10.15294/harmonia.v25i2</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/journals/harmonia/article/view/24730/7909</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2025 Harmonia: Journal of Arts Research and Education</dc:rights>
</oai_dc:dc>