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The Performance of Killer of Gods Band in Semarang

Jurnal Seni Musik · Vol. 12 No. 1 (2023) · hlm. 98–106

DOI
10.15294/jsm.v12i1.68029
ISSN
2503-2860, 2301-4091
Terbit
2023-06-30
Penerbit
Universitas Negeri Semarang
Bahasa
eng

Abstrak

Killer of Gods, also known as KOG, has participated in events such as Rockin Solo and Jakarta. The performance style of KOG has successfully created an energetic atmosphere on stage, and captivated the audience with the use of dynamic lighting to enhance the musical experience. This research aimed to explore the performance format of the band Killer of Gods, serving as a reference for musicians and other researchers. The study employed a qualitative method with a phenomenological approach. Data collection was conducted through observation, interviews, and documentation. Data validity was ensured through triangulation. The data analysis process involved data collection, data reduction, data presentation, and drawing conclusions. The performance format of Killer of Gods consists of two aspects, namely composition and presentation. The composition aspect includes rhythm, melody, harmony, instruments, lyrics, arrangement, formation, and performance elements. Meanwhile, the presentation aspect includes stage design, sound system, lighting, makeup, performance timing, and music presentation. In addition, Killer of Gods exclusively performs their own compositions during their music performances.

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14 penulis · 24 tautan kepenulisan bersama

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  • State University of Semarang
  • Organisasi berbeda
  • Organisasi sama
  • Afiliasi tidak diketahui
  • Garis lebih tebal = lebih banyak artikel bersama · lingkaran lebih besar = lebih banyak artikel
Tampilkan sebagai tabel
Rekan penulisOrganisasiArtikel bersama
Irfanda Rizki Harmono SejatiState University of Semarang2
Sheila Vallenta CiptoningtyasState University of Semarang1
Nathaniel Dhiar RamaputraState University of Semarang1
Istiso LikhameliaState University of Semarang1
Suharto SuhartoState University of Semarang1
Agam HerlambangState University of Semarang1
Agnes Firda KristerikaState University of Semarang1
Birgita Iyona YulitaState University of Semarang1
Nafik SalafiyahState University of Semarang1
Kidung Sukma AsmaraniState University of Semarang1
Sunarto SunartoState University of Semarang1
Moh. MuttaqinState University of Semarang1

Afiliasi berasal dari OpenAlex; metadata OAI-PMH jurnal tidak memuatnya. Penulis tanpa ID OpenAlex dicocokkan berdasarkan nama, sehingga dua orang bisa tergabung atau satu orang bisa terpisah.

Sumber metadata: OAI-PMH (metadata jurnal) https://journal.unnes.ac.id/sju/index.php/jsm/oai, pertama di-harvest 6 Nov 2026, terakhir terlihat 6 Nov 2026.
Metadata asli (oai_dc) 
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	<dc:title xml:lang="en-US">The Performance of Killer of Gods Band in Semarang</dc:title>
	<dc:creator>Aprilliano, Rico</dc:creator>
	<dc:creator>Susetyo, Bagus</dc:creator>
	<dc:description xml:lang="en-US">Killer of Gods, also known as KOG, has participated in events such as Rockin Solo and Jakarta. The performance style of KOG has successfully created an energetic atmosphere on stage, and captivated the audience with the use of dynamic lighting to enhance the musical experience. This research aimed to explore the performance format of the band Killer of Gods, serving as a reference for musicians and other researchers. The study employed a qualitative method with a phenomenological approach. Data collection was conducted through observation, interviews, and documentation. Data validity was ensured through triangulation. The data analysis process involved data collection, data reduction, data presentation, and drawing conclusions. The performance format of Killer of Gods consists of two aspects, namely composition and presentation. The composition aspect includes rhythm, melody, harmony, instruments, lyrics, arrangement, formation, and performance elements. Meanwhile, the presentation aspect includes stage design, sound system, lighting, makeup, performance timing, and music presentation. In addition, Killer of Gods exclusively performs their own compositions during their music performances.</dc:description>
	<dc:publisher xml:lang="en-US">Universitas Negeri Semarang</dc:publisher>
	<dc:date>2023-06-30</dc:date>
	<dc:type>info:eu-repo/semantics/article</dc:type>
	<dc:type>info:eu-repo/semantics/publishedVersion</dc:type>
	<dc:type xml:lang="en-US">Peer-reviewed Article</dc:type>
	<dc:format>application/pdf</dc:format>
	<dc:identifier>https://journal.unnes.ac.id/sju/jsm/article/view/68029</dc:identifier>
	<dc:identifier>10.15294/jsm.v12i1.68029</dc:identifier>
	<dc:source xml:lang="en-US">Jurnal Seni Musik; Vol 12 No 1 (2023): June 2023; 98-106</dc:source>
	<dc:source>2503-2860</dc:source>
	<dc:source>2301-4091</dc:source>
	<dc:source>10.15294/jsm.v12i1</dc:source>
	<dc:language>eng</dc:language>
	<dc:relation>https://journal.unnes.ac.id/sju/jsm/article/view/68029/24586</dc:relation>
	<dc:rights xml:lang="en-US">Copyright (c) 2023 Jurnal Seni Musik</dc:rights>
</oai_dc:dc>