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The Symbolic Interaction between the Worship Leader and the Music Ministers in Christian Accompaniment Music at Isa Almasih Church, Deliksari Gunungpati, Semarang

Jurnal Seni Musik · Vol. 13 No. 1 (2024) · hlm. 20–26

DOI
10.15294/jsm.v13i1.4600
ISSN
2503-2860, 2301-4091
Terbit
2024-07-10
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Music is an important component of Christian worship in churches, which serves as the accompanying music. This is particularly true in charismatic churches, which primarily use contemporary music that evolves with current trends. In charismatic Christian worship, music plays a role in accompanying and creating the atmosphere for praise and worship songs. This research addresses the issue of symbolic interaction between worship leader and the accompanying music in Christian worship at Isa Almasih Church, Deliksari Gunungpati Semarang. This research employed descriptive qualitative method and used data collection techniques, namely observation, interviews, and documentation. Triangulation was used to ensure the data validity. For analysis, this research used data reduction, data presentation, drawing conclusions, and verification. The findings show that the symbolic interactions between the worship leader and music ministers during worship involves music elements such as pitch, dynamics, rhythm, tempo, melody, and tone color or timbre. This symbolic interaction is formed through agreements made during practice sessions between the worship leader and the music ministers.

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  • State University of Semarang
  • Organisasi berbeda
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Rekan penulisOrganisasiArtikel bersama
Irfanda Rizki Harmono SejatiState University of Semarang2
Nafik SalafiyahState University of Semarang2
Moh. MuttaqinState University of Semarang2
Nathaniel Dhiar RamaputraState University of Semarang1
Istiso LikhameliaState University of Semarang1
Suharto SuhartoState University of Semarang1
Agam HerlambangState University of Semarang1
Agnes Firda KristerikaState University of Semarang1
Birgita Iyona YulitaState University of Semarang1
Rico AprillianoState University of Semarang1
Kidung Sukma AsmaraniState University of Semarang1
Sunarto SunartoState University of Semarang1
Slamet HaryonoState University of Semarang1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/journals/jsm/oai, pertama di-harvest 6 Nov 2026, terakhir terlihat 8 Nov 2026.
Metadata asli (oai_dc) 
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	<dc:title xml:lang="en">The Symbolic Interaction between the Worship Leader and the Music Ministers in Christian Accompaniment Music at Isa Almasih Church, Deliksari Gunungpati, Semarang</dc:title>
	<dc:creator xml:lang="en">Ciptoningtyas, Sheila Vallenta</dc:creator>
	<dc:creator xml:lang="en">Susetyo, Bagus </dc:creator>
	<dc:subject xml:lang="en">Musik Pengiring, Unsur Musikal, Interaksi Simbolik</dc:subject>
	<dc:description xml:lang="en">Music is an important component of Christian worship in churches, which serves as the accompanying music. This is particularly true in charismatic churches, which primarily use contemporary music that evolves with current trends. In charismatic Christian worship, music plays a role in accompanying and creating the atmosphere for praise and worship songs. This research addresses the issue of symbolic interaction between worship leader and the accompanying music in Christian worship at Isa Almasih Church, Deliksari Gunungpati Semarang. This research employed descriptive qualitative method and used data collection techniques, namely observation, interviews, and documentation. Triangulation was used to ensure the data validity. For analysis, this research used data reduction, data presentation, drawing conclusions, and verification. The findings show that the symbolic interactions between the worship leader and music ministers during worship involves music elements such as pitch, dynamics, rhythm, tempo, melody, and tone color or timbre. This symbolic interaction is formed through agreements made during practice sessions between the worship leader and the music ministers.</dc:description>
	<dc:publisher xml:lang="en">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2024-07-10</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/journals/jsm/article/view/4600</dc:identifier>
	<dc:identifier>10.15294/jsm.v13i1.4600</dc:identifier>
	<dc:source xml:lang="en">Jurnal Seni Musik; Vol. 13 No. 1 (2024): June 2024; 20-26</dc:source>
	<dc:source>2503-2860</dc:source>
	<dc:source>2301-4091</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/journals/jsm/article/view/4600/909</dc:relation>
	<dc:rights xml:lang="en">Copyright (c) 2024 Jurnal Seni Musik</dc:rights>
</oai_dc:dc>