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Changes In The Function Of Manimbong Music In The Rambu Tuka' Ceremony Of The Toraja People

Jurnal Seni Musik · Vol. 11 No. 2 (2022) · hlm. 219–223

DOI
10.15294/jsm.v11i2.64407
ISSN
2503-2860, 2301-4091
Terbit
2022-12-31
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Talking about traditional music, it is important to discuss the religious beliefs of the people around the music. This also applies to the Toraja tribe, which is located in the mountainous region of the southern island of Sulawesi. One of the arts that exist within the Toraja environment is Manimbong. Manimbong is a Torajan art form that combines two arts, music and dance, performed by a group of men at the Rambu Tuka' ceremony. This art is known as the art of Aluk Todolo (Toraja tribal religion). The introduction of Christianity in Toraja society has also affected some Toraja cultures. This research aims to see the changes in function that occur in Manimbong. In analyzing this research to see changes in the function of Manimbong using descriptive qualitative research methods. Primary and secondary data were obtained using observation, interview, and document study data collection techniques. Credibility criteria as a basis for conducting data validation techniques and data triangulation are in the standard of degrees of trust. The conclusion of this research is that Manimbong is not an art owned by Aluk Todolo or Christian, but belongs to all Toraja people. In addition, in the process of changing its function, Manimbong changes according to the context of several things, such as changes in the meaning of the poem of Manimbong itself in both Christianity and Aluk Todolo, as well as in the context in which Manimbong is performed or staged.

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  • State University of Semarang
  • Universitas 17 Agustus 1945 Samarinda
  • Hasanuddin University
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Rekan penulisOrganisasiArtikel bersama
Udi UtomoState University of Semarang7
Restu Ayu MumpuniState University of Semarang2
Triyanto TriyantoState University of Semarang2
Hany NurpratiwiState University of Semarang1
Siti Ekowati RusdiniState University of Semarang1
Suharto SuhartoState University of Semarang1
Eko SugiartoState University of Semarang1
Prima Suci LestariState University of Semarang1
Slamet HaryonoState University of Semarang1
Pinta Resty AyundaState University of Semarang1
Tegar AnugrahitaState University of Semarang1
Riska Dwi DamayantiHasanuddin University1
Givan Sonya GaniState University of Semarang1
Suherman SuhermanState University of Semarang1
Dody Candra HarwantoState University of Semarang1
Ahmad Zahry MujadidState University of Semarang1
Astri Marita ManikAfiliasi tidak diketahui1
Aji Sofian FebriantoAfiliasi tidak diketahui1
Wahyu Prasetyo BektiState University of Semarang1
Triyanto TriyantoState University of Semarang1
Aghnini AghniniState University of Semarang1
Nurfitriani NurfitrianiUniversitas 17 Agustus 1945 Samarinda1
Eka YudhyaniUniversitas 17 Agustus 1945 Samarinda1
Catur Kumala DewiUniversitas 17 Agustus 1945 Samarinda1
Rina Masithoh HaryadiUniversitas 17 Agustus 1945 Samarinda1
Ritchie Manuel PratamaState University of Semarang1
Jalu Sigit Aji WiyonoAfiliasi tidak diketahui1
Khaerul Umam DiazAfiliasi tidak diketahui1
Muhammad Panji Wahyu MuktiState University of Semarang1
Anik PrabowoState University of Semarang1
Tendian FebriagaziState University of Semarang1
Dini Permata RisqiState University of Semarang1
Muhammad Ilham FahruddinState University of Semarang1
Eka Titi AndaryaniState University of Semarang1
Maria Johana Ari WidayantiState University of Semarang1
Ibnu Amar MuchsinState University of Semarang1
Salsha AnandaState University of Semarang1

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Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/jsm/oai, pertama di-harvest 6 Nov 2026, terakhir terlihat 6 Nov 2026.
Metadata asli (oai_dc)
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	<dc:title xml:lang="en-US">Changes In The Function Of Manimbong Music In The Rambu Tuka' Ceremony Of The Toraja People</dc:title>
	<dc:creator>Novita, Indry Ayu</dc:creator>
	<dc:creator>Sinaga, Syahrul Syah</dc:creator>
	<dc:creator>Sunarto, Sunarto</dc:creator>
	<dc:description xml:lang="en-US">Talking about traditional music, it is important to discuss the religious beliefs of the people around the music. This also applies to the Toraja tribe, which is located in the mountainous region of the southern island of Sulawesi. One of the arts that exist within the Toraja environment is Manimbong. Manimbong is a Torajan art form that combines two arts, music and dance, performed by a group of men at the Rambu Tuka' ceremony. This art is known as the art of Aluk Todolo (Toraja tribal religion). The introduction of Christianity in Toraja society has also affected some Toraja cultures. This research aims to see the changes in function that occur in Manimbong. In analyzing this research to see changes in the function of Manimbong using descriptive qualitative research methods. Primary and secondary data were obtained using observation, interview, and document study data collection techniques. Credibility criteria as a basis for conducting data validation techniques and data triangulation are in the standard of degrees of trust. The conclusion of this research is that Manimbong is not an art owned by Aluk Todolo or Christian, but belongs to all Toraja people. In addition, in the process of changing its function, Manimbong changes according to the context of several things, such as changes in the meaning of the poem of Manimbong itself in both Christianity and Aluk Todolo, as well as in the context in which Manimbong is performed or staged.&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2022-12-31</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
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	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/jsm/article/view/64407</dc:identifier>
	<dc:identifier>10.15294/jsm.v11i2.64407</dc:identifier>
	<dc:source xml:lang="en-US">Jurnal Seni Musik; Vol 11 No 2 (2022): December 2022; 219-223</dc:source>
	<dc:source>2503-2860</dc:source>
	<dc:source>2301-4091</dc:source>
	<dc:source>10.15294/jsm.v11i2</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/jsm/article/view/64407/23440</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2022 Jurnal Seni Musik</dc:rights>
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