Melola Discovery

← Melola Discovery

Jurnal

KARAWITAN TARI WANARA PARISUKA DI OBJEK WISATA GOA KREO KOTA SEMARANG: KAJIAN GARAP GENDHING TARI GARAPAN BARU

Jurnal Seni Musik · Vol. 6 No. 1 (2017)

DOI
10.15294/jsm.v6i1.15005
ISSN
2503-2860, 2301-4091
Terbit
2017-07-25
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Garap music of Wanara Parisuka in Goa Kreo Attraction of Semarang City in the form of collaboration between gendhing-gendhing Java and kentongan music with various rhythmic playing pattern interesting to be studied. The problem discussed is how to garap music Wanara Parisuka Dance. The purpose of this research is to know, explain vocabulary gendhing and garap music of Wanara Parisuka Dance. The research used qualitative descriptive approach. The results show that the vocabulary gendhing used in the dance is in the form lancaran, namely: Lancaran Kotekan and the Wanara Parisuka. The first time was used as a material to support the dance part that was exhibited by the children, while the second was for the material to work on adult dance music. The two lancaran of the pelog nem are presented collaboratively using Javanes gamelan and kentongan devices repeatedly according to the pattern of dance moves in a lancar rhythm. Kendang plays the patterns of the game following the pattern of motion of dance, consisting of nine patterns namely: budalan mangkat, sabetan, joget muter, jogetan menggaruk, dolanan, loncat ulap, lampah tigo, megot, and budalan mulih. The kentongan plays three playing patterns, namely: kentongan 1, kentongan 2, and kentongan 3 with together

Jaringan kolaborasi para penulis

40 penulis · 123 tautan kepenulisan bersama · 13 lintas organisasi · menampilkan 40 yang paling banyak terhubung

Arahkan kursor atau ketuk sebuah nama untuk menyorot rekan penulisnya. Klik dua kali untuk membuka halaman penulis.

  • Sebelas Maret University
  • Institut Teknologi Sepuluh Nopember
  • IPB University
  • Universitas Muhammadiyah Surabaya
  • Padjadjaran University
  • State University of Semarang
  • Afiliasi tidak diketahui
  • Organisasi berbeda
  • Organisasi sama
  • Afiliasi tidak diketahui
  • Garis lebih tebal = lebih banyak artikel bersama · lingkaran lebih besar = lebih banyak artikel
Tampilkan sebagai tabel
Rekan penulisOrganisasiArtikel bersama
Widodo WidodoIPB University3
Nafik SalafiyahAfiliasi tidak diketahui3
Etik ZukhronahSebelas Maret University2
Langlang HandayaniAfiliasi tidak diketahui2
Teguh DarsonoAfiliasi tidak diketahui2
Haydnn Caesha MaulanaAfiliasi tidak diketahui2
Syahrul Syah SinagaAfiliasi tidak diketahui2
Siti AesijahAfiliasi tidak diketahui2
Nur IriawanInstitut Teknologi Sepuluh Nopember1
Kartika FithriasariInstitut Teknologi Sepuluh Nopember1
Brodjol Sutijo Suprih UlamaInstitut Teknologi Sepuluh Nopember1
Wahyuni SuryaningtyasUniversitas Muhammadiyah Surabaya1
Anindya Apriliyanti PravitasariPadjadjaran University1
Titis Jati NugrahaSebelas Maret University1
Winita SulandariSebelas Maret University1
İsnandar SlametSebelas Maret University1
Sri SubantiSebelas Maret University1
Sugianto SugiantoSebelas Maret University1
Mutiara QalbuAfiliasi tidak diketahui1
Sunarno SunarnoAfiliasi tidak diketahui1
Usrek Tani UtinaAfiliasi tidak diketahui1
Musa Abdul HalimAfiliasi tidak diketahui1
Iklas Adi PangestuAfiliasi tidak diketahui1
Nabila Rakha PutriAfiliasi tidak diketahui1
Tri Danu SatriaAfiliasi tidak diketahui1
Udi UtomoAfiliasi tidak diketahui1
Indrianna Dyah Pamarti NingrumAfiliasi tidak diketahui1
Rahina NugrahaniState University of Semarang1
Eko HaryantoAfiliasi tidak diketahui1
Johan SutarjoAfiliasi tidak diketahui1
Malarsih MalarsihAfiliasi tidak diketahui1
Fitri aji Nury astutiAfiliasi tidak diketahui1
Eko SugiartoAfiliasi tidak diketahui1
Achmad ZairinAfiliasi tidak diketahui1
Pinta Resty AyundaAfiliasi tidak diketahui1
Muhammad AdnanAfiliasi tidak diketahui1
Agus CahyonoAfiliasi tidak diketahui1
Gilang Ryand PrakosaAfiliasi tidak diketahui1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/jsm/oai, pertama di-harvest 6 Nov 2026, terakhir terlihat 6 Nov 2026.
Metadata asli (oai_dc) 
<oai_dc:dc xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:oai_dc="http://www.openarchives.org/OAI/2.0/oai_dc/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/oai_dc/  http://www.openarchives.org/OAI/2.0/oai_dc.xsd">
	<dc:title xml:lang="en-US">KARAWITAN TARI WANARA PARISUKA DI OBJEK WISATA GOA KREO  KOTA SEMARANG : KAJIAN GARAP GENDHING TARI GARAPAN BARU</dc:title>
	<dc:creator>susanto, irwan</dc:creator>
	<dc:creator>haryono, slamet</dc:creator>
	<dc:description xml:lang="en-US">Garap music of Wanara Parisuka in Goa Kreo Attraction of Semarang City in the form of collaboration between gendhing-gendhing Java and kentongan music with various rhythmic playing pattern interesting to be studied. The problem discussed is how to garap music Wanara Parisuka Dance. The purpose of this research is to know, explain vocabulary gendhing and garap music of Wanara Parisuka Dance. The research used qualitative descriptive approach. The results show that the vocabulary gendhing used in the dance is in the form lancaran, namely: Lancaran Kotekan and the Wanara Parisuka. The first time was used as a material to support the dance part that was exhibited by the children, while the second was for the material to work on adult dance music. The two lancaran of the pelog nem are presented collaboratively using Javanes gamelan and kentongan devices repeatedly according to the pattern of dance moves in a lancar rhythm. Kendang plays the patterns of the game following the pattern of motion of dance, consisting of nine patterns namely: budalan mangkat, sabetan, joget muter, jogetan menggaruk, dolanan, loncat ulap, lampah tigo, megot, and budalan mulih. The kentongan plays three playing patterns, namely: kentongan 1, kentongan 2, and kentongan 3 with together</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2017-07-25</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/jsm/article/view/15005</dc:identifier>
	<dc:identifier>10.15294/jsm.v6i1.15005</dc:identifier>
	<dc:source xml:lang="en-US">Jurnal Seni Musik; Vol 6 No 1 (2017): June 2017</dc:source>
	<dc:source>2503-2860</dc:source>
	<dc:source>2301-4091</dc:source>
	<dc:source>10.15294/jsm.v6i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/jsm/article/view/15005/8331</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2017 JURNAL SENI MUSIK</dc:rights>
</oai_dc:dc>